67 pages • 2-hour read
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Confronted by Daniel, then Sara, John reveals what happened with Sara’s dad. He is shocked when they accuse him of murder on the basis of the letter they found. What in fact happened, he says, isn’t that he murdered Sara’s dad, but that he helped escort him, and persuaded him to move out, from Sara’s mom’s and his house to a hotel. This was because Sara’s mother, Michelle, had asked for his help when things had gotten bad between them. Sara’s dad was deeply depressed, drinking heavily and taking a lot of prescription pills at this stage. Finding out about the affair between John and Michelle had been the tipping point. John had also agreed to write the goodbye note alleging to be from Sara’s father because he was in no state to do it himself.
Two days after he left the house Sara’s dad then killed himself from an overdose of drink and drugs. Sara’s mother and John then went to the police, to ask them to hush it up, so Sara didn’t find out. John explains that they did not tell her because Sara had the same thing her dad had: depression, and the “Same meds even” (275). As such, they concealed what had happened from her as they were worried it could make things worse for her.
Later on, Sara, John, and Daniel visit the cemetery where Sara’s dad is buried, and Sara thanks John for getting her father a headstone. Sara also apologizes to John for thinking he was a murderer and admits to Daniel that she does not really believe she is a Star Child. After returning Sara to her mom’s house, John drives Daniel home. Daniel and John talk in the car, and in response to the question from John of whether he “messed up” Daniel says it’s not too late to make things right between John and Sara.
In this chapter Daniel finishes his book. Fictional Daniel and Sara find the computer in Charles Oliver’s house that is a gateway to another dimension. Daniel also sees the switch that will return things to normal. By flicking it they will return things to how they were, saving the world and bringing everyone back.
Daniel first writes an ending where fictional Daniel doesn’t flick the switch, and he and Sara take on the world together. Daniel realizes if he did not bring the rest of the world back, he would miss Emma and his family, and Max. So instead in his final ending Sara says that they can still take on the world together, “But first we need to bring it back” (283). Sara and Daniel then flick the switch together. Charles Oliver returns and warns them not to flick the switch again. They also see others now, outside. Clearly things have been returned to normal. Daniel’s novel then ends with fictional Daniel saying that, for the first time in a long time, he did not feel alone.
Daniel reflects on his, now completed, work. Although there are aspects of it that need improvement, or that he doesn’t like, he likes the ending, and considers it to be the most important part of his book.
Daniel returns to school on Monday, after his eventful weekend. He finds he is now popular, and Raya come over to talk, flirting with him. However, Daniel decides to stop talking with her and head across the school yard to be with Sara. Daniel says he will go to the therapy group with her, which she had mentioned before, which she interprets as a “date” (287). Daniel gives Sara her star bracelet, which he had picked up when Sara had tried to discard it at the weekend. He tells her that she is still a Star Child. Sara hugs him.
Two nights from then, his family have dinner together. His dad even shows up unexpectedly early from work to attend. They ask Daniel about Sara, suggesting that she is his “girlfriend.” Daniel does not tell them about his therapy session or his OCD but indicates he might in the future. After dinner he starts editing his book, deciding to keep the title The Last Kid on Earth. Daniel had promised as well to message Sara before he started his routine, which he then does. She advises him to turn off the lights and lie down just for a little bit before he starts his routine. Despite his reservations, and the difficulty of this, he manages to accomplish it. Sara says he will be okay, and messages him, “Goodnight OCDaniel,” to which he responds, “Good night, Psycho Sara” (292). He tries to wait as long as he can before starting the routine. Daniel comments, in the final lines of the novel, that we can only be considered “crazy” if we are alone.
Daniel is a near autobiographical representation of King at that age, as a child living with OCD. He notes that the struggle with OCD is one often fought in total secrecy and is typically kept a secret to avoid the stigma of being labeled “crazy.” He concludes by saying that the story is one of “hope and acceptance” (294), and that OCD can be overcome.
In Chapter 25, John is starting the journey of redemption in his relationship with Sara. As John says, “I wanted to change. I was trying […] I thought maybe I could be like a dad for you eventually” (274). John’s change involves being honest for the first time with Sara and escaping from the bonds of his past. The reader learns that John had problems with his father, made bad choices, and got involved with suspect people when he was younger. As a result, he ended up with the conviction for assault, as discovered by Sara and Daniel. However, his efforts to protect Sara from the truth demonstrated the possibility of overcoming that past. His desire now to be truthful with her, and to be a meaningful part of her life, also shows an ability to learn from past mistakes and a willingness to rectify them.
Sara likewise begins a redemptive journey in these chapters. Her mother concealed the truth about her father’s death from her because, as John explains, “[S]he didn’t want you to think you were destined for the same fate” (275). In repressing this past, Michelle hoped it would prevent it from being repeated. King suggests that the opposite is true. Denying Sara the truth about her father alienated her from John and her mother, to the extent where she did not talk to them, and made a repeat of her father’s destiny in fact more likely. Conversely, acknowledging the past allows for healing. This is symbolized by Sara visiting her father’s grave for the first time. In “say[ing] good-bye” (276) to her father, she begins a new chapter in her life. She no longer has to define herself by a father who is absent. Instead, she can begin to create new relationships with the people around her, like John and Daniel.
Despite finding Sara, and beginning to understand his OCD, Daniel still has a long way to go on his path to redemption. By the end of the novel, he still cannot discuss his condition with his family, but he is taking other important steps: He is willing to go to therapy, and with Sara’s help, he is starting the process of mastering his nighttime routine. As the epigraph of OCDaniel says, “For OCD sufferers, hope is rarely found alone.” With Sara’s support, and through writing his book, Daniel can start to heal. Indeed, the ending of The Last Kid on Earth is a metaphor for this. Fictional Sara and Daniel save the world by flicking the switch together, which represents that they are overcoming the isolation often imposed upon people living with OCD and similar conditions.
Daniel’s story ends with the decision to bring back the normal world. This is after fictional Daniel suggests that he and Sara should remain, “Us against the world” (282), in the alternate world, with no one else. This is a metaphor for the importance of a broader social milieu in combatting OCD. As much as there is an appeal to escaping the “normal” world with a unique other, and to shutting out those associated with it, King suggests that this is not the best path to healing. Daniel realizes this when he describes fictional Daniel: “He lived in his own world, and it was empty” (290). True healing will come through participation in, and reconciliation with, the ordinary world of friends, family, and school. As Sara discovers, one does not have to choose between being unique and being “normal.”



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