48 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of rape, mental illness, child abuse, child sexual abuse, child death, self-harm, substance use, addiction, graphic violence, physical abuse, and emotional abuse.
One of the most prominent themes in the book is the difficult process of coming to terms with surviving. Shasta’s survival is not a triumphant escape into freedom as is often depicted in stories. Instead, it is the beginning of a lifelong process of learning what it means to live with immense trauma and guilt. While many label her a “hero” or “the girl who survived,” these labels carry a burden she never asked for: Shasta is forced to live with the knowledge that she survived while her brother Dylan did not. This survivor’s guilt is evident throughout the text, particularly in the way she internalizes judgment. She is seen not only as a victim but as someone who should have done more, been more grateful, or lived a more exemplary life. Early in the narrative, it is noted that “wherever she went, she was always seen as the girl. The girl. The one who got away” (10-11), reducing her identity to a singular, traumatic event.
This issue is worsened by Shasta’s relationship with her father, Steve, who due to his own grief, could not offer her the support she needed. Instead, he projected his anguish onto her and used her money. At times, Shasta wonders whether it would have been better if she had not survived, reflecting the deep psychological toll of living with so much unresolved grief and pain. The promise she made to Dylan that they would both make it out alive continues to haunt her. She believes she broke that promise, and in doing so, believes she failed the one person she most wanted to protect.
As she grows older, the weight of this trauma manifests in drug use, self-harm, and legal trouble. Even through the darkest moments, there are instances of her attempts to reconcile with her past. Shasta begins to understand that survival was not a choice she made to hurt anyone else, and was instead an act of endurance and luck. By speaking her truth, facing the full extent of her trauma, and seeking therapeutic support, Shasta slowly begins to reclaim her narrative. Furthermore, she learns to forgive herself and accept that Dylan’s death was not her fault. The book does not offer a neat resolution for Shasta’s life, which shows that coming to terms with surviving is an ongoing process that requires resilience, acceptance, and self-forgiveness.
Resilience and forgiveness are recurring concepts in Shasta Groene’s story, especially as she attempts to reclaim her identity after enduring unimaginable abuse. The narrative doesn’t present healing as linear or clean as many true crime stories do; instead, it emphasizes how deeply abuse shapes a person and how recovery is often mixed with confusion, anger, and contradiction. Throughout the book, Shasta’s resilience is contrasted with Dylan’s emotional and psychological withdrawal and his inability to cope with the abuse. This is not a judgment; both children suffered terrible victimization. For whatever reason, at the camp, Shasta took on a more active role. Decades after her rescue, resilience continues to be her main mechanism for survival.
Shasta’s conflict is captured in the line, “She knows that when people look at her, judge her, or even feel sorry for her, they are only thinking of what had happened to her. Not who she is now or, maybe even more crucially, who she wants to be” (6). The description demonstrates the emotional isolation that follows trauma and that resilience is a double-edged sword. Shasta isn’t seen as a whole person by the world, instead she’s viewed as a symbol of what was done to her—and what she survived. Her journey toward forgiveness is a fight to reclaim that missing personhood and to become someone defined not by her abuse, but by the life she has now.
Forgiveness plays a complex role in Shasta’s recovery as she is challenged by multiple therapists to forgive Jet. Jet ironically seeks forgiveness in disturbing and manipulative ways throughout his life. At the camp, somehow he comes to believe that Shasta changed him and taught him how to love. He decides not to kill Shasta because he sees her as the person who finally gave him grace and gave him the forgiveness he sought. Contrastingly, Shasta’s forgiveness is ultimately not for Jet, but for herself. She realizes that her hatred is its own kind of prison, and it acts as a force keeping her emotionally tied to the man who destroyed her family. Her decision to forgive Jet is an act of resilience; he was a destructive force in her past, but his destructiveness doesn’t have to overshadow her future.
