48 pages 1-hour read

Out of the Woods: A Girl, a Killer, and a Lifelong Struggle to Find the Way Home

Nonfiction | Book | Adult | Published in 2025

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Key Figures

Content Warning: This section of the guide includes discussion of rape, mental illness, child abuse, child sexual abuse, child death, self-harm, substance use, addiction, graphic violence, physical abuse, emotional abuse and cursing.

Shasta Groene

Shasta Groene is the central figure of the book, which is based on her experiences during 47 days of captivity and the years of recovery that followed. Shasta’s characterization embodies Resilience and Forgiveness Following Trauma. As the sole survivor of a brutal family murder and abduction committed by Joseph Edward “Jet” Duncan III, she carries the complex burden of being a victim and the events’ only living witness. Her survival comes with profound psychological and emotional weight. Shasta struggles not only with the horrific memories of the ordeal but also with the external pressures of living up to the second chance she was granted, which many around her expected her to seize without failing. This expectation is encapsulated in the line, “She was, after all, Shasta fucking Groene, the heroic survivor of a serial killer” (57). These labels—“heroic” and “survivor”—become both a source of strength and limitation Shasta, defining her identity in ways that often clash with her own desires and sense of self.


Throughout the book, Shasta deals with the lasting impact of trauma on her psyche and behavior. She experiences guilt, particularly survivor’s guilt over her brother Dylan’s death and Coming to Terms with Surviving, and internalizes blame for the violence inflicted upon her family. The narrative explores her attempts to heal from this trauma, sometimes through destructive behaviors such as drug use, self-harm, and running away, and other times through therapy and self-forgiveness. Shasta’s journey is not linear; it is defined by setbacks and moments of insight, illustrating the complex nature of healing from trauma.


A crucial aspect of Shasta’s character is her resourcefulness, as well as her unwavering love and protective instincts, especially toward her older brother, Dylan, during their captivity. Despite her young age, Shasta displays remarkable maturity and emotional strength, often attempting to shield Dylan from Jet’s abuse and manipulating Jet into keeping them alive. The book doesn’t dwell on why Shasta, as the younger, eight-year-old sister, feels protective of her nine-year-old brother, rather than Dylan, as the older sibling, trying to protect Shasta. This relationship shows that sibling dynamics, especially in the face of extreme trauma, do not follow common patterns. The role reversal also makes it difficult for people to initially believe Shasta’s story, which frustrates and demoralizes her after the ordeal.


While Jet readily seeks forgiveness for his crimes, Shasta’s process of self-forgiveness is more complicated; she wrestles with forgiving Jet and, more importantly, herself. This self-forgiveness is portrayed as essential to reclaiming her identity and power beyond victimhood and survivorship. Out of the Woods shows that Shasta is striving to reclaim her life from the experiences of her past. She chose to share her experiences because Speaking Out and Sharing One’s Truth is one of the most important steps toward healing.

Dylan Groene

Dylan Groene, Shasta’s older brother, is a key figure whose death shapes the narrative and Shasta’s emotional world following rescue. Throughout their captivity, Dylan—who is nine at the time—becomes increasingly withdrawn and overwhelmed by the trauma he endures. Jet seems to target Dylan with the worst abuse and forces Shasta to watch. Dylan’s silence and disengagement serve as a stark contrast to Shasta’s protective vigilance and active attempts to appease Jet. Dylan’s suffering and eventual death become central to Shasta’s survivor’s guilt, driving much of her inner conflict and feelings of responsibility amid coming to terms with surviving. Dylan’s life and death are the emotional catalysts for Shasta’s actions and reflections. His death is not only a personal loss but a symbol of innocence destroyed, showcasing the brutal nature of Jet’s crimes. Dylan’s memory motivates Shasta’s quest for healing and self-forgiveness, as she recalls her promise to him to survive and escape together. After years of feeling responsible for his death, Shasta finally realizes it isn’t her fault.

Joseph Edward Duncan III

Joseph Edward Duncan III (1963-2021), known as Jet, is the perpetrator of the horrific crimes that form the backdrop of the memoir. He is portrayed as a deeply disturbed individual, shaped by a lifetime of abuse, mental instability, and narcissism. Jet spent his youth and adulthood in and out of rehabilitation and prison, but these experiences only seemed to intensify his feelings of rage and give him the means to act, illustrating The Failures of Systems Designed to Help. Jet’s motivations are complex but based on a desire to assert power and retaliate against a world he perceives as having wronged him. As described in the book,


Jet was mad at the world and what the system had done to him, and he wanted to pay back all the perceived injustice foisted on him by harming a child. He didn’t care if it was a boy or a girl. He was an equal opportunity child abuser and murderer. He wanted his crime to be shocking, a cattle prod poke into the heart of everyone who’d done him wrong (228).


Jet’s ability to manipulate, intimidate, and exploit the vulnerabilities of his victims is a key aspect of his persona. His shifting moods, from charm to cruelty, created a state of fear and confusion for Shasta and Dylan. His belief that he was the “true victim” and his distorted attempts at seeking forgiveness from Shasta reveal his profound narcissism and delusions. The memoir explores not only his monstrous actions but also the systemic failures that allowed his behavior to escalate unchecked. Jet was guilty of child abuse, child sexual abuse, rape, murder, torture, kidnapping, and more. His crimes have become known as some of the most horrific actions against children in American history.

Steve Groene

Steve Groene, the father of the Groene children, was not present on the night of the murders; he was separated from Shasta’s mother and lived with his girlfriend and eldest sons. Steve carried the guilt of his absence on that day throughout his life. The book reveals his struggle to cope with overwhelming grief and guilt, which strain his relationship with Shasta. Like Shasta, Steve’s story is one of coming to terms with surviving, though the two never managed to be able to share that experience fully.


Steve’s emotional pain sometimes manifests in harmful behaviors, such as beating Shasta when she attempts to watch news coverage of their story or when she puts on makeup at Halloween. These actions sadly mirror the cycles of abuse already present in Shasta’s life and the experiences she endured at the campsite. Additionally, Steve’s position as potentially being involved in the crimes, coupled with complex family dynamics and accusations, further isolate him. The narrative portrays Steve as a fallen man who is never able to fully reconcile his grief or rebuild his family. His inability to parent Shasta or support her recovery, though he wanted to, only worsened her pain. Shasta often wondered whether Steve wished Dylan had lived instead of her, though she now believes this was likely her own guilt talking.

Brenda Groene

Brenda Groene, the mother of Shasta and Dylan and their three older brothers, is portrayed in the narrative as an emotionally complex figure who represents both love and loss. Like Steve, Brenda had substance use disorder and struggled to maintain a steady job when Shasta was young. After their split, her substance use and manufacturing of methamphetamines intensified, leading to an unstable home environment for the children. However, she didn’t neglect Shasta or Dylan, intervening when she suspected Slade of abusing them.


Although her physical presence is cut short by the murders, Brenda’s influence resonates throughout the memoir, particularly in Shasta’s memories and ongoing emotional struggles. Brenda is remembered as a caring mother, whose love was a source of strength for Shasta and Dylan before the trauma that unfolded. Shasta regularly refers to her mother as “beautiful” and recalls how she would make the most of difficult situations. Shasta’s recollections of her mother, including moments such as when Brenda saved a lock of her hair after she cut it, symbolize the enduring bond between them and the “normalcy” that was violently disrupted by Jet’s actions. After her death, Brenda’s presence takes on a symbolic form in Shasta’s mind, as she “became” a deer, a sort of spiritual guide urging Shasta to survive. This image serves as a guiding light for Shasta in the darkest time of her life, encouraging her to endure.

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