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Content Warning: This section of the guide includes discussion of cursing, sexual content, illness, and death.
The work opens in the past, as 14-year-old Sarah Green watches her best friend, Winnifred “Win” McNulty, race down the hallway of their high school in Canada. A breathless Win explains that there is a new boy reading a book. The boy is Sarah’s future husband, Caleb Linwood.
In the present, Sarah is now an adult and finds herself praying desperately, as her mother taught her that reaching out to God was only for true emergencies. Her fundraiser for ALS research, in honor of her mother, is far below her financial goal. Win tries to comfort her and suggests that Caleb could give the closing speech.
Sarah refuses and castigates herself: “[W]hat a waste of time, what a waste of money. What a waste” (9). She is especially distressed because while her mother was a single parent who raised her alone, she has accomplished much less in her life despite having more resources. Sarah envies Win because of her recent happy marriage to Bo Durand and their plans to open an inclusive outdoor recreation camp for children with disabilities.
As she and Win approach the ballroom, Sarah sees a photo of her mother from her wedding and remembers the final stages of her illness. Near the stage, she sees the lead researcher, Dr. Torres, holding a large check. She is dismayed rather than encouraged, certain that Caleb has used their personal funds to make the event appear more successful.
In the past, Sarah’s mother Marcie helps her alter her dress for an upcoming dance. June, her mother’s best friend, compliments her figure and appearance. Marcie teases Sarah because she has yet to meet Caleb.
On the night of the dance, Caleb arrives for their date. Sarah is nervous to show him her modest apartment, knowing his family is wealthy. He kisses her in reassurance. When Marcie interrupts them, he greets her warmly, charming her.
In the present, Sarah watched Caleb, remembering their many years together and the ways she has relied on him. She finds this more irritating than comforting, thinking, “[A]nd shit, if the damsel in distress routine isn’t getting old” (21). Sarah reaches the stage and struggles to deliver her prepared remarks about Marcie, feeling as though she has no right to pay tribute, but ultimately finishes her speech and toasts her mother.
Later, Sarah angrily takes Caleb aside, asking if he wrote the check. He admits to it, surprised that she is angry. Sarah retreats to the catering area, where Caleb eventually finds her, and they begin arguing. Sarah says that she wanted the success of the event to depend on her. Caleb points out that without his coworkers the guest list would be minimal, and Sarah is stung. She retorts that his wealthy parents have failed to attend, knowing that the reminder of their emotional distance will hurt him.
She feels particularly insecure about the event’s cost, knowing that his parents have always looked down on her modest background and lack of a notable career. Finally, Sarah asks if sh has achieved anything in her life to celebrate, since tonight’s event has clearly failed. She breaks down and cries when Caleb does not answere.
Win arrives for her weekly television night with Sarah. She notices immediately that Sarah and Caleb are still not speaking. Win is stunned when Sarah suggests perhaps it is time for her and Caleb to consider divorce, saying that couples who marry young often do. She admits that her feelings stem from her belief she has achieved too little with her life, especially in comparison with her mother. Caleb’s inability to name her accomplishments compounded this pain. Sarah wonders if “maybe he’s seeing what his parents have thought all along, I’m a loser” (36).
Win urges Sarah to consider a wilderness retreat, called Reignite, put on by her former coworker that is aimed at helping couples reconnect. Sarah is skeptical that Caleb will attend, implying that he is too obsessed with work and comparing him unfavorably to Bo, who dotes on Win. Win reminds Sarah that she owes Caleb a chance to prove himself.
In the past, Sarah and Caleb have just had sex for the first time in the backseat of his old Buick. They confess their love for each other. Sarah knows the level of devotion they feel is a risk at their age, but she decides to trust her feelings.
In the present, Sarah realizes that Caleb is taking longer than usual in the shower. She imagines that he is masturbating and thinks fondly of their sex life as a couple, especially as lovestruck teenagers. Marcie’s diagnosis with ALS shattered their carefree romance, but Caleb pitched in to help her care for Marcie. Sarah feels that their relationship was more equitable then, as she had a higher purpose that Caleb helped her fulfill.
