61 pages • 2-hour read
Matt DinnimanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death and bullying.
The 10 rules that Edward Lewis and Roger created in order to guide and protect Oliver and Lulu function as a motif that reinforces the novel’s status as GameLit, adds to the novel’s humorous tone, and helps depict the nature of New Sonoran society. The existence of codified, strictly enforced, and frequently repeated rules orders and shapes Oliver’s and Lulu’s lives in the same way that rules order and shape a game, defining what is and is not allowed during “play.” Although most of the rules are practical and necessary, rule number four, which prohibits swearing, is simply a matter of preference. That this rule is the most frequently repeated and enforced—by Roger’s constant stinging of young adults like Oliver and his friends—is an element of the novel’s comedy.
Most of Lewis and Roger’s rules, however, function to demonstrate the fair, healthy, and stable environment that Oliver and Lulu have inherited. There are rules about eating and sleeping well, for instance, and rules about taking care of one’s own responsibilities. There are rules that help them run the farm effectively and thus protect their future. The initial mystery that surrounds rule number 10, “Live,” draws attention to it and, when it’s finally revealed, highlights its importance: Life is the point of the other rules, the highest value that the other rules are intended to protect. When Oliver’s and Lulu’s lives are threatened by Apex’s invasion, the order and stability of their inherited world begins to crumble. Many of the other rules must be disregarded, at least temporarily, but rule number 10 is sacrosanct. It is the revelation of this rule—“Live”—that ends Oliver’s narration as he processes everything that has happened. It is rule number 10 that motivates Oliver to put his grief behind him and look toward rebuilding New Sonora’s future.
Throughout the novel, a motif of naming is used to explore the ways people either succeed or fail in acknowledging others’ identity and dignity. At first, Oliver conceives of the honeybees as a collective of machines, not as individual entities. Their collective name—“honeybees”—supports this interpretation of their nature. Oliver is skeptical of the idea that they need individual names and struggles at first to remember names like “Melissa” and “Priscilla” instead of simply using the numbers he has always used to identify them. This context sheds light on Roger’s use of impersonal labels like “Oliver friend number three” for people like Sam (50). The attitude that humans initially took toward the drones is reflected back at them through Roger’s refusal to use their individual names. By the novel’s end, however, the situation has changed. The conditions of war create respect among those fighting to protect New Sonora—whether they are human, drone, or even animal. Roger is using everyone’s actual names, and Oliver easily remembers and uses the honeybees’ individual names. Sam even insists on giving the chickens names, as well.
The Apex gamers, conversely, demonstrate a lack of dignity by obscuring their real identities behind gamer names. Ridiculous and often offensive, their gamer names allow them to distance their “true” selves from the actions they are taking on New Sonora. Significantly, it is through doxxing—the revelation of their real names and identities—that many of these gamers are defeated. The integration of their real identities with their online identities through naming reveals the darkness that they have tried to keep hidden and allows others to see who they really are.
The transfer gate between Earth and New Sonora is a symbol of the false promise of friendship between Earth and its colonies. It functions to support the novel’s theme of In-Group/Out-Group Dynamics, Colonization, and Genocide in that it turned what was supposed to be a way to peacefully transfer people and resources between worlds into a contamination point that has brought nothing but misery to New Sonora.
The transfer gate was “a huge deal” to the people of New Sonora because they initially believed Earth’s promises of “food,” “trade goods,” and “luxury items” (21), but a year after its opening, no such things have materialized. New Sonora is supposedly under a quarantine for safety reasons, and no people or goods are allowed to move between worlds—with one exception: Earth sent an ambassador to eliminate New Sonora’s Traducible AI. New Sonorans have begun to realize that they mean nothing to Earth “except as a target for their casual xenophobia” (21).
Earth soon makes another exception to the quarantine: It sends Apex and its remotely piloted mechs to commit a genocide on New Sonora, with the intention of colonizing the planet for Earth. The culture of New Sonora—previously portrayed as thoroughly humane and peaceful—becomes contaminated with Earth’s toxic online culture and xenophobia. The New Sonorans begin to engage in doxxing, swatting, and online bullying, and both Oliver and Lulu begin to wish for the deaths of all Earthers. At the novel’s end, Roger’s destruction of the transfer gate represents an attempt to end any future relationship between Earth and New Sonora—to protect the New Sonorans from both physical and moral attacks from their false friends on Earth.



Unlock the meaning behind every key symbol & motif
See how recurring imagery, objects, and ideas shape the narrative.