51 pages • 1-hour read
Clémence MichallonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of illness, physical abuse, bullying, and death.
The hotel staff have prepared a speech: They say the hotel will still be open for business, and the guests are encouraged to enjoy themselves. Frida cannot help but think that it is inappropriate to get a facial the day after a brutal murder, but she remains quiet. She wonders at the quick arrest, feeling a pang of guilt at her involvement. However, she realizes that there could have been other evidence or that more people could have come forward with information.
She tries to put her anxiety aside, and she and Gabriel decide to go to the pool. Gabriel has a book with him about the history of Rome. He works for a prominent historian, but he also loves his subject matter. He has always told Frida that he enjoys stories of historical figures, emperors, gods, and their families. He is particularly drawn to the story of Romulus and Remus, the orphaned twin brothers who were raised by a wolf and grew up to found the city of Rome.
The novel flashes back to Gabriel and Frida’s time in the cult. They are at their morning lessons. Émile writes books and authors web seminars, and they are being lectured on one of his foundational texts. Gabriel looks pale, and when they rise to go to the cafeteria, Frida notices he can barely walk. Gabriel tells her that he feels like someone hit his head with something heavy. Mealtimes are supposed to be silent affairs characterized by quiet gratitude, but Frida wonders if she should say something to one of the mothers. Gabriel stumbles on his way to the table, looks extremely ill, and then gets up with a clatter. When he lurches toward the door, several mothers and Émile observe him angrily. One of the mothers tries to stop him, but he vomits and is taken away. Émile looks furious. At that moment, something breaks inside of Frida. Illnesses in the cult are usually treated with well wishes only. Injuries are not properly cared for. Suddenly, Frida realizes how wrong all this is, and she wants to scream. Later, she finds Gabriel and tells him that they have to leave. She is sure that in the outside world, there are medications that can treat whatever is wrong with Gabriel.
At their hotel in the present timeline, Gabriel and Frida are at the pool. Frida paid for their hotel stay as she makes more money than Gabriel. He loves his job, and she loves hers, but she went into a more lucrative field. She was a financial analyst until the news story about Annie broke. She made the mistake of giving an interview, and after her coworkers and supervisor saw it, she ended up leaving her firm. Frida hates to be the center of attention, and she could not stand being gossiped about. Still, she loved the rhythm of the work and became a day trader. Now, she puts in long days but is rewarded by a comfortable salary.
After she and Gabriel drifted apart, she tried to fill her life with other people and activities. She got a dog, took up rock climbing and pottery, and bought a convertible. She enjoys driving around rural New York, taking in the sights. Still, nothing has been able to erase her anxiety. Now, sitting by the pool, she has a panic attack. Gabriel eases her out of it, and she notices the police officer, Detective Harris, watching them.
In a flashback, Frida recalls creeping into Émile’s office in the middle of the night. She is surprised to find it unlocked but then realizes that he trusts them because he has absolute control over his subjects. Frida is looking for money to pay for medication to treat Gabriel once they are on the outside. She finds a wooden box with some loose bills inside. One of them contains the imprint of a women’s lips in red lipstick. Fascinated, she pockets this bill. The rest—what she would later come to realize was about $40—she tucks away, planning to spend it on medication.
Suddenly, Frida hears footsteps, and Émile enters. In a panic, she explains that she was looking for him because she wanted to know more about one of his recent sermons. Looking at her intently, he begins to spout a “word salad” that Frida realizes is largely nonsense. It dawns on her in that moment that Émile himself doesn’t pay much attention to the actual content of his “teachings.” He tells her that he will begin instructing her privately before assembly. Frida doesn’t care: She thinks that now that she has the money, she and Gabriel can leave.
Back in the present timeline, Frida worries about an injured coyote near the hotel. She calls a local wildlife rehabilitation center, and they tell her that they will send someone to help it. Still, she brings water and food to its den whenever she can get a moment away from Gabriel. She remembers one time during her childhood when a coyote appeared on the grounds of the cult’s property. It was the talk of the entire group until it disappeared. It was the closest thing to a pet that she ever had.
William returns to the hotel, and Frida is stunned. She is sure that he is guilty and feels a mixture of fear and anger that the police would release him so quickly. She and Gabriel whisper about his presence at dinner and then notice him move in his chair to take a selfie at a strange angle. They both wonder if he was photographing them in the background. At night in their room, Frida and Gabriel link their fingers together just before bed—a goodnight gesture left over from childhood. After Émile died, they got confirmation that they were not biological siblings. They even found out their parents’ names. In the press, there was speculation about the nature of their relationship, but there was no truth to the insinuations. All they’d wanted from each other was family.
Just as Gabriel and Frida are checking out, Detective Harris asks all the guests to gather in the dining room. He explains that Sabrina is now the subject of a murder investigation and asks that everyone remain at the hotel so they can be interviewed. His tone is relaxed, but the look in his eyes is not. Reluctantly, Gabriel and Frida head back to their room.
Frida does some digging and finds out that William owns the tabloids that published the most accusatory pieces about Gabriel in the months following Annie’s death. They christened Gabriel the “shady hubby” (97). Years before, one of William’s tabloids had dubbed Émile the “sicko Svengali” (97). Frida is sure now that William took a clandestine photo of her with Gabriel while he was taking what appeared to be a selfie. He must have recognized Gabriel from his own media coverage.
