51 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of child abuse, sexual content, substance abuse, cursing, graphic violence, addiction, illness, and death.
Tyler brings Dom a gift from Tobias, and Dom has a flashback to when he and Tobias were young. Their mother called Dom her “Petit Prince” and reassured him that the thunder was just a storm and not “giants,” as Tobias said. She recounted Tobias’s jealousy when Dom was born, how he didn’t want to share her. When Tobias threatened to leave, Dom got upset, and his mom reassured him that they would always be brothers.
The note Tobias wrote refers to this sentiment, which makes Dom a little emotional. He lifts a magnificent laptop from the box; it is state of the art and likely very expensive because of the way Tobias had it customized just for Dom. Dom knows that Tobias isn’t giving him the go-ahead on his own plans yet, but this is the perfect tool to use when he is able to do so.
Sean admits to Dom that his feelings for Cecelia are significant, and he wishes Dom would acknowledge his own attraction to her. They begin to play fight, and Dom chases Sean outside. Then they see Tyler and Ginger.
Ginger’s face is bloodied and swollen. They tell Ginger to go to the police, but Jeffrey’s cousin is a local cop. Dom tells Tyler to take Ginger to Layla’s house. A short while later, Dom and several other birds burst through the door of Ginger’s house wearing ski masks. While the birds wrestle all of the substance users outside, Dom finds Jeffrey and beats him senseless, then Dom takes the baby and calls child protective services. Later, Dom hears a news report about eight intoxicated men who were found naked, wandering down a highway median. They told conflicting stories to authorities, but one said they were taken by birds.
Dom is listening to the feed from an hour earlier at Roman’s house; Cecelia is telling him off and asking him to do right by his employees. Dom is impressed that Sean has been teaching her what the group “collectively stand[s] for,” and she’s taken it to heart (135). He gets in the car and goes to pick her up, though he’s not sure why. They pull in at a gas station, and Cecelia goes to the bathroom while Dom checks on Zach, the 11-year-old son of the owner, Tim. Dom wants to know what happened to the new shoes and backpack he gave Zach and sees the bruises around the boy’s neck. Dom confronts Tim, squeezing his throat and accusing him of stealing from his own son. He gives Zach a wad of cash and tells Tim not to touch one dime. He also gives the kid a burner phone with his number and tells him to call if Tim hits him again.
Dom checks on Delphine at his childhood home. His feelings for her are complicated; she was cruel to him after his parents died because she felt compelled to take him and Tobias in. However, she’s been trying to be better, offering what wisdom she has before she dies. She is weak and terrified, and this makes it difficult to resent her. Cecelia is there, and Delphine tells Dom in French that Cecelia will be his ruin. On the way home, he thinks of Delphine, who hates Roman even more than he does, and wonders why she seemed to feel guilty around Cecelia.
After getting some sleep, Dom joins Jeremy, Peter, Tyler, and Russell at the garage to discuss the next part of their plan to take down Spencer. They know he’s dealing with corrupt foreign governments and military contacts, and more crates are delivered to his warehouse daily. Dom checks his phone and finds a message from Sean telling him to come to the lake.
Much later, Dom remembers his mom calling him a “little lark” and her “gentle little bird” as they sang together (156). Now, he feels like a bird of prey, fueled by retribution. He didn’t expect to have sex with Cecelia at the lake, but he did, and it was “otherworldly.” Being with her allowed him to reconnect with himself and breathe deeply; it gave him the first peace he’s felt in a long while. However, he also fears that he has betrayed Tobias by becoming involved with the daughter of the group’s target. He goes to Denny and Layla’s, wordlessly makes his way to the guest room, and passes out.
Dom sleeps for 18 hours. Afterward, he heads back to the townhouse. Sean greets him, wondering where he and Cecelia have been for two days. Sean is concerned that Dom will hurt her, and Dom reminds him that Sean and Cecelia have no future because they are going to ruin her father. He thinks that once Cecelia learns everything, she’ll run from them both.
Dom sends Tobias a fraudulent report that seems to be from the bird assigned to watch Cecelia; he wants to keep Tobias from learning what’s really happening with her, Sean, and Dom. When Dom gives Cecelia a ride later, he realizes the futility of his resolve to abstain from sex with her. She tries to talk about their feelings, to initiate intimacy. Suddenly, he pulls the car over and tugs her onto his lap. He can tell that she’s struggling with her own sense of morality, troubled by her sense that she’s cheating on Sean.
Later, after being stood up for a meeting by Andre, the head of the Miami chapter, Dom is livid. He tells Tyler that the Miami chapter has switched to killing innocents because it pays more. He also claims they tried to kill Sean, though he thinks Sean is unaware of this; if Dom hadn’t intervened, he says, Sean would be dead. Dom calls Tobias and is disheartened when his brother reminds him that the club’s actions are not up to Dom.
Cecelia tells Dom that her rainy days are his. She hasn’t fled from him, even after seeing him at his most hostile and violent at the meetup. Instead, she lays ground rules, with the central one being that they can be together as a couple only on rainy days. Now, he watches her run through the sprinkler, her joyful innocence on full display. While Sean cuts the grass, Dom pulls her into the bathroom and taunts her, arousing her though it’s a sunny day. When Cecelia begs him to take her, he says it isn’t in the forecast, referring to her new rule.
