73 pages 2-hour read

Nostromo: A Tale of the Seaboard

Fiction | Novel | Adult | Published in 1904

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Part 2, Chapters 5-8Chapter Summaries & Analyses

Part 2: “The Isabels”

Part 2, Chapter 5 Summary

The Gould carriage returns first from the harbor. Martin Decoud, riding with Mrs. Gould, Antonia Avellanos, and Don José Avellanos, launches into a bitter reflection on history, comparing modern foreign investors and engineers to the early European adventurers who once descended on Sulaco to seize its wealth. Decoud argues that Costaguana remains a treasure-house perpetually exploited by outsiders while its own people destroy one another through civil war. Mrs. Gould protests at his unfairness, and Antonia recognizes that his attack is partly directed at her convictions.


At the Casa Gould, Don José urges Decoud to publish an article in The Porvenir praising General Barrios and the strength of his army, emphasizing the importance of maintaining morale at home and favorable opinion abroad. Decoud responds cynically but accompanies the family inside, where Charles Gould has just returned from the mine and the room is filled with political discussion and visiting officials. Decoud paces restlessly, irritated by the contrast between European theories of politics and the crude realities he now confronts in Sulaco. He admits privately that Antonia’s faith in the cause has unsettled him and forced him into deeper involvement than he intended.


Decoud and Antonia speak privately. He insists that he is not a patriot but a lover, describing politics and journalism as deadly illusions. Antonia replies calmly that men must be used as they are and that sacrifice and suffering still give meaning to patriotism. Their exchange becomes increasingly intimate, as Decoud confesses his fear that his role as a journalist places his life in danger. Should Montero prevail, he will “go to the wall” (131). When Antonia quietly says that he will make her cry, Decoud is shaken and momentarily “overwhelmed” (132).


Their conversation widens into political argument. Decoud proposes that the Occidental Province should separate from the rest of Costaguana, arguing that geography, wealth, and isolation make independence both practical and desirable. Antonia rejects the idea as contrary to her principles, though she listens attentively. Nostromo rides by beneath them, and Decoud comments on “the illustrious Capataz de Cargadores” (134) and his influence among the people.


Inside the sala, Don José addresses a group of deputies, claiming that Sulaco has answered Montero’s challenge by sending an army against him. The gathering erupts in approval. Decoud suddenly shouts, silencing the room, then turns back to Antonia, claiming this insult is the “quintessence of [his] journalism” (138). He compares himself to Nostromo, suggesting that personal power and admiration may be the true rewards of action, though Antonia challenges him on this point. As the evening progresses, visitors gradually depart. Father Corbelán enters and confronts Decoud, denouncing him as a “godless […] materialist” (143) incapable of belief. Decoud responds coolly, defending his journalism and noting that The Porvenir continues to attack Montero while also urging the enlistment of Hernández’s band. The priest, obsessed with restoring church property, moves restlessly about the room, unsettling others with his zeal.


When most guests have gone, a hide merchant named Hirsch from Esmeralda nervously approaches Charles Gould, recounting a frightening encounter on the road with armed men and a rider resembling Nostromo. Gould reassures him that he was never in danger. Hirsch seeks business opportunities, first in hides and then in dynamite, but Gould abruptly cuts him off. He possesses enough dynamite at the mine to “send it down crashing into the valley” (148) and will not sell any under any circumstances. After Hirsch leaves, the railway engineer remarks that the railway will eventually need dynamite. Gould responds that he will spare none, explaining that the stored explosives are his ultimate safeguard. The San Tomé concession, he says, has sunk such deep roots into the province that only dynamite could ever dislodge it. He describes this stockpile not as a weapon but as an argument, one he has already presented to Holroyd, the distant financier, who advised perseverance and trust in God. As the engineer departs, Gould remains alone, calm and resolute, holding his “trump card” (149) in reserve.

Part 2, Chapter 6 Summary

In the quiet of the Gould household, Charles Gould finds his wife sitting alone and troubled. Mrs. Gould fears for their position in Sulaco. Charles responds calmly and firmly, insisting that their course has long been fixed. He explains that there is no possibility of turning back or even pausing, and that he is prepared to go “any distance” (150) necessary to secure success. Mrs. Gould, though shaken, accepts his resolve outwardly and withdraws, leaving him to return to the mine at midnight to supervise the next silver shipment. 


