39 pages 1-hour read

Normal People

Fiction | Novel | Adult | Published in 2018

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Character Analysis

Connell Waldron

Connell Waldron, one of two main characters in this novel, is Marianne Sheridan’s friend and intimate, and the two of them influence one another in important ways over the course of the story. At the beginning, Connell is a conventional, popular high school student. Although less bullying and boisterous than many of the other boys in his social group, he keeps himself at a remove from his own bookish, introspective tendencies. He likes being a part of a social group, even if he occasionally finds it stifling, and he does not examine his feelings too closely. 


Marianne causes Connell to see what he has been missing in his regular social life: namely, real communication, as opposed to ritualized gatherings and outings. Although Connell was sexually experienced before he became involved with Marianne, she is the first girl with whom he actually enjoys sex. She is also the first girl with whom he talks about what is on his mind—thus actually discovering what is on his mind. Marianne influences Connell, for better or worse, to study literature at Trinity College in Dublin rather than to study law at a school nearer to their hometown. She encourages Connell to take a lonelier, riskier path than the one he might have taken had they not met, but it’s a path that’s deeper and more rewarding as well. 



Marianne Sheridan

Marianne is Connell’s friend and intimate. Although she initially seems more self-possessed and worldly—from a wealthy family, she affects an amused and indifferent distance from the cliquish social world of their small-town high school—she has her own vulnerabilities. Her assured façade conceals a deep self-loathing, a result of her dysfunctional family background. This self-loathing manifests itself most powerfully in her sexual relations with men, and Connell must learn to navigate her masochistic impulses while also not fully giving in to them. 


While Marianne wakes Connell up to his introspective, loner side, Connell wakes Marianne up to the realization that she needs people. Though her social manner is less shy than his, she is also a lonelier character, even when surrounded by friends at Trinity. She does not depend deeply on anyone, and she views herself as a person apart, whether loathed or envied or both. Connell rescues her from this burdensome feeling of separateness, and she finds at the end of the novel that she enjoys being “a normal person.” She can now walk down the street and feel that she is a part of the world, in all of its glancing incidental beauty. 



Lorraine Waldron

Lorraine, young and single, is Connell’s mother. She had Connell when she was just a teenager, and Connell has never known his father. Unconventional yet loving, Lorraine brings stability to Connell’s life. 


As a single mother in a small, conservative town, Lorraine has learned how to think for herself and to decide on her own moral values. Her individualism shows most clearly in her feminist defense of Marianne and in her shame at her own son’s behavior, when Connell decides to take another, more socially acceptable girl to the Debs Ball. 


Denise Sheridan

Denise is Marianne’s mother; like Lorraine, she is referred to by her first name throughout the novel, though this seems to imply an icy distance rather than an offhand familiarity. Although Denise does not appear often, she has a destructive effect on Marianne. Denise is the inverse of Lorraine; though also a single mother, she is no freethinker or feminist. Denise has internalized the values of her deceased abusive husband as well as the values of a patriarchal, religiously conservative culture. She shuns her daughter and favors her bullying son, Alan. 


Because of her wealth, Denise feels superior to more modest citizens like Lorraine, who works as Denise’s housekeeper, and she keeps all uncomfortable self-awareness at bay. Though isolated, she tells herself that she is “normal” because she lives in a big house, even though the townspeople view her as peculiar. Ironically, Denise’s concern with appearances and brittle adherence to conventional patriarchal values make her isolated and odd. These values have hurt and warped her, and they have destroyed her family, but she clings to them because they are what she knows. In the end, Marianne sees her mother in a new light—as just another person out in the world—much as Marianne comes to see herself.  


Alan Sheridan

Alan is Marianne’s bullying brother. Like Denise, he plays one role in the family and another role in the world. Although Marianne is cowed by him, she understands that he is weak himself, and he needs to victimize her to assert his own superiority and dominance. She can hear his uncertainty and cravenness in his telephone conversations with his classmates, and when Connell finally confronts him at the end of the novel—telling him to leave Marianne alone—Alan caves in immediately and even starts to cry. 


Though Alan plays the role of monster throughout much of the novel, he is also a victim. His father abused him, and Alan picks up his father’s bullying mantle, goaded on by Denise. He has an artificially powerful role in the family that he cannot possibly live up to, and he has no clue how to behave in the world. Alan is trapped in a vicious cycle: He takes out his frustrations on his sister because he flounders outside of the home. It’s the only way that he knows how to shore up his sense of himself.



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