53 pages • 1-hour read
Natasha BishopA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of sexual content, alcohol use, graphic violence, gender discrimination, and emotional abuse.
The chapter opens several hours before the previous chapter. Rome is annoyed because Arnold is incredibly drunk: Cortez keeps plying Arnold with more drinks despite Rome’s efforts to help Arnold sober up. Cortez backs off from a fight but begins speaking disrespectfully about Amerie’s friends, implying that he could have sex with any of them if he wanted to. Jalen is upset about Cortez’s tone toward Evie, and Rome is furious when Cortez asks Arnold about sex with Janelle; he asks Cortez to stop but punches him when he uses even more insulting language. After some time in a haze of anger, Rome realizes that he is now at the police station and that Janelle is there, too.
At the hotel, Rome watches Janelle ignore her sister and Arnold. In her hotel room, she cleans and bandages his injuries from the fight. She thanks him for supporting her and gives him a massage with the oils he sent earlier with her room service. Janelle begins teasing him about changing from the supportive hero of traditional contemporary romance into the antihero of the dark romance subgenre. Rome assures her that she brings out both his tender and protective instincts.
He then changes the subject, asking Janelle what led her to ignore Amerie so emphatically. Before Janelle can explain, they are both summoned to a group meeting on the hotel’s private patio. Arnold explains that Cortez will no longer be welcome at the wedding, and his mother adds that Cortez will not seek legal redress for his injuries. Arnold’s father congratulates Rome on his actions. When they are alone, Janelle and Rome begin kissing passionately but are soon interrupted by Amerie’s shrieks of surprise.
Still in Rome’s arms, Janelle realizes that the entire wedding party is standing behind her sister. Amerie grows angrier when Evie apologizes for the interruption. The others try to calm Amerie down, and Rome refuses to answer her questions about how long he and Janelle have been involved. Amerie, furious, tells Janelle, “You’re a con artist. You really had me feeling bad for you and questioning my relationship when you told me Arnold tried to kiss you but you’re the one who’s a liar” (194). Christian, Dani, and Evie begin upbraiding Arnold for kissing Janelle as Amerie continues screaming that Janelle is lying. Janelle calmly tells Rome that Arnold did try to kiss her and that she slapped him to get away. When Amerie tries to argue that Janelle is duplicitous for hiding her relationship with Rome, Janelle asks everyone to leave so that she can confront her sister privately.
Amerie begins ranting that Janelle always wins: First she had Arnold, and now she has proven that she can win Rome too. Janelle tells her sister that while she cares about her, she can no longer accept poor treatment. Amerie admits to envying Janelle’s career success, confessing that her fashion line has failed. Janelle feels some empathy but tells her sister firmly that however much she has been struggling, her behavior was never acceptable. Amerie admits that her demands for the wedding were a warped desire to prove herself and that now even Arnold is furious with her: Arnold already told her the truth, saying that he only kissed Janelle out of frustration. Amerie explains that she assumed Janelle resented her for falling in love with Arnold, so she pushed Janelle away preemptively. Janelle looks at her sister, feeling both love and profound grief and anger.
Rome and the other groomsmen confront Arnold over his poor behavior with Janelle. Arnold apologizes and explains to Rome that he was hoping to get the wedding cancelled but has since realized that he still loves Amerie. Rome tells Arnold that he will find a way to keep Janelle from her family if that is what she needs to be happy. However, he will forgive Arnold if Arnold finds a way to make amends.
Rome then goes to find Janelle and tells her, “I know it hurts right now but I am so fucking proud of you” (203). They have passionate sex in Janelle’s private pool area, and Rome is filled with joy. The next morning, Rome dresses for the ceremony while Janelle reads. He decides not to pressure her or intervene in her decision about whether to attend. He kisses her goodbye and promises to bring cake.
Rome is relieved to find Arnold happy and content. Arnold indicates that he and Amerie have resolved whatever was keeping them at odds. He also takes Rome aside to thank him for his blunt honesty and expresses support for his relationship with Janelle. Rome watches as Janelle comes down the aisle, having decided to attend the wedding after all. After the ceremony and exchange of vows, Janelle explains that she “did it for [herself]” so that she will have the positive memory if she and her sister ultimately reconcile (207). At the reception, Janelle gives a moving toast to the happy couple, focusing on Amerie’s heart and devotion to Arnold. Rome is delighted when Janelle kisses him in front of the guests.