Tyler and Dom work in the garage. Unsettled, Dom wonders how he, Cecelia, and Sean are going to make this work. Tyler asks how he’s doing, and Dom expresses his frustration with the metaphorical cage Tobias has him in. A storm breaks outside, and Cecelia appears, soaked in a thin sundress.
Tyler excuses himself, and Dom and Cecelia “collide” (196). He makes a quick phone call, then leads Cecelia to his car. They arrive at a nearby deserted winery, and he takes her into its wine cellar. He opens a bottle that was left out for them, and then they have sex. Dom revels in the intensity of their emotional and physical connection, amazed at how whole she makes him feel.
Dom rolls a joint and drives Cecelia to a lookout with a beautiful view of the Blue Ridge Mountains. Dom doesn’t believe in love or romance, but Cecelia does, and he finds this endearing. Cecelia thinks he’s being a little romantic, an idea he wholly rejects, and then a rainbow appears in the sky above them. It seems fateful to them both.
Dom, Sean, and Cecelia stand around the kitchen drinking coffee; this is the first time they’ve all been alone together since Dom and Cecelia’s sexual relationship began. After Sean heads upstairs for a shower, Dom asks Cecelia if Sean made her come last night, and she won’t answer him. He taunts her with kisses, and she reminds him that he’s breaking the rules; it’s sunny today. He says Sean should know better than to leave the two of them alone together. Still, Dom knows that Sean is attached to Cecelia, and his own feelings for her grow daily. Aware of his erection, she taunts him back. Later, alone, Dom swears he won’t allow her to “domesticate” him, reminding himself that “Love is a four-letter curse” (224).
Dom continues to long for Cecelia after they sleep together, calling her “temptation personified” (170). This continued association of Cecelia with the concept of temptation retains the earlier connection he drew between her and Eve. Likewise, Dom’s figurative use of the verb, “snake,” increases significantly. He uses it six times: when Cecelia “snak[es]” her arm out from under Sean’s body (124), when he describes the premonitory and ominous whisper that “snakes it way in” his mind (145), when Sean “snakes a protective arm around [Cecelia] (173), when Dom describes the “unsettling feeling [that] snakes its way in as [he] wonder[s] in what fucking universe this [love triangle] could possible work” (191), when “Cecelia’s hands snake beneath [his] T-shirt” at the winery (200), during their sex at the winery when he “snake[s] an arm around her waist” (203), and when he “snak[es] [his] arms around her” in the kitchen (217). Each use of this word concerns Cecelia—most often to describe Dom’s movements toward her, or, less often, an action taken by her or Sean. The repetition always involves Cecelia, strengthening her connection to Eve, who is portrayed as the original temptress. If interpreted as an indication of the way this situation will end, it presages little besides misery for those involved.
The relationship between Dom and Cecelia is characterized as volatile and even confrontational. When Dom and Cecelia meet, he says their “eyes collide” (19), and later, at the garage, he uses the same verb when he says, “we collide” (196). Further, when Dom and Cecelia flirt in the kitchen, he says that Cecelia momentarily takes charge and “crushes [their] mouths together” (220). He even describes her touch as feeling “like a burn” (19). This violent imagery conveys Dom’s fear of The Healing Nature of Emotional Intimacy and suggests the trajectory of his character arc. He has kept himself in a state of emotional isolation for so long—refusing to share the burden of his role as an avenger of the innocent—that he struggles to trust anyone.
Even as Dom falls in love with Cecelia, he never allows himself to forget the danger she poses to their operation. He associates her with “fire and water” twice (109, 157), the repetition signaling the tranquilizing effect she can have on him as well as the power she wields to hurt him, Sean, and the other birds who are invested in ruining Roman. Dom says she can both “burn and soothe” (157), a paradox that illustrates the relationship’s instability. Finally, Dom’s choice of metaphor and simile when he describes Cecelia also demonstrates his awareness of the threat she poses to his priorities and even to his relationship with his brother. At Delphine’s, when Dom and Cecelia make eye contact, he says that “a tidal wave of awareness crashes into [him]” as he realizes how significant their connection is (144). He also describes the “undertow-like grip in Cecelia’s gaze” (145). Tidal waves and undertow can be deadly, and Dom’s association of Cecelia with these unpredictable water conditions—rather than a serene lake or the tide’s gentle ebb and flow, for example—makes it clear that she’s a threat in more ways than one.
Dom’s attitudes and emotions reflect The Corrosive Power of Vengeance. For almost 10 years now, Dom has lived for vengeance. He wants to punish Roman, the man responsible for his parents’ deaths as well as anyone who is equally morally corrupt. He remembers when his mother called him “her gentle little bird” (156), and he wonders what she would think of him now. His crusade for justice—for his parents as well as for any individual disempowered by the rich and materialistic—consumes his life and identity. He feels he’s become “A bird of prey. A cunning bird capable of acts so vile, that boy is almost unrecognizable […]—[he is now] a liar, a thief, a master of deception. A bird capable of taking part in destroying an innocent girl in the name of vengeance” (156). This self-image not only demonstrates how devoting his life to retaliation has changed him for the worse but also highlights The Moral Ambiguity of Vigilante Justice. Though Dom and his organization commit violence, they do so in the name of justice and equality. Dom helps Ginger and Marie’s baby not because he has anything to gain, but because Ginger is relatively powerless and cannot physically defend herself against the violent men Marie allows into her home.



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