44 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of illness, death by suicide, ableism, and mental illness.
Win’s character arc centers on the changes in her life that result from her unexpected pregnancy, and much of the book explores the way she handles her new circumstances. While portraying pregnancy and motherhood as a challenging undertaking regardless of one’s circumstances, the novel explores how Win’s limb difference and perceptions about how it will impact her ability to parent present obstacles that she must overcome. The author thus shows that Win’s experience challenges conventional assumptions about what a person is capable of and how society perceives people with disabilities, particularly mothers. Through highlighting her resilience and the importance of receiving support, the author shows Win’s ability to overcome barriers associated with expectant motherhood.
First among Win’s conflicts is one that the technician brings up at her initial ultrasound. Noting the activity in the developing fetus, the technician remarks that Win will have her hands full with her child. This is a common, nearly ubiquitous expression that emphasizes that the management of infants and small children is a full-time job. However, the particular reference to hands strikes a nerve with Win due to her limb difference, as she reflexively thinks, “Hands are kinda the issue here, lady” (94). Her smaller hand gives Win concern that if she has a more difficult time with tasks like doing up buttons or braiding her hair, she’ll be challenged to perform essential parenting tasks—fastening diapers, buckling car seat straps, and so on. Bonam-Young shares in her Author’s Note to the Dell paperback that, due to her limb difference, this common metonym of hands and mothering was a concern of hers during her first pregnancy, and this personal experience helps lend realism to Win’s concerns.
The assumption that one would “need an extra set of hands” for parenting reflects the reality that caring for an infant is a demanding undertaking. Yet this common expression also reflects the outlook of people without disabilities and doesn’t take into consideration how a person with a limb difference or limb loss might handle the typical tasks of childrearing. As she meets each stage of her pregnancy with resilience—and Bo’s support—Win realizes that she is indeed capable of these tasks of pregnancy and childcare, not just on her terms but on any terms.
The stages of Win’s pregnancy, while moving her along her character arc, also provide moments of connection with Bo that develop the romance. Her confession of pregnancy facilitates their reunion, and Bo’s agreement to co-parent offers them reasons to interact further. From the first ultrasound, when Win is annoyed by the smug fellow pregnant woman whom she names “Fertile Myrtle,” Bo reveals himself as her partner and emotional support, sharing in her sense of humor and mischief as they pretend like he’s a random guy she invited to her appointment. When Bo invites Win to move in with him, the proximity allows him to experience her pregnancy as her full partner, from feeling the baby kick to attending the second ultrasound. Bo shares Win’s anxieties about parenthood, expressing his own fears that the child will be excessively mobile and that he “won’t be able to keep up” (218). While they experience the customary wonder and fears that accompany pregnancy, Bo and Win bond over the empathy that each has for the other’s unique insecurities. Bo’s emotional, physical, and financial support greatly eases Win’s challenges of expectant motherhood, and his belief in her shores up her confidence in her ability to effectively parent.
Bo says, in his confession of love to Win, “Ever since I met you, it’s like every part of me has healed a little bit” (288). Part of the effectiveness, and the satisfaction, of their romance is this healing that both protagonists facilitate for the other. They stand in for absent family members, soothe one another’s wounds from past heartbreaks, and round out one another’s friend groups, forming a new and expanded community of love and support.
Bo’s healing journey while falling in love with Win moves him from what he calls his “dark times” to a place of contentment and optimism for his future. He admits that, after their first night together, he didn’t contact her because “[he] was scared. [He] was scared after everything with Cora, with [his] cancer…with all of it, that [he] wasn’t enough” (332). Being with Win on Halloween is, as Bo makes clear from the beginning, his first attempt at intimacy following his surgery. Win is his proof that he can connect to someone. Bo previously assumed that the cancer treatments had left him sterile. However, when Win becomes pregnant, this is a sign to him that he’s capable of the future he’d assumed would be denied him—a future with a loving relationship, a partner, and a co-parent. Though Bo still harbors fears that his cancer could return, he deals with those fears by collecting material traces of his memories that he can share with Win and August. These mementos serve as an expression and reminder of his love, offering a continued relationship even if he were no longer present.
