55 pages 1-hour read

Parents Weekend

Fiction | Novel | Adult | Published in 2025

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Themes

Content Warning: This section of the guide includes discussion of bullying, child illness and death, death, graphic violence, sexual violence and harassment, and substance use.

The Tension Between Individual Privacy and Public Safety

The investigation into the disappearance of five students confronts the idea that law enforcement is responsible for public safety, but is often hindered by limitations meant to protect people’s privacy. In Parents Weekend, three broad categories serve as vehicles for this idea: celebrity, college campuses, and modern technology. Through them, Finlay explores the opposition between an individual’s right to privacy and law enforcement’s efforts to preserve public safety, examining the challenges of striking a balance between the two.


In Finlay’s novel, public figures, such as Cynthia and Ken, who contend with intense scrutiny of their public lives, take measures to protect themselves that impose a similar violation of privacy on those around them. For example, Cynthia’s security team performs background checks on the capstone students and their families without their permission. When the students’ disappearance escalates into a media frenzy, everyone involved gets a taste of fame and the ways it erodes their privacy. Exploitative journalists harass them, strangers film them and post about them online, and wannabe sleuths make wild accusations that harm their reputations—all of them justify these violations by citing public safety concerns.


Finlay’s university setting and focus on parents of college freshmen taps into the anxieties that come with a child’s transition into adulthood and independence, allowing him to explore the tension between necessary safety precautions and egregious or voyeuristic surveillance. College campuses must navigate the fine line between implementing measures to keep students safe while still respecting their autonomy and privacy as young adults. The novel suggests that university politics and abuses of power distort their ability to keep the students safe. Natasha’s conflict with Professor Turlington exemplifies the conflicting priorities that come into play. When Natasha files a formal, anonymous report of sexual harassment against Professor Turlington, the campus police compromise Natasha’s anonymity by informing Professor Turlington of her identity, a violation of her privacy that exposes her to danger. Their investigation also exonerates him, which exposes a lack of due diligence once his guilt is revealed. The administration chooses to protect a faculty member at the expense of a student’s privacy and safety.


The novel also draws attention to modern technology, using the challenges it poses to privacy as well as the aid it offers criminal investigators to create narrative suspense. Keller describes cell phones as tracking devices that everyone voluntarily carries. Despite this ominous description, the text demonstrates emerging laws that protect people from invasive use of their private data. For example, a recent legal precedent makes it more difficult for Keller to obtain warrants for geofence data that could help her locate the students. Through subtext, the novel critiques the motives of various sources of information and their level of cooperation with the investigation that will save five students’ lives. When a FedEx driver gives Keller access to the videos from his truck, Keller describes him as the exception to the rule: “Not everybody is a George G. Peacoat from FedEx who doesn’t bow to the almighty Corporate” (194). Her portrayal of Peacoat as a hero willing to oppose corporate interests suggests that in some contexts, like this one, privacy and safety are not equally important despite her belief that they should be.

The Role of Social Media in Shaping Narratives and Justice

Finlay uses the pervasive presence of social media in the students’ lives, in the circumstances surrounding their abduction, and in the FBI investigation to both move the plot forward and provide social commentary on its potential as a useful tool or a dangerous obstructor of justice. While social media provides key insights into the events surrounding the students’ disappearance—such as the online posts pointing to Professor Turlington as a predator—Finlay primarily depicts social media as a super-spreader of false information that encourages harassment in the name of vigilantism—a position reinforced by his allusion to the real-life University of Idaho murders in 2022. Keller and Annie spend hours combing through the sea of misinformation to find legitimate leads, suggesting that, in aggregate, social media tends to subvert truth and hinder justice.


The case of the five’s disappearance takes on a life of its own on social media sites, where anonymity allows for irresponsible participation by removing personal accountability. Finlay’s novel indicates that the anonymity of online spaces encourages a phenomenon that can be described as social media vigilantism. Amateur sleuths, untrained in investigative techniques and law, attempt to solve the case, pass judgment, and punish anyone they deem guilty. For example, TikTok users accuse Hank of killing his son, a woman harasses David at his hotel, and strangers compromise several parents’ privacy and even their safety by sharing their movements and location online. Even before the students’ abduction, the posts on Rizz accusing Mark and Felix of being predators threaten to destroy their reputations and inflict significant emotional damage. After the abduction, misinformation about Felix being “a stalker” and “a creep” spreads (275), leading Mr. and Mrs. Belov to believe he was their daughter’s tormentor, eventually contributing to the young man’s death. A subtly caustic narrative tone in these scenes conveys a sense of contempt for these vigilantes, who are revictimizing parents already devastated by a tragic situation.


While Parents Weekend demonstrates how technology, in the context of a criminal investigation, can both aid and obstruct the cause of justice, Finlay’s narrative tone conveys a hyper-critical view of its potential for harm, indicating that social media’s lack of guardrails, erosion of personal accountability, and proclivity for favoring sensationalism over truth endangers the investigation and the lives of everyone involved. Even Natasha, who sees social media as her only remaining option when official channels fail to protect her from a predator, finds her attempts to use an online platform to secure justice unsuccessful and, ultimately, deadly.

The Duality of Public Image Versus Private Reality

The characters of Parents Weekend all have secrets, each of which acts as a potential clue to solve the central mystery of the narrative—Natasha’s death and the capstone students’ mysterious disappearance. Rescuing the students requires untangling the webs of secrets and lies that have been piling up in and between these families and their social and professional circles. A lot of their secrets, however, have nothing to do with the crimes taking place at Santa Clara University, but they do contribute to an underlying message about self-serving facades and their potential for destruction.


The characters’ individual arcs center on reconciling their public personas with their private selves. Each character has aspects of their lives and identities they want to show the world and other aspects they want to keep hidden. Some cultivate a public image meant to hide their vulnerabilities, like a protective suit of armor. Cynthia believes she can never show weakness, even among people she trusts, and the stress of appearing invincible has “layered a coat of varnish over her, encasing her in a hard, humorless shell” (6). In truth, Cynthia experiences fear, sadness, and joy like anyone else, but she suppresses any evidence of these emotions until she’s alone. Others, like Ken, lean into a professional persona to avoid dealing with painful aspects of their personal lives. Embodying the “No Drama Akana” nickname allows him to avoid dealing with his grief over Timmy’s death. Natasha’s public image is that of a failing student, a party girl, and a liar, while her private reality is that of a traumatized, victimized young woman who sought help and didn’t get it, emphasizing the danger of a disconnect between perception and reality.


Professor Turlington provides the text’s ultimate example of a public performance of decency that conceals private depravity. Keller’s first impression of him is shaped by his doting wife, his new dad status, and his overall convincing portrayal of a virtuous man who’s been wronged by a vindictive student. In reality, he’s a sexual predator, a stalker, and a killer. In keeping with the conventions of the mystery thriller genre, the secrets eventually come to light, but often not before they’ve done significant damage. David’s infidelity traumatizes Cody and causes Nina and Stella to resent him. Amy’s affair ends in harassment, violence, and her lover’s death. Natasha is kept from coming forward to publicly accuse Professor Turlington and give evidence against him. Turlington himself is exposed and killed. The conclusion that emerges from this pattern is a cautionary tale: The truth won’t stay hidden forever, but attempts to conceal it perpetuate harm.

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