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Content Warning: This section of the guide includes discussion of illness, child abuse, sexual content, and substance use.
Milo intends to leave Prue after she falls asleep, but he gets caught up in reading her poems, written in a stack of notebooks beside the bed. He knows it is an invasion of her privacy, but he feels compelled to try and understand her. He finally drifts off, snuggled against her.
When he wakes up, she’s gone, but she sent a text explaining that her mother tried to bake in the middle of the night and nearly burned down the house. Milo asks if he can help. When Prue says that she’s all set, he decides to go home, but he can tell from her texts that she’s feeling insecure. In the past, he would have run from that insecurity, a sign of developing feelings, but with Prue, he reassures her that they’ll see each other later, both to help her and because he wants to see her.
At the brewery later, Milo and Nadia discuss their lives as they unload boxes of supplies. Nadia and Aleks almost kissed, which has her on edge. While she wants to be with him, she’s afraid that he’s too nice a person for her—she says that their childhood made her hard. Nik arrives, and the three discuss the physical and mental abuse they endured from their parents. Nadia leaves upset, and Milo soon follows, prompting Nik to call after them, “[W]hen are you going to stop running?” (194). Milo ignores him and grabs a six-pack of beer from the stock room.
Milo ends up on the dock at Prue’s house. As he finishes the beers, Prue’s father joins him to ask if he’s okay. When Milo says he is, Tom confesses that he has cancer—he hasn’t told Prue. He wants her to decide what she will do with her life before he tells her so that she doesn’t tether herself to him as a caregiver like she has with her mother.
Milo is uncomfortable with keeping this secret from Prue, believing that she should have all the information she needs to make a decision. Tom is adamant, though, that he cares too much about Prue to let her waste her life. At this, Milo realizes that he also wants Prue to live the life she wants, and he wonders if this is what love feels like.
That evening, Prue struggles to get her mother settled. When Julia finally falls asleep, Prue gets a text from Milo, asking about her day. Prue confesses that it was tough, but Milo assures her that she’s doing a great job and that her mother trusts her, which makes Prue feel better.
After exchanging more texts, Milo confesses that he’s drunk and sad. They meet at Prue’s house so that she can listen for distress from her mother. They get lost in kissing until Prue stops them. She can tell how upset Milo is and knows that he needs to talk.
After a lot of hesitation, Milo explains his parents’ abuse and how he doesn’t want to talk about it with Nik. Milo is still mad at Nik, who is the eldest, for leaving him and Nadia at home when they were younger. He’s equally mad at himself for leaving Nadia alone with their parents when he was old enough. Milo starts to cry, and Prue holds him as she realizes that this confident, somewhat arrogant man is “just a hurt boy at his core” (212).
For the next five days, Milo paints with Julia while Prue gets stuff done around the house. While Julia finishes her first painting in over two years, Prue catches up on chores and takes some time for herself. Milo also comes over at night, and the two continue to be intimate, though Prue has yet to pleasure Milo like he’s pleasured her.
One night, Prue gets distracted thinking about Milo leaving, wondering if she’ll ever find such an easy rapport with anyone else. To get herself out of it, she asks to pleasure him with her mouth, and Milo is shocked at how good it feels when she’s never done it before.
After nearly a week of spending time with Julia and being intimate with Prue, Milo feels like he has a home for the first time. Still, the secret he is keeping for Tom weighs on him. He tells Prue about everything he’s experienced and watches her smile at the idea of seeing things for herself.
During this time, Sef tells Milo about how much Nik needs closure regarding his childhood. She admits that she, not Nik, called the 1-1-9 to help him get through it so that he can be present for his kids. Milo promises to try to connect with Nik because he wants to help and be there for his family for the first time in years.
Later, Milo and Nik sit down for a beer and talk. Milo apologizes for being distant. He says that he wants to try to deal with the past, but it might take a while. Nik says that he understands and is sorry for leaving Milo and Nadia with their parents. He knows now that he made a mistake and recognizes that he doesn’t have to either stay angry with his parents or forgive them. Mostly, he finally understands that he has to feel and process his emotions because ignoring them will “just rot [him] from the inside out” (233). Nik is glad that Milo came back, which makes Milo realize that it’s where he wants to be, even if it is difficult.
The next few days are difficult for Prue’s mother. Though she isn’t up for doing art, Milo still comes by to help around the house, even though Prue tells him that he doesn’t have to. Before their next intimate night, Milo challenges Prue to turn him on by sexting before he comes over. She texts him a picture of her posing in a robe that drives him wild.
Next, he asks for a picture that she wouldn’t show anyone else, so she sends another of her posing on her bed, wearing only her bra and underwear. As the texts continue, Prue feels more emboldened and sends him one of her exposed backside, with her hair falling in waves. That picture convinces Milo to come over, and Prue shivers with anticipation.