As she walks through the dim corridor, Mrs. Gould encounters Martin Decoud, who reveals that he has returned because of troubling rumors that the Ribierist forces have suffered a major defeat. General Barrios is at sea with his troops and will learn the news only upon reaching Cayta. Mrs. Gould is horrified by the prospect of Montero’s victory, but Decoud quickly reframes the situation. He argues that even if the rumors are true, nothing is irretrievably lost. He proposes a new course of action centered on a revolution in Sulaco itself and the separation of the Occidental Province from the rest of Costaguana. Decoud admits openly that his motives are personal as well as political. His attachment to Antonia makes flight impossible, and his name will be excluded from any Monterist amnesty. Separation, he claims, is both a practical solution and the only way to protect Sulaco, the mine, and those dependent on it.


Decoud explains that his plan depends on holding Cayta, organizing resistance locally, and using Hernández and his band to defend the province. He urges Mrs. Gould to consider her moral responsibility toward the mine workers, hospital patients, and families settled at San Tomé. He also insists that the silver convoy must proceed to the harbor as scheduled so it can be shipped north to secure financial backing from Holroyd. He adds that Nostromo has promised to keep the cargadores loyal to the Europeans in the event of unrest. After hesitation, Mrs. Gould silently agrees to let the silver come down from the mine. As he departs, Mrs. Gould continues down the corridor, feeling that the mine has become “a monstrous and crushing weight” (160) bearing down upon her and her husband, separating them from their original humanitarian ideals.

Part 2, Chapter 7 Summary

Chapter 7 is framed as a long letter written by Martin Decoud to his sister in Paris, composed during the night in the Viola hotel. Decoud recounts the violent riot that has engulfed the town following the collapse of President Ribiera’s cause. 


In Decoud’s account, a mob attempts to seize the San Tomé silver in the Custom House, meeting resistance from European residents and railway engineers. Decoud himself takes part in the defense, firing from the windows of the club to keep open the Calle de la Constitución so that women and children can escape to ships in the harbor. 


During the riot, Ribiera unexpectedly arrives in Sulaco, having fled across the mountains with the muleteer (mule driver) Bonifacio. Nostromo spirits him aboard the steamer Minerva, saving him from the violence of the mob. The tide of violence then turns. The rioters are driven back into the poorer parts of the town. Two provincial deputies, Gamacho and Fuentes, eventually assume leadership of the mob under Monterist principles, organizing a rival committee and proposing a truce with the European-led Amarilla Club. Decoud dismisses these political maneuvers, asserting that real power in Sulaco lies only with the railway engineers and Nostromo.


As the night quiets, Decoud continues writing. He describes the silence of the town, the darkness of the gulf, and the passing of railway stock being withdrawn for safety. He has not eaten or slept for many hours and feels overwhelmed by fatigue and restlessness. He resumes writing instead of resting, explaining that he wants to leave a clear record of his thoughts in case he does not survive. Decoud recounts events at the Casa Gould following the riot. The patio has been turned into a hospital for the wounded, with Dr. Monygham treating injuries and Father Corbelán hearing confessions. Mrs. Gould moves tirelessly among the injured, assisting with supplies. Upstairs, a remnant of the Provincial Assembly debates surrender. Decoud delivers an impassioned speech urging resistance. Don José Avellanos supports him weakly, but the others hesitate. Don José collapses soon afterward, and Decoud believes the strain has effectively killed him.


Decoud then outlines the worsening strategic situation. News arrives by telegraph that Pedro Montero has pursued Ribiera through the mountains, killing Bonifacio, and has reached the railway construction camp. Montero demands trains and inquires aggressively about the San Tomé silver. Meanwhile, the garrison of Esmeralda has mutinied, seized a government steamer, and cut cable communications. These forces now threaten Sulaco from land and sea. Decoud explains that a plan has been formed to save the silver at all costs. Mrs. Gould supports removing it immediately from the country to preserve the mine’s future and maintain foreign backing. Nostromo is chosen to transport the treasure across the gulf in a company lighter (a small ship intended to land—“light”—in shallow waters) and Decoud decides to accompany him. He insists he is not fleeing but acting to preserve the silver, which has become the true target of the rebellion.