Later, Janelle and Rome tease each other about whose toast was more emotionally powerful. Janelle has relaxed now that her sister and Arnold have left for the night. As they dance together, Rome asks Janelle about her future plans. She tells him she is going to call and set up building space for Labor of Love, her health center; she also hopes to keep seeing a new man in her life, if he has time for her. Rome tells her that when they return to Baltimore, he wants to take her on an official date. Janelle asks if she is still supposed to agree to all of his offers, and when he assures her that it is up to her, she says, “[W]ell. In that case […] yes” (210).
The epilogue opens roughly one year after Amerie and Arnold’s wedding. Janelle and Rome reluctantly break a passionate embrace so that she can leave for work on time. They now share a home, and Labor of Love is launching in a month: Janelle convinced Rome to sell her the building rather than make it a gift. Janelle gets a text from Amerie asking if she wants to meet for lunch. While their relationship is better after some joint therapy, Janelle decides to keep her distance. She and her mother see each other only on holidays.
That night, Rome’s nephew Kam calls them both after dinner. He alludes to Rome completing a mysterious task, and Rome ends the call before Kam can explain further. He asks Janelle to test his new video game, which is a dating simulation called Only For the Week. Janelle creates a character and discovers that the only available love interest is a man named Rome who resembles her boyfriend. The characters pass through relationship milestones until the digital “Rome” proposes, at which point a menu asking about continuing the game pops up. Janelle asks Rome if there is a glitch only to turn and see him kneeling and holding an engagement ring. She enthusiastically accepts, telling him, “You are the one person I trust most with all my yeses. So of course I’ll give you this one too” (218).
In the novel’s final act, Rome and Janelle solidify their bond and address the relationships in their lives that are obstacles to their flourishing, both separately and as individuals. Rome’s choice to fight Cortez for his misogynistic comments about Janelle and her friends underscores his deeply protective nature and his frustration with how devalued Janelle is. Her gentle acceptance of his injuries and appreciation of his support confirm that she understands that his moment of anger defines him far less than his care for her does.
Janelle’s refusal to hide or explain her relationship with Rome—even embracing him publicly at the wedding as the partner she wants and deserves—highlights her character development. Rome’s constant regard and care have shown her that she can choose self-regard over roles and expectations that hurt her, developing themes of both Balancing Societal Expectations and Self-Worth and Love as the Means of Personal Growth and Self-Discovery. Amerie’s anger at her reads as entitlement and resentment, and Janelle clearly recognizes this when she refuses to let her compassion for her sister cloud her commitment to self-care. Her ultimate choice to attend the wedding, for herself and to release any sense of bitterness, is a choice to prioritize her integrity and mental health, not a capitulation to her family’s earlier ideas of what it means to be a sister or a maid of honor. Janelle has clearly internalized what Rome points out to Arnold: She is not a tool or a means to an end, but a person with her own dignity. While Janelle begins the novel intensely concerned with how she is perceived and whether she is liked, this hesitation has largely evaporated by the novel’s final act.
Tellingly, the rest of the wedding party is sharply critical of both Arnold and Amerie, underlining that their dysfunction has become apparent to everyone around them. These dynamics affirm another trait that Janelle and Rome share: They inspire trust and loyalty in their friends, even when this requires some acceptance of conflict. The two of them clearly have a strong family of choice, even as family of origin dysfunction is a core part of Janelle’s emotional journey.
Bishop uses the first epilogue to stress that while durable and lasting relationships are key to the romance genre, this does not mean the total absence of conflict. However, she makes this point via Janelle’s familial relationships rather than her romantic ones, underscoring The Pain of Dysfunctional Family and Sibling Rivalry as the main source of the novel’s conflict. Janelle remains somewhat estranged from her mother and sister, though Rome still has a connection to Arnold. These choices affirm Janelle’s commitment to her own emotional safety, which stems in part from the trust she has in Rome to support her dreams and career in ways her family has not. Janelle’s easy conversation with Rome’s nephew and brother and their foreknowledge of the proposal serve as counterpoints to the strained Cross family dynamics—a reminder of what family can be, particularly now that Janelle has embraced the people who matter most to Rome.
Rome’s video game proposal is an open celebration of the couple’s love story that uniquely centers Janelle’s agency. She makes the choices that drive the game forward, and he designs it as an homage to her original insistence that their relationship would be brief. Their engagement thus underscores that life with Rome has given Janelle new certainty and purpose, which will translate into a fulfilling future together.



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