Another aspect of Bo’s healing journey is dealing with his residual guilt that he was somehow responsible for his mother’s postpartum depression and subsequent death by suicide. Experiencing Win’s pregnancy alongside her makes him realize that he’d never hold August responsible for Win’s mental health. Additionally, being with Win makes Bo realize that he’d been clinging to Cora for longer than was healthy. He acts to find closure with that relationship shortly after Win moves in, demonstrating that he’s ready for a new emotional connection.
Win’s healing journey involves learning to trust her capabilities and accepting that Bo is not Jack. She trusts that her experience with Jack’s unkindness and impatience won’t repeat because Bo adores Win for who she is, whereas Jack behaved as if he were doing Win a favor by accepting her despite her limb difference. Bo becomes a new best friend and proudly takes on the role of nurturing and caring for Win, something that Win’s mother does not always provide. The novel resolves with Win and Bo each realizing that they’ve discovered, in each other, the partnership they both craved but didn’t anticipate finding. The surprise of this discovery adds another layer of sweetness to their satisfaction of finding romance.
The novel, with Win as the narrator, tackles head-on the kinds of prejudice that people with disabilities can encounter. These discussions raise awareness about ableism and reflect the author’s experience living with a limb difference. Bonam-Young sets out to demonstrate that just as Win can be an effective parent, Win and Bo both deserve the same kind of fulfilling, passionate, nurturing love that romances with characters without disabilities achieve.
Neither Win nor Bo is ever defined by their limb difference or limb loss; these are simply characteristics they each have. Win’s bathtub reflections in Chapter 7 capture her complicated feelings about being labeled as a person with a disability. As a young teenager, she experienced shame and did her best to hide her difference until Marcie warned her that she was in danger of erasing herself. As an adult living in a society designed to make women feel unsatisfied with their appearance to persuade them to buy products, Win supposes that she has reached “a place of neutrality and vague acceptance of [her]self” (67). She appreciates when those with disabilities are celebrated for their accomplishments, like surfing, climbing mountains, or playing drums, but she also resents being compared to the “disabled elite.” Win thinks, “[T]hey were a reminder that the world would always view me differently—put me in a different bracket” (66). She doesn’t want to have to overcompensate or be praised for what she’s overcome. Instead, she admits, “I just wanted to feel ordinary” (66).
The novel shows how little their respective limb difference impedes the protagonists’ daily lives. Bo can navigate around his house perfectly well with or without his prosthesis, and Win is generally self-conscious only when new acquaintances want to shake hands. Though their circumstances make them more sensitive to one another—for instance, when Win tells Bo that he doesn’t have to keep his prosthesis on for her sake—the protagonists aren’t above their own occasional ableist perspectives. Win remarks on Bo playing basketball because of his height, and she doesn’t at first consider Bo’s gait when she trots up the stairs ahead of him at her first ultrasound appointment. She admits that, because she was born with her limb difference, she sometimes assumes that others have adapted as well as she has.
However, when they face the issue of her apartment being on the sixth floor with a broken elevator, Win shows sensitivity to the need for a living space that is navigable for Bo. In the same way, Bo expresses a sensitivity for Win’s preferences when he extends his left hand to shake at their first meeting. One aspect that unites them is their shared sense of humor about their bodies, evidenced by both choosing a pirate costume for the Halloween party and adapting it to their respective differences. Bo teasing, “Need a hand?” when he finds Win trying to braid her hair shows their level of acceptance and comfort with one another and the compatibility of a couple in love (318). Thus, the romance celebrates love among protagonists with body differences in a way that underlines how broadly shared the experience of romantic love is. Bonam-Young conveys the message that everyone with or without a disability is deserving of such happiness.



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