The narrative returns to the present as Nostromo arrives at the inn with Dr. Monygham. Giorgio Viola’s wife, Teresa, is dying, and Mrs. Gould prepares to take Decoud to the wharf. Nostromo goes upstairs to see Teresa, who reproaches him bitterly for valuing public praise over personal loyalty. Their confrontation reveals her long-standing disappointment in his ambition and reputation. After refusing her request to fetch a priest, Nostromo leaves, unsettled but resolute. At the wharf, Europeans and cargadores load the silver into the lighter. Charles Gould stands silently among them. As they sail across the dark harbor, Nostromo cannot be sure of his bearing. They aim to rendezvous with a steamer at sea to unload the silver, but they fear being intercepted by rebels. Nostromo cynically laments the mission as “the most famous and desperate affair” (191) of his life. He would rather the treasure sink, he says, than allow it to fall into the wrong hands. Without any wind, they are forced to row. Nostromo regrets that he did not “fetch a priest for a dying woman” (193) and fears that he will be cursed as a result. Amid the quiet, they hear a sound. There is “somebody weeping on this lighter” (194), they realize. On searching the boat, they find Señor Hirsch “in an absurd pretense of sleep, faintness, or death” (195).

Part 2, Chapter 8 Summary

On discovering Señor Hirsch hidden aboard, Decoud and Nostromo inspect his seemingly lifeless body. Terrified into near immobility, Hirsch rouses and recounts how he fled Sulaco barefoot during the riot, hid all day, and wandered through the outskirts of town in darkness, narrowly avoiding armed patrols, dogs, and hostile crowds. Driven purely by fear, he eventually crawled onto the OSN Company wharf and threw himself into the lighter, concealing himself under the half-deck. He explains that he understood the silver was being removed but dared not reveal himself, hoping only to “get away from this terrible Sulaco” (197).


Nostromo orders Hirsch forward, threatening to kill him if he moves or makes noise. Hirsch obeys, scrambling into the darkness at the bow and collapsing there. His presence unsettles both men, especially Nostromo, who regards fear itself as a form of treachery in such an enterprise. Though he argues that Hirsch should have been thrown overboard, Nostromo ultimately does nothing, recognizing that any attempt to silence him now would risk detection. Decoud resolves not to interfere with whatever decision Nostromo might make. Nostromo extinguishes the candle, plunging the lighter into complete darkness. Soon, a steamer approaches: the captured government transport from Esmeralda, commanded by Colonel Sotillo, carrying Monterist troops intent on seizing the silver. The steamer proceeds cautiously without lights, stopping and starting as its officers argue on the bridge. Nostromo lowers the sail completely. He and Decoud remain motionless as the steamer draws dangerously close through the “deathlike stillness” (202).


Nostromo explains bitterly that he never wanted Decoud with him, having foreseen the danger, but had been compelled by promises made at Casa Gould. He insists that the silver must be saved at all costs and repeats that he is prepared to destroy both lighter and treasure rather than surrender them. The tension culminates when the steamer strikes the lighter. The collision nearly swamps the smaller craft. Hirsch screams in panic and is flung toward the mast. As the steamer’s anchor hooks into the lighter’s rigging, Hirsch clings to it and is carried away aboard the transport, still shouting for help. The anchor cable parts, freeing the lighter. The steamer, believing it has sunk the lighter, resumes its course toward Sulaco. Hirsch is later beaten and imprisoned by Sotillo, but his story unsettles the officers.


