60 pages 2-hour read

Pen Pal

Fiction | Novel | Adult | Published in 2022

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Part 1, Chapters 11-18Chapter Summaries & Analyses

Part 1: “Inferno”

Part 1, Chapter 11 Summary

Content Warning: This section of the guide includes discussion of sexual violence and harassment, mental illness, graphic violence, sexual content, illness and death, physical abuse, and emotional abuse.


Aidan and Kayla have sex, and Kayla enjoys it. Kayla notes that Aidan is larger and weighs more than Michael. She is happy to see that Aidan enjoys it as well. After sex, Kayla wonders if she should go home, and she reassures Aidan that she does not normally sleep with men she just met. Aidan says he is lucky, and he tells Kayla she will not leave tonight, adding that she can decide in the morning if this encounter was a mistake or not. They have sex again, and Kayla notes that rough sex is not the “making love” that Aidan offered her in the bar. Aidan laughs, and Kayla wonders what she got herself into.

Part 1, Chapter 12 Summary

Kayla wakes up on top of Aidan, and she thinks about what Michael would think if he could see her now. Michael would probably judge Aidan for not having a college degree, just as he judged her for not getting an MFA after her art degree. Aidan asks if Kayla is awake and says he wants to have sex again. Kayla agrees and says she wants to have more rough sex. Aidan calls her a bunny rabbit, and she calls him “fight club,” referencing her first impression of him. Playing into the bunny rabbit nickname, Kayla says Aidan will have to catch her first, and she runs around his apartment. He catches her and spanks her, but she claims she needs to go to the bathroom to trick him. Once he lets her up, she runs again, thinking how much fun she is having with Aidan despite disliking and distrusting most people. Aidan catches her again, and they have sex.

Part 1, Chapter 13 Summary

Aidan washes Kayla in the shower, and she begins to panic, feeling unsure of her situation with Aidan and guilty about having sex with another man after Michael’s death. Aidan comments on how tense Kayla is, and she explains that she is not used to being in casual sexual situations. Aidan says he is also not accustomed to this kind of relationship, and they confess that they are both interested in each other. Aidan says he needs to confess something, and Kayla assumes it is about a sexually transmitted disease or something similar. However, in discussing safe words, Aidan reveals that he hurt someone in his life, and he implies that he killed his father for physically abusing his mother. Kayla assures Aidan that she will not judge him for anything he did before they met, but she demands that Aidan is always honest with her. She jokes that having so much sex has made her hungry, calling him “fight club” and “bad lion” and herself “little bunny.”

Part 1, Chapter 14 Summary

Aidan brings Kayla back to her house, and he goes to investigate first. Kayla watches him go inside and remembers that not long ago it would have been Michael opening the door. Kayla thinks about how different Michael and Aidan are, noting how Michael did not have any tattoos or a beard because of his discomfort with them. Aidan comes back out to get Kayla, and they go inside. Aidan says the home is clear, and there are no signs of a break-in. He also compliments Kayla’s art, which he found while looking around. Kayla is flattered, and they kiss. However, Kayla pushes Aidan away, saying she is uncomfortable kissing another man in her home, and she fears Michael could walk in at any time. Aidan says he understands, and he says he is sending his friend, Jake, to install a security system. Later, Aidan will come back to put up a tarp on the roof. Kayla says she can still pay Aidan, who threatens to perform violent sex acts on her if she mentions money again.


Jake comes by and explains that he wants to install a series of cameras and networking for a security system. Kayla does not understand and asks for a simpler system, but Jake says he has specific orders from Aidan. Kayla says she does not have much money, and Jake references Aidan’s threat earlier, making Kayla blush. Jake seems suspicious, and he explains that Aidan does not get close to people. Jake is worried that Kayla will hurt Aidan, but she assures him that she likes Aidan, too. They agree to install a slightly simpler system that will satisfy Aidan without confusing Kayla. While Jake is talking, Kayla sees a man outside her window, whose facial features are obscured except for his bare teeth. The man is wearing a hat and a trench coat, which look familiar to Kayla. When Jake walks outside, Kayla looks back and sees that the man has disappeared.