Frida decides that she needs some air, but on her way out she runs into Detective Harris. He asks to interview her and her brother, and she realizes that he, too, must have done some digging. She and Gabriel are not, after all, biologically related. In order to have come up with that fact, he must have learned exactly who they are.
In a flashback to their time in the cult, Gabriel and Frida sneak out of the compound for the first time. They stay in town only a few minutes before returning. Frida feels alive for the first time. Afterward, she begins her lessons with Émile. Although he does talk, he mostly asks her to help him with administrative tasks in his office. She is nervous when he tasks her with finding typos in his writing, but she is pleased when he seems happy rather than angry when she points them out. Her favorite job, however, is accounting. The number patterns are easy to identify, and the work does not require self-reflection or the “radical” honesty that Émile preaches. Numbers are either correct or not, and Frida likes this. The others notice her new role. Some respect her more because she has garnered their leader’s favor. Others, like 19-year-old Edwina, bully her because of it. Meanwhile, Émile discovers the missing money, but he blames one of the mothers instead of Frida, and she is relieved.
Frida does not want Detective Harris to interview Gabriel without her present, but the two sit on the patio to talk and she eavesdrops. Detective Harris asks about the night of the murder, and Gabriel tells him that he did not leave the table during their meal. This is untrue: He got up briefly to get a sweater. The detective then asks if Gabriel ever interacted with Sabrina, and Gabriel replies that he did not. Frida realizes that this is also untrue. They met briefly, and Frida recalls how strange she thought it was that Gabriel briefly grabbed Sabrina’s hand, and Sabrina did not pull away. Gabriel had smiled broadly in a way that Frida had not seen him do since Annie died. She cannot figure out if he is omitting details or if he has forgotten them.
In a flashback to the past, Gabriel and Frida sneak out of the cult’s quarters more and more often, staying out longer each time. They find a pharmacy in town, and Frida explains Gabriel’s headaches to the man behind the counter. They leave with a bottle of pills, thrilled to have done something so “normal.”
Although Frida’s characterization remains central, these chapters broaden the novel’s psychological focus by also considering Gabriel. Just like Frida, he, too, still bears the emotional scars of spending his childhood in a cult. While both remain bound by their past, they have different strategies for negotiating trauma. Gabriel is fascinated with the history of Rome and throws himself into studying it. He focuses on its many depictions of fraught families—particularly the story of “Romulus and Remus, the orphaned twin brothers who were suckled by a wolf and them went on to build a city that became Rome” (59). Gabriel feels an affinity toward the mythical orphaned twins. He sees them as symbolic counterparts to himself and Frida, who were also children who were denied parental love, and in the myth, he finds hope that orphanhood and abandonment need not determine his and Frida’s futures. To him, Romulus and Remus signify that it is possible to recover from and move on from trauma. Gabriel’s devotion to Roman history is a survival strategy and a way of Reclaiming Identity in the Aftermath of Abuse.
In contrast, Frida’s developing sense of self emerges through pragmatic survival strategies. Although Frida is characterized as an anxious adult who struggles socially, she is also shown to be resilient and having agency, even as a child in the cult. The determination she shows as an adult has its foundation in a flashback scene described in these chapters: Gabriel suffers from a severe migraine, but instead of compassion or medical attention, an enraged Émile and several mothers punish him, casting his illness as a failure of obedience. For Frida, this moment is an awakening as she realizes that their cult is not “normal” and that Émile and the mothers are abusers. The decision she makes in that instant—to help Gabriel at any cost—becomes a lifelong commitment, and she acts decisively to bring him some comfort, even though it means breaking the cult’s many rules.
Frida further displays agency, will, and the desire to set the course of her own future when she begins working with Émile. Importantly, their lessons and her administrative job begin with an act of transgression when she is stealing money so that she and Gabriel can sneak out. However, she displays her quick thinking and keen mind in covering her tracks. As she begins doing light administrative work for Émile, Frida quickly finds that she has a knack for numbers and begins to use mathematics and accounting as a coping mechanism: She likes numbers because they cannot be touched by ideological distortion, unlike Émile’s teachings, which demand submission to arbitrary rules. She will carry this love of numbers over into adulthood, and this will later become the foundation to her career in finance after she escapes the cult. Frida’s professional identity, which is rooted in mathematics, is a way for her to reclaim control by creating meaning outside the cult’s laws and demands.
Despite Frida’s resilience, the novel shows how fragile her sense of agency remains. Her response to Sabrina’s murder investigation reveals The Persistence of Trauma. Panic attacks are a relic of her traumatic childhood, and her anxiety centers around the possibility that she might lose Gabriel. When she overhears him lying about his behavior and interactions on the night Sabrina died, Frida becomes increasingly anxious. Additionally, her immediate worry is not about the lie itself but about whether the deception will make him vulnerable to prosecution, and this highlights The Moral Complexities of Unconditional Devotion. Frida’s first instinct is to protect Gabriel, whether or not he is innocent.
William is a secondary but important character, and he comes into greater focus during these chapters. He is a media mogul whose papers were particularly harsh on Gabriel during the months following his wife Annie’s mysterious death. William is powerful and manipulative. Frida is no stranger to abusive, charismatic men, and rightfully perceives William as a threat. His interest in her and Gabriel causes her anxiety to skyrocket, and her desire to protect Gabriel and prove William’s guilt becomes an obsession.



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