Sarah checks on Caleb in the bathroom, but their conversation turns awkward. She suggests they address their current conflict but is offended when he says he has been avoiding a confrontation by focusing on work. Caleb steps closer to her, recounting that she usually apologizes through gestures, including sex. Before he can kiss her, Sarah blurts out, “I want to go hiking” (55). He is taken aback when Sarah describes the retreat. He suggests he would happily see a counselor with her in the city and is anxious at the idea of such an intense intervention. Sarah realizes, “I feel the urge to get out vibrating under my skin” (58). Caleb agrees to go.
In the opening chapters, Hannah Bonam-Young introduces her characters and the core relationships that define their lives. The past timeline establishes that Sarah was once young and carefree, and Caleb’s easy devotion to her and their youthful passion stands in stark contrast to the tension between them in the present timeline. These early scenes of love are juxtaposed immediately with the fundraiser scenes to establish the difference in their relationship. Their distance is illustrated by the fact that at the fundraiser, Bo appears to support Win while Caleb remains absent. This establishes that Bo and Win’s romance from the previous novel in the series, Out on a Limb, remains strong, centering Sarah and Caleb’s troubled relationship as the core narrative.
Sarah’s refusal of Caleb’s help and her fury at his choice to fund the philanthropy himself introduce the Tensions Between Personal Growth and Marital Stability. He presents the fundraiser check as a protective gesture, while Sarah’s fury suggests that she is no longer content with relying on him as she once had to. Sarah’s internal monologue reveals that she is desperate to feel like a contributing partner and not merely someone Caleb supports and protects from adversity, indicating her desire for a shift in their relationship dynamic and status quo. Her lingering gaze on Marcie’s wedding portrait helps to establish the idea that Sarah’s marriage began at a time of intense grief and turmoil. The loss of her mother is an inextricable part of Sarah’s transition to adulthood and relationship with Caleb, indicating that for their relationship to move forward, Sarah is going to have to resolve her grief over her mother’s death.
These opening chapters also introduce the theme of The Power of Letting Go of Grief by establishing Marcie’s early death as the defining feature of Sarah’s life from adolescence into adulthood. However, Bonam-Young also establishes the strength of Sarah’s found family. Sarah shares her grief with Win, who is like a sibling as well as a best friend. Marcie and June’s choice to raise their daughters together, and the endurance of this bond into their adulthood, is a testament to the power of found family. The novel also sets up the arc for Sarah’s character: She needs to overcome her sense that she has failed to honor her mother’s legacy and her need for purpose and fulfillment, and part of that challenge is redefining her role in her marriage.
Caleb’s personal status quo is also revealed in these chapters. His resentment of Sarah’s reaction to the check telegraphs that he does not yet understand the source of her pain or his role in it. Sarah’s choice to bring up his emotionally distant parents and their failure to attend the event reveals not only the extent of her insecurities but also the depth of their emotional history together. Caleb lets Sarah’s dig pass because he sees her pain as important, even though he does not understand its full extent. Even when the two are in conflict, it is apparent that they share a powerful connection. This connection will give them the strength to confront the need for change in their marriage. Like Sarah’s, Caleb’s character arc is established here twofold: He needs to grow out of his old role of protector in their relationship, and on an individual level, he needs to confront how his own purpose and fulfillment have been subsumed by his father’s.
With Win’s example, Bonam-Young asserts that successful marriages depend on close bonds, both with one’s spouse and with other trusted friends. Win pushes Sarah to confront the deeper crisis she is facing, and in their adult relationship, the friends replicate the bond their mothers shared during their upbringing. Win refuses to let Sarah give in to pessimism, even as she agrees that Caleb’s responses at the fundraiser are concerning. Win notices that Sarah constantly compares herself to her mother and finds herself wanting, foreshadowing that Sarah’s growth will also involve confronting her perfectionism. Sarah’s comparison of her marriage to Win’s reveals the depth of her discontent, as it suggests that she feels her happy future with Caleb is no longer assured. Where she used to see the length of their relationship as a sign of its strength, she now sees it as a vulnerability, a threat to future security rather than proof of it.



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