Part 1, Chapter 15 Summary

Kayla decides to investigate the area where she saw the man, commenting that Bainbridge Island is a 35-minute ferry ride from Seattle and covered in trees and nature. She avoids looking at her and Michael’s boat, the Eurydice, named after the nymph Orpheus tries to save from the underworld. Kayla sees the name of the boat as an omen about their doomed relationship, and she reflects on how naïve she was when she and Michael first moved here for his position at the University of Washington. There is no evidence of anyone having stood by the tree, but Kayla sees how this vantage point shows her office. She thinks someone might have stalked her. She finds a buffalo nickel, a coin worth over $2,000, on the ground and recognizes it as Michael’s.


Jake finishes installing the security system, which has cameras covering most of Kayla’s property. Kayla asks about notifications for movement on the cameras, but Jake’s explanation quickly gets too complicated. The cameras are set to record for a week before starting to record over old footage. If the alarm triggers, Kayla can turn it off in 30 seconds, or she will need to use a password when an operator calls her. Jake implies that Aidan often spends time with Jake and Jake’s wife, so he hopes Kayla can join them and save Aidan from feeling left out.


Aidan arrives that night and plans to put a tarp on the roof. Kayla worries about Aidan working in the dark, but Aidan says he never falls. Aidan forces Kayla to explain how she feels when Kayla implies that Aidan could fall and die, and Kayla says she does not usually like or trust people. Aidan says he does not want to pursue a relationship unless Kayla is serious about it. She is attracted to and comfortable around Aidan. Even Michael did not have an immediate effect on Kayla like Aidan does. She also enjoys having sex with Aidan. If Aidan died, it would be devastating for Kayla. Aidan accepts and goes to work on the roof, and Kayla jokingly says she did not mean anything she said.

Part 1, Chapter 16 Summary

Kayla writes Dante a letter explaining how she thinks he might be lonely. She thanks him for the poem and reiterates her desire to know why he is in prison. She jokes that prison pen pal scenarios often end poorly, and she hopes the police do not find their letters with her body if Dante murders her.

Part 1, Chapter 17 Summary

Adian places the tarp, removes wet insulation, and leaves, leaving Kayla wondering why he did not come back inside. Kayla leaves her letter to Dante in a drawer and sits downstairs, enjoying the safety the alarm system brings her. She hears footsteps above her, though, and she restrains her fear enough to investigate. There is no one upstairs, but, when she comes downstairs, she finds all the drawers open. She feels like she is being watched, and she tries to rationalize how the drawers opened. A jar smashes to the ground, and Kayla runs to hide behind her sofa.


The next morning, the open drawers seem less menacing, and Kayla cleans up the house. She works until the afternoon on her illustrations, completing one story about a boy and a rabbit. She draws the scene she saw the day prior, with a man standing behind a tree in her yard, and she cannot place why the man seems familiar. The doorbell rings, startling Kayla, and she gets a text from Aidan saying to call him. He says she is mad at him, and she tells him to think about how he annoyed her. Aidan tells her to come to his place to have sex, and she agrees. As she gets ready to go, she sees her wedding photo with Michael, remembering how she was so nervous she threw up on her wedding day. She notices a thumbprint bruise on her arm in the photo, and she feels like she is on the brink of understanding something important.

Part 1, Chapter 18 Summary

Kayla shows up at Aidan’s house, and he immediately pulls her inside and kisses her. She says she was expecting an explanation for him leaving her house without saying goodbye, but he dodges the question. He asks Kayla to make a list of the 10 things she likes most about him, and he says he has talked more to Kayla in days than he usually talks to anyone in months. They have sex, and Aidan denies Kayla’s orgasm as long as possible. Aidan forces Kayla to come up with a safe word, something she can say to stop their sex acts if they become too violent, and she chooses “cheesy.” When they finally orgasm, Kayla marvels at how Aidan is exactly what she needs, but she implies that they already know “how this is going to end” (146).

