45 pages 1-hour read

Over Sea, Under Stone

Fiction | Novel | Middle Grade | Published in 1965

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Character Analysis

Barnabas “Barney” Drew

Barney is the youngest of the Drew siblings and one of the novel’s protagonists. Characterized as bright, curious, and enthusiastic, he is especially passionate about the Arthurian legend and dreams of embarking on his own heroic quest. He is excited to spend the holidays in Cornwall because “[e]ver since he had learned to read, Barney’s greatest heroes had been King Arthur and his knights. In his dreams he fought imaginary battles as a member of the Round Table, rescuing fair ladies and slaying false knights” (5).


Even more so than his siblings, Barney embodies the virtuous elements in The Archetypal Battle of Good Versus Evil. Indeed, when he is confronted with danger or a moral dilemma, he often relies on his knowledge of King Arthur’s knights to guide him, repeatedly modeling his behavior after the heroic deeds that he has read about. This pattern becomes clear when he searches for the grail alone in the dark cave. Although he initially fears getting lost in the tunnels, he imagines himself as Bedwin’s symbolic heir and envisions the knight standing “[i]n full armour […], guarding the last trust of King Arthur, chased by the same forces that were now pursuing [Barney and his siblings]” (214). Significantly, the narrative draws a parallel that highlights the novel’s focus on Arthurian Legend as Living Myth in the Modern World, for Barney’s imaginings position him as the direct moral counterpart to the story’s antagonists. It is therefore no accident that Barney directly defies Mr. Hastings at the end of the book and later realizes Great-Uncle Merry’s true identity.

Jane Drew

Jane is the second-oldest of the Drew siblings and is also one of the novel’s protagonists. She is characterized as clever, responsible, and emotionally intuitive. In the novel’s early chapters, she can reliably discern people’s true moral character, and her intuition proves especially useful in the chapters when the story’s antagonists have not yet revealed their true nature and intentions. In fact, Jane is the one who initially warns her brothers that Mr. Hastings is not to be trusted, and she immediately discerns Norman and Polly Withers’s deceitful nature.


Notably, Jane reflects behaviors that were traditionally associated with girls during the 1960s. For example, she is concerned about cleanliness and politeness, and she is more apprehensive of danger than her brothers. When they find the cave, Jane stays outside while the boys go in search of the grail, and she is also shown to be the most responsible sibling, deferring to authority figures when Simon and Barney abandon themselves to their more reckless urges. However, although the worldview of the author’s own cultural background results in distinct limitations to Jane’s agency, the character also demonstrates bravery and intelligence and makes significant contributions to the quest for Bedwin’s grail.

Simon Drew

Simon is the oldest of the Drew siblings and the third protagonist of the novel. He is more authoritative than his siblings, often acting as the leader of the group. When the children are exploring the Grey House, for example, Simon appoints himself as the commander of the expedition. He occasionally takes an arrogant stance toward his younger siblings, feigning authority when he feels insecure or when he is trying to prove himself. After the burglary, Simon is proud to have discovered the crime and believes that he deserves an important role in the investigation, but this conviction actually highlights his youth and naïveté. Later, after failing to bring any useful items to the standing stones, Simon makes it a point to rectify his mistake by bringing a candle and some string when the siblings visit the cave. This foresight allows him to produce a box of matches “with the smug flourish of a conjuror” (205) when Jane and Barney complain that they are ill-equipped to explore the tunnels.


However, despite his occasional shows of pride, Simon rallies to Jane and Simon’s side in the end and is protective of the other two. This dynamic is especially evident when Simon worries over Barney’s safety in the cave. Ultimately, the three siblings work well together and demonstrate the importance of maintaining their sense of compassion and solidarity in the face of adversity.

Professor Merriman “Merry” Lyon

Great-Uncle Merry acts as Simon, Jane, and Barney’s mentor throughout the novel. Although they are not directly related, the old man is a close friend of the Drew family, and the children often call him “Gumerry” for short. Smart, protective, and eccentric, Merry is a respected professor and plays the role of a doting great-uncle, but his obscure past and enigmatic behavior enhance the air of mystery that surrounds him. This becomes apparent in his initial description in Chapter 1: 


Nobody knew very much about Great-Uncle Merry, and nobody ever quite dared to ask. He did not look in the least like his name. He was tall, and straight, with a lot of very thick, wild, white hair. In his grim brown face the nose curved fiercely, like a bent bow, and the eyes were deep-set and dark. How old he was, nobody knew (3). 


Great-Uncle Merry’s physical appearance and his enigmatic role in the narrative render him a stereotypical version of the older mentor figure that recurs frequently in fantasy literature, similarly to Gandalf in The Lord of the Rings. His erratic behavior hints at his mystical, adventurous side, for as the narrative states: “He would often disappear for a long time, and then suddenly come through the Drews’ front door […], announcing that he had found a lost valley in South America, a Roman fortress in France, or a burned Viking ship buried on the English coast” (3). 


Additionally, Great-Uncle Merry’s connection to the Cornish landscape hints at his true identity as the legendary Merlin from Arthurian legend. Indeed, he is described as being “like the hills, or the sea, or the sky; something ancient, but without age or end” (3), and this imagery foreshadows the revelation of his identity as the legendary Merlin. Significantly, he positions himself as the children’s guardian, and although he does not take an active part in their quest, he intervenes to rescue them from Mr. Hastings at the last minute.

Mr. Hastings

Mr. Hastings, as he is known in this novel, is the main antagonist. Along with acolytes Norman and Polly Withers, Bill Hoover, and Mrs. Palk, Hastings searches for clues about the location of Bedwin’s grail. He is characterized as a stark, intimidating figure who uses a fake identity to get close to the Drew children. Although he does not exactly claim to be the vicar, he deceives Jane into thinking that he is, and he later abducts Barney and extorts the boy into leading him to the grail. He also demonstrates his supernatural powers of persuasion by putting Barney into a hypnotic state.


Although Hastings’s supernatural nature is not made explicit in this first book, Jane observes that “something monstrous blazed behind Mr. Hastings’ eyes” (228), and her resulting horror indicates that she is beholding an ancient monster, not a mundane human. Likewise, Great-Uncle Merry later mentions that he has “known [Hastings] to use many different names […] at many different times” (235), and when Great-Uncle Merry’s real identity as Merlin is revealed, this comment hints at the centuries-old rivalry between the two figures. Indeed, the author explains in the following books that Hastings is an ancient mystical being, just like Merry and other characters who are introduced later in the series.


At the end of the story, Hastings and Barney’s climactic confrontation underlines their roles as the agents of darkness and light, respectively. As the narrative states, “The whole world seemed to stop and centre round the towering black-clad man and a small boy: one will against another, with Barney saved by his own fury from the full force of the commanding glare driving into his eyes” (227). In this way, Hastings is temporarily defeated, and this event provides closure for the novel while setting up the antagonist’s return in the following books.

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