66 pages • 2-hour read
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Instead of going north or south along the main road, Fan goes west of B-Mor, onto the old roads from long ago that connected the old settlements in the distant past. While the Charters and transport trucks use secured, fenced tollways, the county folks use these muddy, backwater roads to get around.
Fan is struck by a VW electro-diesel car as she walks. Injured, she lays in the rain, as a woman’s voice says, “It’s no deer” (40). A large, bearded man, Quig, exits the vehicle and checks on Fan. The woman, Loreen, is annoyed at the stop, declaring that the duo has three hours left in their trip and she is starving. Quig tells her to be quiet and picks up the injured Fan, placing her into the bed of the vehicle. They go to “The Smokes,” a sparsely populated, hilly county. On the way, Fan throws up and moans in pain, but each time, Quig helps her by stopping the car or administering medicine. The painkillers that she was given make her forget much of what is on her mind, even her thoughts of Reg, whose voice, picture, and favorite songs she had recorded on a device sewn into her pocket.
When she awakes from her painkiller-induced stupor, the driving has stopped. She is lifted by Quig and carried into a house. Quig tells Loreen to turn on the generator. Loreen seems annoyed by Fan’s presence, and refuses to help, but Quig’s voice and demeanor demonstrate that he is dominant in this space and after a short wait “a distant whirring could be heard and Quig pulled a chain and a shop light about her flickered twice and then came on” (45). Fan sees Quig for the first time fully, and is scared; however, she notices that as he undresses her to treat her wound, he does not touch her underwear or make her uncomfortable. He binds her leg with a bandage and leaves. Loreen comes and waits with Fan, giving her a hard time and asking her pointed questions such as, “Where the hell did you think you were going” (46)?
Quig returns to the room with tools and materials, and makes a splint for Fan’s leg. He then carries her to a small utility room with shelves of appliances and car parts, placing her on a cot in the corner of the room. He leaves, and a bit later, as Fan begins to drift into sleep, Loreen comes back to take her sleeping bag and exchange it for a thin, musty blanket, saying that it was her son’s. She warns Fan to “heal up quick […] or you won’t be around long” (47).
Loreen brings Fan a plastic mug containing instant oatmeal and tells her she is expected to eat. Loreen continues to be cruel, telling Fan that she doesn’t know why Quig is bothering to take care of her. Fan tells Loreen that she needs to use the bathroom right away, and Loreen tells Fan she will find a container to use; however, Fan had “better not soil the cot unless she wants a whipping” (52). Fan is frightened and badly misses her rowhouse in B-Mor, where she was not only comfortable but had the constant company of her clan.
Fan tests her legs and finds that they are injured but not so badly as she thought. She can at least stand on her good leg. After a while, Loreen still has not returned with a receptacle for waste, so Fan hobbles to a shelf where she sees paint buckets and a roller tray. While trying to get them, she knocks the paint cans over and one of them spills yellow paint all over the floor. She urinates in the tray as best she can, given her condition and inability to balance well. As she is relieving herself, Loreen returns with a plastic bucket, and immediately yells at Fan and begins to beat her. The assault suddenly comes to a halt when Fan sees Loreen fall to her hands and knees next to her. Quig is standing there with an electric prod and warns Loreen that he told her to “[b]e gentle” (55). Loreen replies, “Screw you,” to which Quig responds with another prod from the device, sending Loreen face down in Fan’s puddle. Quig again tells Loreen to “[b]e gentle.”
The first few weeks after Fan left the city, rumors spread that perhaps she had been actually sent away, instead of leaving of her own accord. This is because the citizens of B-Mor feel that they have good lives, and even though the city is not perfect, they have work, healthcare, ample water and food, safety, and the family structure of the clans. On the other side of the coin, luxury goods are expensive, and people are only allowed to spend one six-day work cycle at the health clinic without paying extra fees, regardless of their condition or ailment.
A story is told as an example of this scarcity of healthcare: that of Harvey and Ruby Rivera-Deng. They owned and operated a very popular restaurant and bubble tea shop, which made them rich by B-Mor standards. When Ruby experienced kidney failure, Harvey and the rest of her clan made plans to bring her home to be cared for. To raise money, they sacrificed much comfort, selling many of their fanciest clothes and shoes and changing the children’s work shifts at the grow facility to better care for Ruby. On the day they were meant to bring her home, Harvey was informed that she had died. It is revealed that Ruby had sacrificed herself for the good of her clan, knowing she would be an unbearable expense, by unplugging her kidney dialysis machine while unobserved, and only plugging it back in when she knew the medical staff would be checking on her.
The Charters have also had to make cost-cutting measures, according to rumors. When a Charter falls from their position, due to a loss of income or instability, there is almost no chance for them to enter the city and become a working-class citizen of a place like B-Mor. Instead, they often become outcasts, and end up struggling to survive in the outlying counties. There is no middle ground, and they usually do not live through the transition for very long. The rare exception to this rule are those with very specific and highly-regarded skills, such as doctors.
Fan wonders if Quig was perhaps once a Charter doctor or nurse, given his obvious medical skill. Fan overhears voices throughout the day, coming from outside her door. The most unsettling is that of Loreen, who Fan hoped would not return to torment her, even though she had not seen the woman since the assault. Toward the end of the afternoon, a pale, curly-haired boy named Sewey appears, and brings Fan a juice box filled with strawberry soy milk. They drink the beverages together, and Fan indicates that she would like some more, without speaking. The boy brings her two more boxes and has a one-sided conversation with Fan, asking her yes or no questions, such as “You really from B-Mor?” (64). Eventually, Sewey’s mother, Loreen, calls to him to get out of the room, and he leaves, promising Fan to bring back more drinks later.