The lighter is badly damaged and leaks heavily. Nostromo and Decoud work in silence, Decoud pumping continuously while Nostromo steers. They manage to run the lighter ashore in a hidden cove on Great Isabel island. Together, they unload the silver, carrying the treasure up a ravine. Once exhausted, they rest briefly while Nostromo explains that he knows the island well from earlier solitary explorations. Decoud elects to stay behind on the island with food, tools, and instructions to further conceal the hiding place. Nostromo departs alone, intending to return to Sulaco. Realizing that bringing back the lighter would expose him, he decides to scuttle it near the harbor entrance. He allows the boat to sink, then swims ashore under cover of dawn, erasing all evidence of the silver’s escape.

Part 2, Chapters 5-8 Analysis

The closing chapters of Part 2 of Nostromo depict the passage of the silver from Sulaco. The silver and its passage out of Sulaco take on a range of symbolic meanings: For Charles Gould, the safety of the silver is a signal to foreign investors that political upheaval will not interfere with trade; for Montero, the silver is a chance to fund his revolution and increase his chances of taking control of the extractive economy that produced this wealth.


Given the importance of the mission to get the silver out of Sulaco, Nostromo—as the protagonist and the most uniquely capable person in the town—is the obvious choice to carry out this assignment. Nostromo is characterized here as a self-important man, proud of his capacity to achieve the seemingly impossible. The threat to the mine makes him more “indispensable” to the town’s ruling class than ever, and this indispensability is the foundation of his identity. That Nostromo bases his self-worth on his value to the ruling class is the book’s clearest evidence for The Hidden Foundations of Class Inequality. These foundations, the novel argues, are as much psychological as structural: Inequality perpetuates itself by encouraging people like Nostromo to pride themselves on their ability to rise within an unequal system. For the entire voyage, Nostromo resents Decoud’s presence as an insult to the legend that is Nostromo. As a man values reputation as a currency above all else, the presence of Decoud on this assignment is an awkward, irritating detail that undermines the entire operation.


Ironically, it is not Decoud’s presence on the boat that threatens the mission, but the presence of a third person. Hirsch is only concerned with running away, so it is ironic that he hides on the one ship that is suddenly the focus of so much attention. As a fundamentally unlucky person, Hirsch is the anthesis of Nostromo. Whereas Nostromo craves any opportunity to demonstrate his talent and bravery, Hirsch simply wants to escape attention. Ironically, fate brings them to the same place. The diverging fortunes of the two men are also evident in the fate of the lighter. When the lighter crashes into Solito’s ship, Hirsch has the apparent good fortune to be swept up in the rigging of the bigger vessel. Whereas his life is saved, he is thrown into the clutches of Solito, the man who will eventually torture and kill him. Conversely, Nostromo shows his capacity to improvise. Whereas the presence of Hirsch threatened to reveal the location of the silver, the crash and subsequent capture of Hirsch becomes a convenient cover story. Solito believes that the lighter is sunk, allowing Nostromo to escape. The crash seemingly saves Hirsch, only to lead to his death, while allowing Nostromo to capitalize on events to ensure that the silver is saved. The differing fortunes of the two men show the extent to which fate and fortune rather than talent or intellect can change history.


Chapter 7 is notable for the change in narrative mode. Whereas most of the novel is narrated from a detached, third-person omniscient perspective, much of Chapter 7 comprises parts of a letter written by Martin Decoud to his sister during the revolution. This is a brief example foray into the epistolary form—a fictional form in which the narrative is conveyed through documents such as letters, diary entries, or other written records produced by the characters themselves. Decoud’s letter creates a sense of immediacy and intimacy by presenting events in his own voice, often blurring the boundary between private reflection and public narration. As a narrative mode, the epistolary structure thrusts the reader into the midst of the revolution, showing how Decoud’s ideas develop in real time as a consequence of his emotional reaction to the events around him. At the same time, this switch in narrative mode is an insight into Decoud’s character. Despite the violence that surrounds him and in direct contrast to Nostromo, Decoud is not a fighter. Even when everyone around him is fighting, his first instinct is to write to his sister. Not only does Chapter 7 provide direct insight into the fateful character of Martin Decoud, but it shows the reader exactly why he and Nostromo are such an unlikely pairing. Nostromo may resent Decoud’s presence on the late-night voyage, but he is wrong about Decoud’s motivations. The letter to Decoud’s sister shows that he is not motivated by personal glory.

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