44 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of death.
Ophie sneaks up to the attic to see Clara again. She doesn’t know how to execute her plan to help Clara, but she tries to summon Daddy’s words of wisdom. Meanwhile, she wonders who she’ll tell when she discovers the identity of Clara’s murderer.
Clara surfaces when she sees that Ophie has treats. The two sit together and talk about Clara’s death, and although Clara confirms that she was murdered, she still can’t remember the events leading up to her death. She starts by recalling what her life was like at the manor, revealing that she and Richard Caruthers were in love. She also guesses that it was her big secret that got her killed. A terrified Ophie wonders if she is now in danger too because of her secret relationship with ghosts. She also wonders how Clara’s romance with Richard relates to the woman’s death.
For days, Ophie continues sneaking cookies to Clara in the attic, but Clara continues avoiding her. Meanwhile, she worries about what happened to Clara and ponders the question of who might have killed her.
One day, Ophie asks Cook about Clara. Cook reiterates that Clara disappeared when the Virginia cousins last visited and that Mrs. Caruthers’s health worsened thereafter. A woman in a nightdress appears in the kitchen, interrupting their conversation. She introduces herself as Edwina, Richard’s friend. Ophie again worries that someone in the house—resident or visitor—might have murdered Clara.
As Mrs. Caruthers’s health improves, she expects more attention from Ophie. Ophie is restless sitting by her bed, as she is eager to find Clara again. One day, while Mrs. Caruthers is napping, Ophie sneaks back to the attic and encounters Clara, who suddenly remembers how she died. Clara relates that she was “getting ready for a party [when] someone attacked [her]” in the attic (187). However, she can’t remember who it was. Thinking of all the injustice in the world, Ophie feels angry that someone would hurt Clara.
Mama angrily calls for Ophie, interrupting her and Clara’s exchange. She scolds Ophie for shirking her responsibilities to Mrs. Caruthers, who has been calling for her. She also warns Ophie not to jeopardize their jobs. As Ophie forlornly descends the attic stairs, Clara reassures her, and Colin gives her an encouraging word down in the hall.
Mama doesn’t talk to Ophie for the rest of the day. Ophie worries about their relationship, but she doesn’t want to stop searching for Clara’s murderer. Back at the house that evening, she sees the ghost of Aunt Rose’s husband in the garden again. She engages him in conversation, and he tells her about his life, suffering, and death. He hasn’t moved on because he is waiting for Rose, and he believes that she’ll join him soon.
After the ghost leaves, Ophie muses on Clara’s and Daddy’s deaths. She can’t understand why Daddy didn’t linger. When she notices that Aunt Rose’s husband left flowers on the walk, she realizes how powerful ghosts might really be.
The ghost of Aunt Rose’s husband typically lingers in the garden behind Rose’s house, tending the flowers and fruits that his wife liked best. He misses Rose and often meditates on her memory, hoping that they will reunite soon.
Back at Daffodil Manor, Ophie is more attentive to Mrs. Caruthers than usual. Meanwhile, she wonders how many ghosts haunt particular people they knew. She thinks that Clara might be following Richard around because she wants him to die and join her. Mrs. Caruthers wakes up and tasks Ophie with fetching a book from the library. There, Ophie runs into Edward Caruthers’s ghost. He is looking for his daughter, Isabel. Ophie remembers seeing the little girl ghost, so she leads them to each other. Then, they both pass on. Colin appears and commends Ophie for helping the two ghosts.
Back at home that night, Ophie and Aunt Rose talk in the garden. Rose tells Ophie more about her ghost encounters. She says that Ophie can keep conversing with ghosts if she wants to, but she warns the girl to “be cautious around them” (216).
The next day, Richard barges into Mrs. Caruthers’s room while Ophie is present. He announces that the Virginia cousins, including Mrs. Caruthers’s sister Agatha, will be visiting. They allude to the fact that their last visit was around the time of Clara’s disappearance. Ophie wonders if one of the cousins may have killed her.
In the week preceding the cousins’ arrival, Ophie’s work increases. Richard has repeatedly invited her and Mama to stay at Daffodil Manor because of the uptick in preparations, but Mama consistently declines.
One day, the Carutherses hire two new helpers, an older woman (Gladys) and a younger girl (Penelope). Ophie doesn’t like Penelope, who is rude and demanding, but she does her best to get along with her new coworker. Meanwhile, she makes a list of murder suspects and plans to ask Clara about the cousins’ last visit.
On the trolley home that afternoon, Ophie is visited by Aunt Rose’s ghost and realizes that Rose has died. When they return home, she sees that the ghost of Rose’s husband is gone.
Aunt Rose’s house feels sad after the woman’s death. The house fears that the other inhabitants won’t take care of it the way Rose did.