Part 1, Chapters 11-18 Analysis

Kayla and Aidan’s sexual activity matches the overall trends in dark romance novels, which usually showcase dominant/submissive behavior, most commonly with the female lead being the submissive participant. Geissinger depicts the crux of this fantasy embodied in Kayla’s thoughts after having sex with Aidan and staying at his apartment: “The rational part of my brain knows that this is a dangerous game I’m playing with a man who’s all but a stranger, and I should end it now before things go too far” (92). However, where most female leads in dark romances acknowledge their fears regarding dubious consent, Kayla’s fear is both for her safety and for Aidan’s since she knows she has not recovered from Michael’s death.


At the same time, Aidan’s behavior counters the traditional narrative of dubious consent, as he insists on having Kayla come up with a safe word, and he frequently asks her if she is all right. Even though Kayla laughs at Aidan, saying, “There’s no such thing. I love how rough you are” (99), Aidan says he does not want to accidentally hurt her. Aidan’s concern continues to develop The Contrast Between Sexual and Romantic Equity. In particular, the author emphasizes Aidan’s desire for a loving and compassionate relationship, even as he deploys violence and intimidation tactics in the bedroom. This pattern contrasts with Kayla’s memories of Michael, which specifically note that Michael was not as open-minded. Specifically, Kayla remembers how Michael would likely have judged Aidan for not having a degree, painting Michael as arrogant and elitist. This dynamic implies that Michael did not have any regard for Kayla during their marriage, making it inequitable in romance with sex that was equitable but lacked excitement. With Aidan, sex is skewed heavily by the dominant/submissive role-playing; outside the bedroom, Kayla and Aidan are working toward a more mutual and considerate relationship.


Nonetheless, Kayla continues to struggle with The Impact of Unresolved Grief and Guilt, imagining Michael in “his starched white dress shirts, polished black oxfords, and slacks with the crisp leg seams” (103). Kayla describes Michael in this instance as “charming” and “outgoing,” reframing him as a desirable and attractive person. However, paired with the contrast between Kayla’s feverish and excitable affair with Aidan, her fond memories can be attributed to the Latin adage, “De mortuis nil nisi bonum,” or “Do not speak ill of the dead.” Remembering Michael creates a distinct barrier between the reality of Kayla’s marriage and the guilt she feels regarding how quickly she began the affair with Aidan. Though Kayla ultimately admits that Aidan is “exactly what I needed” (146), she feels conflicted because of the general understanding that moving on after someone’s death, particularly one’s husband, could be seen as disrespectful to their memory.


Kayla also continues to struggle with escalating supernatural occurrences, such as seeing the man behind the tree, finding Michael’s buffalo nickel (a key symbol in the text), finding her drawers and cabinets open, and continuing to experience painful headaches. She acknowledges how these events could still be attributed to grief, noting: “I remind myself there’s the distinct possibility I did that and don’t remember. If I added up all the small lapses in my memory of late, I could make a convincing case for early-onset dementia” (131). Kayla doubts herself, seeing how it is more likely that she is losing touch with reality than that reality includes the supernatural. However, Geissinger already implies through Kayla’s self-doubt and the continued alignment with haunted house narratives that there is a supernatural element to these experiences, which Kayla simply has not yet uncovered.


Geissinger introduces the motif of the Eurydice, Michael and Kayla’s boat, in this section. The boat is named after the story of Orpheus and Eurydice. In the story, Orpheus is a gifted musician who marries Eurydice, a beautiful woman. In some versions of the tale, Eurydice is pursued by another man, Aristaeus, and she dies from a snakebite. Orpheus pursues Eurydice into the underworld, Hades, and retrieves her on the condition that he does not check to see if she is following him out of the underworld. Orpheus looks behind him at the last moment, condemning Eurydice to Hades. Michael and Kayla’s boat’s mention alludes to how Michael may have seen himself as the ultimately gifted Orpheus as he was a mathematics genius, with Aidan as Aristaeus, chasing Kayla to her death. However, the boat’s name also foreshadows that Michael is Aristaeus, chasing Kayla to her death and taking her from Aidan, who is more gifted romantically than Michael—a conclusion the narrative will later reveal.

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