45 pages • 1-hour read
Alison EspachA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of child death, suicidal ideation and/or self-harm, substance use, and mental illness.
The section opens in 2013 as Hurricane Kathy approaches the coast of the Eastern United States. In New York City, 28-year-old Sally, now a freelance writer, discusses the strange coincidence of the hurricane’s name with her therapist. At the suggestion of her fiancé, Ray, Sally is secretly in therapy to decide if she wants to have children. During the session, her mother calls repeatedly. The therapist suggests that Sally has “no center,” prompting Sally to end the session early and return her mother’s call.
Susan frantically urges Sally to come home to Connecticut because her father, Richard, intends to cut down two large, dangerous maple trees before the storm hits. Susan explains that Richard refuses to hire the local tree service because it is now run by Billy, whom Richard still blames for Kathy’s death. Sally is shocked, believing Billy to have taken his final vows to become a friar years ago. Susan corrects her, revealing that Billy now runs his family’s business, Bill’s Tree and Garden, and has a neck tattoo. Sally initially declines to come home, telling her mother she has a work event with Ray. After the call, Sally recites a mantra to herself—a technique recommended by her therapist in which she repeats truths out loud to herself: “My sister, Kathy, is dead. And Billy is not a friar” (275).
The news about Billy triggers a series of flashbacks. Sally recalls her mother’s increasing dependence on medication and suicidal ideation during Sally’s college years. She remembers her father dismissing Susan’s claim that she wants to die by telling her to “go ahead.” Sally reflects on finding a pamphlet for Electroconvulsive Shock Therapy (ECT), researching its history, and later witnessing her mother undergo the treatments, which resulted in severe memory loss. Another flashback recalls an encounter with Billy in a liquor store after his father’s death; he was dressed in the white robes of a novice. They discussed her mother’s ECT, and Billy told her he would soon take his final vows and adopt the name Gabriel Thomas, a name Sally refused to use. She also remembers traveling through Europe after graduation, having several fleeting relationships with men.
Back in the present, Sally returns to her apartment to find Ray, who informs her that Susan called him and that he already promised they would both come to Connecticut. Sally flashes back to her early relationship with Ray, remembering his warning never to lie to him, the fact that they dated for six months before sleeping together, and his eventual marriage proposal. That evening, Sally and Ray attend his law firm’s party on a corporate boat, where she argues with a dismissive partner named Kurt. On the train ride back to their apartment, Sally looks at Facebook and discovers that Billy is in a relationship with a woman named Lisa—the lifeguard on duty when Sally nearly drowned in the pool as a child—and is indeed running his family’s business. Sally packs a bag and tells Ray she is going to her parents’ house by herself. She stays up late looking at Lisa’s profile, learning she is a veterinarian.
The next day, Sally arrives at her parents’ house to find Richard preparing to cut the trees down himself, having learned how from a Google search. Sally drives to Bill’s Tree and Garden, where she and Billy reunite. He agrees to come to her parents’ house the next morning to handle the trees. That night at dinner, Richard insists Billy is not welcome and later tells Sally he will shoot Billy with his BB gun if he sets foot on their property. Sally texts a warning to Billy, but he is undeterred. Susan mentions she suspects Billy has been leaving flowers on Kathy’s grave for years. Sally watches as her father’s attempt to fell a tree goes wrong; the trunk falls and crushes the family’s old swing set.
The following morning, Billy arrives. Richard greets him sheepishly and allows him to assess the situation. Billy determines the trees are too dangerous to fell whole and must be dismantled piece by piece by building a ladder up the trunks. He leaves for supplies, and Susan gives him a grocery list for a lobster dinner she plans to make to “celebrate” the hurricane. Sally goes with Billy to the store. In his truck, he reveals that seeing her years ago at the liquor store made him realize he missed her, and he decided not to take his final vows. He explains that his relationship with Lisa is casual and that he has found purpose in running his father’s business. When Sally asks why he never called her again, he says he felt he had already caused her enough pain.
Back at the house, Billy builds the ladder and begins cutting the trees down, branch by branch. As evening falls, Susan invites him to stay for the lobster dinner, and Richard offers him a beer. During the meal, Richard makes a toast to “Hurricane Kathy.” Just then, Ray arrives unexpectedly, having driven from New York out of concern for Sally. Ray meets Billy, and the dinner becomes tense as Ray questions Billy about his neck tattoo. After dinner, Ray tells Sally that it’s obvious Billy is still in love with her. Sally admits that she and Billy were in love after Kathy’s death, and Ray correctly senses that she still has feelings for him.