The undertaker comes for Aunt Rose’s body. Afterward, Mama packs up her and Rose’s belongings. However, when Mama goes to retrieve their stash of savings, she finds that it is gone. Aunt Helen says that she used it to pay the undertaker, but Ophie suspects that she pocketed it. Mama tries to remain calm and announces that she and Ophie will be moving into Daffodil Manor. Ophie is hopeful that this new arrangement will give her more time to investigate Clara’s murder.
On the trolley the next morning, Ophie converses with the ghost of a man who was hit by the car and helps him move on. Mama hears her talking and warns her to stop being foolish.
Cook excitedly welcomes Ophie and Mama when they announce their decision to move in. Ophie clarifies that it wasn’t a choice but the result of her aunt’s death. Cook reassures Ophie and encourages her to grieve as much as she needs to. Afterward, Cook leads her to her new room. Colin appears and reveals that the room once belonged to Clara. He warns her to be careful, as something bad might happen soon. Ophie demands to know what he knows about Clara’s death, but he disappears without answering her.
In Chapters 13-19, Ophie’s intensifying investigation of Clara’s mysterious death furthers the novel’s focus on Curiosity and Exploration as Survival Tactics. By this point, Ophie is aware of the risks associated with her amateur detective work, as Mama, Cook, and Aunt Rose have consistently warned her to behave herself and avoid asking too many questions, and Rose has repeatedly told her to be wary of spirits. These admonitions collectively strengthen the sense of foreboding surrounding the girl’s investigations, suggesting that the house’s hidden ugliness might soon be revealed. As Ophie probes the history of the Caruthers family and Daffodil Manor, it is clear that she could jeopardize her and her mother’s jobs or put herself in physical danger. Yet her refusal to give up her search despite these hazards reflects her determination and strong sense of justice, and her decision to help Clara is also a symptom of her longing to gain autonomy over her own life. Helping Clara and other ghosts like her offers Ophie an opportunity to feel empowered amid her otherwise limited circumstances, as she can use her own mind and wit in ways that her work and home lives don’t allow.
Ophie’s continued involvement with Clara adds to the novel’s theme of The Importance of Addressing Past Injustices. The more invested she becomes in Clara’s story, the less capable she is of forgetting or abandoning her ghostly friend. Ophie’s internal monologue in Chapter 14 reflects this aspect of her experience with the ghosts; she muses, “Didn’t Clara deserve the kind of justice so many folks never got? Someone had to find out how she had died, even share her story” (167). These private reflections show Ophie understanding that if she doesn’t solve the mystery of Clara’s murder, Clara’s fate might remain unresolved. She therefore chooses to disregard Aunt Rose’s and her mother’s counsel and warnings and fight for Clara instead, hopeful that she might uncover the truth and see justice done for Clara.
Within this tension-filled context, the Daffodil Manor’s attic comes to represent the house’s fraught past, and it becomes the unofficial headquarters of Ophie’s investigation as she attempts to make sense of Clara’s history. The attic is “packed with all kinds of treasure” (158), and “generations of castoffs and set-asides” are piled everywhere (159). This imagery serves as a metaphor for whole generations of erased stories, of which Clara’s is just one. At the same time, as “light filter[s] in from outside […], cutting bright lights through the gloom” (158-59), the darkness symbolizes erasure, while the light represents hope and the possibility of reclamation. Ophie offers this hope to Clara when she enters the forgotten space and sheds her own metaphorical light of love and attention on its ghostly inhabitant. Importantly, the chapter interlude titled “The Attic” advances this metaphor, as the third-person narrator personifies the attic itself, revealing how “unloved and neglected” this musty space feels itself to be (182). As the interlude states, the space is “dusty from disuse and filled with memories everyone would rather avoid” (182), but the attic still contains life of a sort. When Ophie starts frequenting the space, she is searching for answers and actively trying to excavate the buried stories and memories that lie there unattended.
However, Aunt Rose’s death complicates Ophie’s circumstances and alters the stakes of her story. Up until this point, Rose has acted as her archetypal guide, and without her, Ophie will have to converse with the ghosts and navigate the murder mystery on her own. The move to Daffodil Manor also makes these mysteries even more pressing, as Ophie is now fully immersed in the house’s mysteries and surrounded by the unquiet spirits day and night. This life change thus forebodes major upheaval for Ophie and her mother. While Ophie hopes that her new living arrangements will offer her more time to solve the mystery, she is also keenly aware of the stakes of her and Mama’s jobs. She therefore remains caught between what is socially right and what she believes is morally right. Now that she is at the house full-time, she will have to balance her desire to help Clara with her simultaneous desire to be strong for her mother’s sake.



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