53 pages 1-hour read

Out of Darkness

Fiction | Novel | YA | Published in 2015

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Themes

The Social, Physical, and Sexual Vulnerability of Women and Girls

All of the female characters in Out of Darkness experience social, physical, and sexual vulnerability. Often beholden to a certain image as single women, and then expected to be subservient to men once they are attached to them during this particular historical period, many characters are trapped by cultural and social parameters. Naomi’s friend Tommie, though she loves her boyfriend Dwayne, is forced to placate him with sexual activity (bar actual intercourse) so he will wait for her to complete high school. Muff, only slightly older than Naomi, has one toddler, a baby, and another on the way when she is introduced, and is expected to cook, clean, and care for the house while her husband Bud works long hours in the oil fields; her only support comes from other women also living in the oil field housing. Miranda Gibbler’s father prevents her from dating the boy she likes, Gil, by interfering with his education and livelihood, and then forcing her to accompany him everywhere so he can keep an eye on her. Miranda is at the apex of social power and influence among her female peers, yet she is denied a fundamental aspect of autonomy in being unable to choose her romantic partner.


Naomi and her mother Estella suffer the most egregious offenses permitted by their sexist system. Henry’s chapters give no indication that he was aware Estella was in distress when he coerced her into sex, but Naomi’s chapters make it clear that Estella would cry when Henry forced himself on her. Naomi finds condoms among Henry’s belongings, and it is known that he and Estella were counseled against Estella getting pregnant again. It can be deduced that Henry was resistant to protection, either due to complaints about personal comfort or because he wanted children of his own. Naomi faces the same fate, with her own grandmother encouraging her to accept Henry.


For Abuelita, Naomi marrying Henry is not only the solution to their lack of resources, but an opportunity for Naomi to maintain influence over the twins’ rearing and safety. It is not suggested that Naomi’s grandparents know Naomi was sexually abused by Henry, but they did care for Estella after her miscarriages and were likely aware of Henry’s treatment of her. As expected of the time period, the female characters—especially those meant to represent poor women without an education—see marriage as a strategic alliance meant to ensure their continued survival. This reliance on men is often “paid for” by keeping the home, birthing and take care of children, and providing for a man’s personal and physical needs. The abuse Naomi suffered by Henry was possible in part because of the disadvantaged position she and her mother occupied.


Naomi is also vulnerable to the perceptions of her community. With vicious gossip, Miranda implies that Naomi is not only physically “dirty,” but promiscuous, and the women of the PTA assume the same attributing this to their perception of people of Mexican descent as unable to control their impulses and desires. The Gang fixate on Naomi, and boys at school claim to have had sexual contact with her. Gil and Wash are the only people, of any gender, who respect Naomi’s sexual autonomy and right to privacy. Even Naomi’s otherwise considerate friends, Tommie and Muff, make assumptions about who she is and what she wants (the most egregious example being their desire to see Naomi and Henry married)—which makes sense considering, they, too, are products of a sexist system that limits women.

The Overt and Insidious Dynamics of Racism and Colorism

At the heart of Out of Darkness are the racial dynamics of Texas in the 1930s. There are various forms of racism at work in New London: Hispanic and white students attend school together, while Black students attend a separate school lacking in resources. Many white residents do not like the idea of Mexican students—who comprise the majority of Hispanic residents—attending school with their children, but neither is it considered appropriate to relegate them to the school in Egypt Town. Beto and Cari’s experience and the way they are viewed by their community (as white-passing) explore the convoluted nature of colorism. The twins are academically skilled and developmentally ahead of their peers, which the PTA members attribute to their whiteness. With Henry as their father, the twins experience very little of the racism and ostracism that Naomi does in the same school.


While it is common knowledge that Naomi is the twins’ sister, none of their friends or neighbors have ever seen Estella; as a result, disbelief and curiosity surround their mother and by extension, Naomi. With the exception of some girls’ cruelty and jealousy, Naomi is collectively thought to be beautiful, and her physical attractiveness appears to negate some of the prejudices otherwise held by those interested in her. It is in part Naomi’s appearance and the attention she draws from male peers which make her a target of popular girl Miranda Gibbler.


Although Wash and Naomi are not considered appropriate romantic partners for the white residents of New London, they are also not considered appropriate for each other despite their shared race-related status. Like with the two schools in the novel, there exists a hierarchy in New London. For example, Wash is not considered an appropriate companion for the twins by Henry. Naomi is initially barred from shopping at Turner’s store but scolded for shopping at Mason’s store in Egypt Town. She needs Wash to introduce and vouch for her at Mason’s Store, and Henry to eventually vouch for her at Turner’s store. Naomi occupies a kind of limbo that is difficult to navigate.


The insidious racism of the New London school board manipulating Wash into providing free gas and then denying reciprocal support explodes into overt racism when, looking for someone to blame, the town concludes that Wash intentionally set up the school explosion. Wash experiences racial aggression throughout the novel, but it is only when the white residents assume his hatred must match their own hatred for people of color that they decide to act in vengeance. Stories like the lynching of Blue (mentioned in Part 2, Chapter 2) perpetuate the local culture, but seem far removed to Wash until he faces a lynching himself. Even after death, Wash’s character is further slandered in the Epilogue, only mended by an older Beto sharing his story.

Social Customs and Expectations as Specific to Historical Time and Place

Out of Darkness is a novel set firmly in a specific time and place. The complexity of the culture and politics of New London in the 1930s are thoroughly explored and intricately woven into the events of the story. The explosion of oil wealth in East Texas in the early to mid-20th century resulted in the formation of work camps around the oil fields. As these homes were built and workers were recruited, influxes of newcomers from various backgrounds flocked to communities like New London. Many longtime residents of New London were resentful of these temporary workers, drawing conclusions about their morals and habits. Nevertheless, it was the money accrued from the harvesting of oil which enabled New London to build a new school remarkable in architecture and amenities. The greed associated with this wealth resulted in the use of unrefined gas to save money, causing the school disaster and humbling those who took pride in their new facilities.


Henry engages in vices such as excessive drinking and solicitation of prostitutes, vices associated with oil field workers which only contribute to their stereotyping by locals. The man’s lifestyle is altered by the arrival of Naomi and the twins; bachelors receive one kind of housing, while married men with children and widowers are able to obtain houses of their own. Pastor Tom, in his encouragement of Henry’s reunion with his children, sees Naomi and the twins as means to reinforce Henry’s devotion to faith by having him settle down. There is solidarity among the oil field worker families; while Naomi faces racism and ostracism at school, her neighbors in the oil camp are less fixated on her ethnicity and more so focused on the men in their families doing dangerous work. The oil camp residents rely on each other, superseding racial divides. Above all, the novel’s characters collide against a historical backdrop which predates them. Texas was a state which participated in the enslavement of humans prior to, and even after the Emancipation Proclamation of 1863. The state has always had a high population of individuals of Mexican descent among its residents. Regardless of an individual character’s ethnicity, gender identity, or place of birth, upon arriving in New London, they are expected to adhere to the customs and expectations of the location. The unique setting of Out of Darkness allows for the collision of different characters and racial politics throughout the narrative—all tied to the oil industry at the time.

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