Forgiving Jet does not mean excusing or absolving him; it means releasing Shasta from needing revenge and freeing her to define her future. She begins to understand that forgiveness is not a gift to her abuser, but a step toward rewriting her internalized narrative of pain. This growth becomes evident in her interactions with others, such as Stephanie, a fellow inmate who also committed harm, though unlike Jet, she feels immense guilt for it. One of the core elements of resilience the book identifies is forgiving oneself for things outside of one’s control. Through forgiveness as an act of resilience, Shasta decides that healing is something she deserves, even if the scars of painful memories remain.
The theme of speaking out and reclaiming one’s truth is central to Shasta’s journey. Much of her story is shaped by the silence that follows trauma; there is the silence imposed by others, and silence she adopts herself as a means of survival. Over the course of the book, it becomes increasingly clear that breaking that silence is not only difficult but dangerous. However, it is the most important step in Shasta’s process of healing and reclaiming her identity.
In the early chapters, Shasta is frequently seen as a symbol. She is a child survivor of a horrific crime and not a person. The media prints stories about the abductions, but rarely do people allow her to speak for herself. Even when she enters treatment centers or appears in court, others define her narrative.
This dehumanizing experience pushes Shasta into a long period of silence and defiance. She uses lies, avoidance, and self-destruction to try to regain her narrative, but this only pushes her further from credibility. At Vista, therapists often dismiss her, accuse her of lying, or tell her to pretend everything is fine. Their refusal to hear her truth only reinforces her belief that silence is safer than honesty.
Shasta’s silence begins to shift when she sees the damage it causes not just to herself, but to others. Her turning point comes through relationships, especially with other girls who have been harmed and who carry their own secrets. Speaking to Stephanie, for example, Shasta realizes that telling the truth can be a way of freeing someone else from shame. This realization mirrors her own need to be understood beyond her trauma.
When Shasta finally tells her full story and faces the reality of Dylan’s death, she begins reclaiming power. Her voice becomes a form of resistance against the people that tried to define her, and she is finally respected as the authority on her own experiences. Sharing her truth, even when painful, becomes a declaration that she survived, that she matters, and that her voice cannot be taken from her.
Throughout Shasta’s story, one of the most disturbing and consistent patterns is the failure of nearly every institution designed to protect or support her. From law enforcement and the legal system to mental health care and her own family, these systems repeatedly overlook warning signs, dismiss her trauma, or actively contribute to her suffering. The book exposes the exploitative practices of these institutions, in particular, rehabilitation programs: “Like other residential therapy programs that fed vast sums of cash into Utah, Vista was about control, twenty-four seven. Kids were brought in, mostly by force, and set down in a structured environment from which they could not deviate” (21).
From the beginning, systemic neglect plays a role in enabling Jet’s crimes. Jet had a long history of sexual violence, yet was repeatedly released from prison, allowed to re-offend, and placed in poorly managed rehabilitation programs. These programs, such as the one he entered as a teenager, were both ineffective and damaging, and Jet later blamed them for his crimes. He claimed that being in the program taught him how to be a more effective predator, and the program leader was later revealed to be a deviant himself. In this case, the criminal justice system and mental health systems failed to protect the public.
Once Shasta was rescued, she encountered a different kind of systemic failure. Her time at Vista, a behavioral treatment center for troubled teens, is portrayed as dehumanizing and ineffective. One therapist was openly misogynistic; instead of receiving trauma-informed care, she was judged for her behaviors without any attention to their origins. Vista even drained her charity trust fund for treatment that did nothing to support her recovery. The medical system also failed. A pediatrician who had been aware of Jet’s confessions said nothing out of fear and shame over his own relationship with Jet. Had he come forward, lives might have been saved.
Finally, within her own family, Shasta was failed by her father, Steve, who abused her physically and emotionally after the murders. Rather than receiving compassion, she was punished for surviving. Before her abduction, her older brother Slade abused and molested her, and her parents’ substance use created a volatile and conflict-filled home life for the children. Each of these failures added another layer to Shasta’s trauma. In telling this story, Olsen exposes a larger issue of broken systems that allow harm to continue and, at times, even worsen it.



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