As the hurricane’s intensity grows, the power goes out. Ray apologizes for his jealousy and soon falls asleep. Sally receives a text from Billy saying he is coming over. She goes outside into the storm and meets him in the driveway. Billy confesses that he loves her, and Sally tells him she loves him, too. They stand together in a moment of profound calm as the eye of the hurricane passes directly over them.
The next morning, a weatherman, Rick Stevenson, reports on television that Hurricane Kathy has weakened and is moving north. Sally reflects that Kathy’s essence is now part of the air they all breathe.
In the novel’s final section, Espach’s structural choices define memory as an associative, rather than linear, process, pointing to The Subjectivity of Memory in Reconstructing the Past. The final section functions as the novel’s narrative and emotional nexus, collapsing 15 years to demonstrate the cyclical nature of trauma. Placing the climax in the final chapter deviates from a traditional linear structure, emphasizing the past as an active force that shapes the present. The narrative is propelled not by chronological progression but by the psychological pressure of unresolved history, which erupts in flashbacks triggered by the news that Billy never took his final vows to become a friar. These memories—of Susan’s ECT, Sally’s European travels, and deceptions in her relationship with Ray—are intrusive fragments that disrupt Sally’s carefully constructed adult life. The impending hurricane serves as an external clock in the narrative, forcing the characters into a final confrontation. Sally’s mantra, “My sister, Kathy, is dead. And Billy is not a friar” (273), reveals the fragility of the “truth” she has built. The chapter’s structure suggests that time does not heal all wounds; it merely buries them.
The convergence of nature and psychology remains central to the chapter’s symbolic landscape, particularly through the pathetic fallacy of Hurricane Kathy and the symbolism of the dying maple trees. The approaching storm with Kathy’s name becomes a meteorological manifestation of repressed grief, externalizing the internal turmoil that has defined the characters’ lives and compelling the family to confront its history. The dying maple trees, which Richard is determined to fell himself, represent the family’s futile attempts to manage the presence of death. Richard’s refusal to hire Billy underscores his inability to relinquish control over the tragedy’s narrative. Billy’s arrival positions him as the only figure capable of safely dismantling these symbols of decay, reflecting his necessary role in helping Sally and, by extension, her parents to deconstruct their grief. The climax occurs within the storm’s calm “eye,” a symbol of the clarity found only by moving through chaos—a space that allows the novel’s most profound truths to be spoken and acknowledged.
The chapter culminates in the complex exploration of The Intersection of Love, Guilt, and Shared Trauma, resolving the forbidden connection between Sally and Billy. Espach contrasts their fraught relationship with the conventional romance Sally attempts with Ray. Ray, with his stable career and emotional directness, represents a life distinctly separate from the defining trauma of Sally’s past. His inability to comprehend the tension at the dinner table highlights the inaccessibility of Sally and Billy’s bond. Their connection is built not on shared interests but on a shared burden of guilt, mutual understanding, and love. Billy’s revelation that he abandoned the seminary not because he lost faith in God but because he “missed [Sally]” (320) recasts his entire adult life as a reaction to their shared history. Although he’s determined that he had “already ruined [Sally’s] life enough […] caused [her] enough pain” (325), Billy’s encounter with her shifts his penance from spiritual self-abnegation to the tangible act of nurturing life at the garden center. Their final reunion validates their love not as a morbid fixation on the past but as an authentic relationship that acknowledges tragedy as an indelible part of its foundation.
The events of this chapter force Sally to confront her fractured identity and redefine her relationship with loss, reinforcing The Formative Power of Sibling Bonds. Her therapist’s assessment that Sally has “no center” (290) provides a clinical diagnosis for the emptiness that has shadowed her since Kathy’s death. For 15 years, Sally’s identity has been predicated on absence; she has lived as “Kathy’s sister,” a role that has dictated her choices. Her engagement to Ray is an attempt to inhabit a conventional identity, yet her inability to commit to having children or be fully honest with him reveals to her the hollowness of this performance. The reunion with Billy strips away this facade, forcing her to integrate the girl who lost her sister with the woman she is trying to become. By choosing to meet Billy in the storm, she performs an act of agency, claiming the love that grew from their shared trauma. The novel’s closing reflection that Kathy’s essence will become “only air” that they “will breathe […] in without even knowing it” (338) offers a narrative closure, suggesting that healing is not about expelling grief but about integrating it so completely that it becomes an unconscious, life-sustaining element, transforming a defining loss into an enduring presence.



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