Milo races to Prue’s room, where he falls to his knees and brings her to orgasm with his mouth. Prue is eager to have sex and pulls him toward her. Milo stops her so that he can take control and make sure it feels good. Agreeing, Prue goes limp, making Milo wonder if she will ever trust him with her heart like she trusts him with her body. Milo continues to touch her, and when Prue says she’s ready, he rolls on a condom.
Milo enters Prue slowly for the first time, talking her through the sensation. They just hold each other for a minute, feeling like the world has shifted somehow. Milo starts to move slowly, telling Prue to take anything she wants from him. While Prue knows he means sex, she can’t help but think it sounds “[l]ike he’d hand [her] his heart or soul if [she] asked him to” (252). As they continue more urgently, Prue says over and over that she is his. Afterward, they just stare at each other, and Prue can tell that they’re both trying not to confess love.
Milo knows that he is irrevocably in love with Prue and decides to stay in Baysville. When he tells Tom about this revelation, the man is upset because he knows that Prue will stay if Milo stays, and then she will be tied to taking care of him.
Milo again argues that Prue has a right to make her own choices, finally convincing Tom. He agrees to tell Prue about his cancer diagnosis after the opening-day party for the brewery. Milo agrees that this is a good idea, but he still feels impatient. He wants to tell Prue how he feels and how he’s willing to make a life with her, but he can’t until this secret is revealed. Tom closes the store for the day and gives everyone the day off.
The situation surrounding Tom keeping his cancer a secret from Prue, but not Milo, offers a negative context for the theme of The Importance of Establishing Boundaries in Relationships. By sharing the news with Milo, Tom sets up a future conflict between Prue and Milo, as well as Prue and Tom, that unfolds in the final segment of the book. His actions also illustrate the type of trauma that Prue is struggling to overcome. As a child, Prue was even more emotional and sensitive than she is as an adult. As a result, her father coddled and cared for her when she was younger because he feared that she wasn’t strong enough to handle the negativity of the world. Now that Prue is grown, he continues this pattern because he still sees her as the overly sensitive child he wanted to protect. He chips away at her independence, refusing her the chance to express her desires or make her own choices because he thinks that he can protect her in a way she can’t protect herself. In reality, Prue is perfectly capable of dealing with reality and unfortunate situations, as seen by how she’s adapted to take care of her mother, and while her father means well, his actions do more harm than good. By depriving her of the ability to live her life on her terms, Tom also deprives her of the experiences necessary for Prue to develop stronger coping mechanisms. In this way, the narrative reveals her father’s coddling to be its own type of trauma, even if it is based in love, demonstrating The Effect of Past Trauma on Emotional Growth.
These chapters also show Milo finally realizing that he can’t run away from his past forever. Milo has been running since he left home because he was too scared to deal with what happened, but he was also afraid that dealing with it would hurt more than ignoring it. In Chapter 18, Milo confesses some of his past to Prue, which ultimately helps him start to heal, highlighting The Ripple Effect of Change as this interaction helps him work up the courage to talk to Nik and Nadia. Milo has avoided discussing the past with his siblings because he blames himself for not being able to save Nik and Nadia, specifically Nadia, whom he left alone with their parents. With Prue’s help, Milo begins to understand that what he did to take care of himself is not a crime. While he left Nadia behind, he saved himself, and he realizes that he can feel both grateful and guilty for leaving. The change that Prue brings to Milo’s outlook makes him see himself, his siblings, and Baysville as more than painful reminders of his past. As he heals, he sees a future with Prue in Baysville that Nik and Nadia are part of.
Prue and Milo’s flirting and lovemaking in this section offer another example of the importance of establishing boundaries in relationships. Chapter 17 shows Milo shifting his emotional boundaries, opening up to Prue as he reads her poems. Though doing so feels wrong, he realizes that he does it because he wants to be closer to her, which sparks further changes as the two become more intimate. Similarly, Prue leaving in the middle of the night to help her mother shows how the demands of her relationships sometimes conflict. She understands that disappearing is not a good thing to do, but her mother needs her, a fact she can’t ignore. This circumstance emphasizes the importance of clear boundaries, especially as Milo and Prue’s physical and emotional desires begin to merge in Chapters 22 and 23.
As with Milo and Prue’s past physical intimacy, they are committed to making each other feel good. However, the playful nature of their sexting and the gentle way in which Milo helps Prue experience intercourse for the first time demonstrate that there is more than physical desire between them. Having sex represents an emotional escalation in their relationship and becomes a catalyst for the decisions that both make in the last part of the book. Though Milo has gradually been realizing that he wants to stay in Baysville, being intimate with Prue solidifies this decision—though he’s had many sexual partners, he’s never experienced sex as he has with Prue. Likewise, being intimate with Milo makes Prue understand that there is room for him in her life alongside the responsibility of taking care of her mother. These realizations are emotional manifestations of the shifting boundaries between them, and they highlight where the themes of the importance of establishing boundaries in relationships and the ripple effect of change intersect. Prue and Milo shift the boundaries of their relationship based on how their views of each other change their outlook on Baysville and building a life in the town.



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