Over the next few days, Sewey is Fan’s main contact with the world, and he brings her more beverages, graham crackers, peanut brittle, and pieces of chicken. Quig comes twice in the middle of the night to check on her injured leg. Fan and Sewey talk quite often, and she has to ask very few questions since Sewey is “the kind of talker you meet and have to nod at frequently and right off think about how to slip away from” (66), but since Fan is going nowhere, and Sewey has been looking for a companion who will listen to him talk, the relationship works for both of them.
They are in Quig’s compound, which is a facility where many people from the outside counties come when they have injuries or illnesses. Loreen had come to Quig when she was pregnant with Sewey, as she needed to be cut open in order for the baby to be delivered, and Quig was the only person within a two-day drive who could do so successfully. Fan learns that Quig was once a veterinarian, until a simultaneous outbreak of swine flu and bird flu in his Charter village had made everyone paranoid about animals, banning all pets. The business had dried up, and Quig, his wife, and his child, had left the Charter village. Quig’s wife and child had died, and Loreen has told Sewey that he is not to ask Quig about what happened to them. Sewey wonders whether the real reason Fan left B-Mor was to see if it was as awful out here as people say. Fan knows that although her main goal is to find Reg, she isn’t sure that seeing the counties wasn’t a factor.
This chapter opens focusing on Reg. As a couple, Fan and Reg were sweet and loving, and seemed chaste, in a puppy-love sort of way. B-Mor has not been the same since the pair has been gone. There is more litter in the streets, more vandalism, and more crime. An example of this is an older couple who were running an illegal catfish-raising operation. When asked about whether they thought they might get away with it, the woman had replied, “We knew it couldn’t last, but who cares anyway?” (73). This sort of cynicism and apathy is unusual in B-Mor and leads the narrator to wonder what the future might hold.
Reg was rumored “C-free” (74) and this was unusual, as everyone ends up getting cancer at some point. The blood panels done for public health reasons prove this. Since he was discovered to be cancer free, the directorate had been bringing Reg and members of his family in for testing, to see whether there is a genetic component. It is likely that Reg’s health and freedom from genetic diseases stem from his mixed blood, as he has a strong component of the original native blood from the area in his lineage. Black people made up a significant portion of the population at the time of the original Chinese settlers coming to B-Mor, and there was some interbreeding, of which Reg’s bloodline is a product.
The narrator speaks of his uncle, Kellen Yip, and his Auntie Virginia, the latter of whom was suspected of having some non-Chinese blood. They had been his favorite relatives, often ready to play and tell stories. Once, Uncle Kellen told them of the indigenous people who had wanted to remain, at the time of the Chinese settlers coming. He pointed out that although the schools in modern B-Mor taught that these old societies were failing, there were still stores, a government, and other fixtures of civilization. Soon after this, Uncle Kellen and Auntie Virginia recede from the family, showing little interest in being with them publicly and generally keeping to themselves. One day, they vanish, and although nobody wishes to admit that there was a racial component to their leaving, the narrator considers this factor and how it might have affected things. He wonders, too, if Reg’s mixed blood was the key to his being free of cancer. The narrator then discusses again the perceived chastity of Fan and Reg, but admits that they must have had sexual intercourse at least once, somehow, as when Fan left, it was not only to find her love, but to find the father of her unborn child.
These chapters show us the first part of Fan’s journey, where she ends up being the victim of a car accident. Because of this tragic event, she finds herself in the compound of Quig. This is our first view of the realities of the counties. There is kindness and cruelty in equal measure, with the desperation of the counties leading down paths to both. Quig is a good example of this. As a healer, he runs the compound, takes care of people, and saves lives. At the same time, his word is law at his compound, and he is capable of violent acts to enforce that word. An example of this is at the end of Chapter 4, where Loreen has been particularly cruel to Fan, threatening her and beating her for her bathroom habits despite being unwilling to help her get the necessary facilities. Quig comes in and stops Loreen’s cruelty with a dangerous act of his own, shocking Loreen unconscious with a cattle prod and allowing her body to fall into the puddle of urine on the floor. These acts underline what we know of the counties: the government or directorate do not have nearly as much authority here as the people who live and create their own society through sheer force of will.
Fan’s situation is compared to video programs that are written and created by young B-Mors who are sometimes recruited to help create the shows by the Charters. One story in particular contrasts with Fan’s: that of Ji-lan, who is a mercurial and passionate woman who involves herself with a married Charter man and ends up losing everything in the end. Fan is dealing with a profound injury and ragged conditions, whereas Ji-lan’s exploits in the story are described as having a “sinister sparkle” (49). Fan wakes up and feels sick. Normally, B-Mors consider the outside counties dangerous, difficult and frightening, but the narrator points out that Fan was one of their number who “was well aware of the perils, but pushed forward anyway, not rashly or arrogantly but with what might be thought of as a kind of inner faith” (51).
The outside counties are a dangerous place to be, and these first few chapters that take place outside B-Mor illustrate differences as well. The citizens of B-Mor feel that they have good lives because their society affords them basic human necessities. At Quig’s compound, people are cared for until such time as they are better. Most of them pay in gratitude, sticking around in the aftermath to contribute what they can to Quig’s compound.



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