32 pages 1-hour read

On the Shortness of Life

Nonfiction | Essay / Speech | Adult | Published in 49

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Literary Devices

Anaphora

Anaphora is a rhetorical device involving the repetition of a word or phrase at the beginning of successive clauses or sentences. Seneca uses it periodically throughout his essay and it is preserved in instances of Costa’s translation, such as when he writes:


None of these will force you to die, but all will teach you how to die. None of them will exhaust your years, but each will contribute his years to yours. With none of these will conversation be dangerous, or his friendship fatal, or attendance on him expensive (24).


Here, Seneca underscores the benefits of immersing oneself in philosophy and surrounding oneself with philosophical friends. The repetition of “none of these” makes it emphatically clear that philosophers and philosophy on the whole are beneficial and important. The anaphora is a key component of Roman rhetoric and writing style and by using it, Seneca demonstrates his fine education and fluency in composition.

Asyndeton

Asyndeton is a rhetorical device characterized by the omission of conjunctions (i.e., “and,” “but,” “or”) between words or phrases in a series. Seneca uses this device periodically throughout his essay to give his ideas more weight by not distracting the reader with conjunctions. For example, the abrupt quality of Seneca’s observation on the threefold nature of time highlights the certainty of its truth by allowing each statement to impact the reader without the verbal clutter of conjunctions: “Of these, the present is short, the future is doubtful, the past is certain” (15). The use of asyndeton creates a sense of momentum and clarity in the text.

Metaphor

Metaphor allows writers to convey abstract concepts by drawing comparisons to more concrete or familiar objects or ideas. In Seneca’s essay, he employs the metaphor of time as a commodity to help readers grasp the finite nature of time and to emphasize the importance of using it wisely. He states, “It is not that we have a short time to live, but that we waste much of it. Life is long enough, and it’s been given to us in generous measure” (1). Here, he equates life to a generous allocation of this valuable commodity: time. This metaphor reframes our perception of life, shifting the focus from its brevity to how it is spent.


Seneca also uses the metaphor of time as a journey, comparing the journey of life to a voyage. He notes, “Life is like a journey, and the journey’s end is death” (15). This metaphor underscores the inevitability of life’s conclusion and encourages readers to consider how they navigate this journey, all while making the abstract concept of time more tangible and relatable.

Rhetorical Question

Seneca makes extensive use of rhetorical questions throughout his work as a means to prompt engagement and reflection with his reader. Rhetorical questions were a key part of Roman oratory and writing style and were designed to draw in the reader/listener and to encourage them to see things from another point of view. Very often, they are used to make hypothetical examples. Their emotive, persuasive aspect can be seen, for example, when Seneca makes an argument about how often time is wasted, from legal disputes to insincere friendships:


How many days has that defendant stolen from you? Or that candidate? Or that old lady worn out with burying her heirs? Or that man shamming an illness to excite the greed of legacy-hunters? Or that influential friend who keeps people like you not for friendship but for display? (10-11).


This series of questions locates Seneca’s philosophy in real examples, demonstrating its importance as an applied way of life.

Irony

Irony refers to a circumstance when reality and one’s expectation do not align and therefore create tension. Seneca wields irony often in his writing to provoke thought, emphasize contrast, and highlight hypocrisy. The latter is most evident when Seneca discusses the haunting nature of the past; many must fear their own memories if they were “arrogant,” “uncontrolled,” “treacherous,” or “wasteful,” and “yet, this is the period of our time which is sacred and dedicated, which has passed beyond all human risks and is removed from Fortune’s sway…” (15). The irony is created by a juxtaposition of the sacred and profane in an unusual context. In highlighting this contrast, Seneca encourages his readers to take a different perspective on life’s span—one that thematically aligns with his goals of promoting the value of wisdom and proper use of one’s finite time.

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