51 pages 1-hour read

Percy Jackson's Greek Gods

Fiction | Short Story Collection | Middle Grade | Published in 2014

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Themes

The Effects of Power Dynamics

The stories Percy tells in this collection highlight how status shapes the world of the Greek gods in life and even after death. Through the relationship between gods and humans, the gender disparities among the gods, and the three realms of the Underworld, Percy Jackson’s Greek Gods explores the effects of power and status. From the moment the Olympians wrest control from Kronos, the gods become the rulers of the world. As the king of the gods, Zeus sets the precedent for the treatment of lesser beings—specifically, favoring those who honor him and punishing those who scorn his power. This attitude extends to the other Olympians, ultimately revealing the extent of their power over the world. In Chapter 9 when the first demigod comes to Mount Olympus, he believes that this honor elevates his status to godhood. However, when he says uncomplimentary things about the gods after drinking, they destroy him, showing that “no matter how nicely the gods treat you, they never see you as their equal” (133). This power dynamic between gods and humans persists throughout the collection and informs Percy’s relationship with the gods, making the balance of power a source of tension for the entire story universe.


While the relationship between gods and humans highlights the unfairness of vastly different statuses, the dynamics between Zeus and Hera reveal that godhood is no guarantee of unchallenged power. Zeus’s tricking Hera into marrying him lays a foundation of distrust for their relationship and highlights Zeus’s greater status and power. In the following years, Zeus is unfaithful many times, but Hera stays with him because leaving would anger him, and she knows what Zeus is capable of doing to those who displease him. Thus, while Zeus flaunts his power by doing whatever he wishes, Hera takes her revenge through deception, forcing Zeus and his lovers into situations where one or both suffer. By doing so, Hera shows that while Zeus has more brute-force power, she’s just as strong in her own way. The dynamics between them become a series of give-and-take interactions rather than being based on an ultimatum by Zeus. Consequently, Hera uses their dynamic against Zeus to get what she wants, and they ultimately diminish each other’s power.


In addition to dynamics between races and characters, Percy Jackson’s Greek Gods examines societal power dynamics through the three realms of the Underworld: the Fields of Punishment (where alleged “bad people” are tormented for eternity); Elysium (where the “best” humans exist in an eternal state of bliss); and the Fields of Asphodel (an endless area of gray where most people go to wander for eternity). Initially, gods judged humans before their death and assigned them to a realm of the Underworld based on how they had lived their life. However, this system proved flawed: Those with great power and influence used their assets to gain entry to Elysium when they didn’t deserve it or to denigrate their enemies so that they would be sent to the Fields of Punishment. As a result, gods began judging humans upon their death in an effort to remove the influence of societal power dynamics, and this change highlights the unfairness associated with status. Even once this change is made, though, judgment still depends on the interpretation of the Underworld judges, who are a product of their world and are influenced by personal biases. Thus, the afterlife is subject to the same power dynamics as the realm of the living, meaning that the Fields of Punishment, Elysium, and the Fields of Asphodel symbolize how power dynamics are always at play.

The Darkness in Everyone

Though the immortals and humans of Percy Jackson’s Greek Gods live in vastly different worlds, the two are more alike than different, particularly in terms of the darkness they exhibit. Through Kronos, Aphrodite, and the story of Arachne, the book shows how darkness exists in all beings. As the youngest and smallest of the Titans, Kronos is shoved aside by his siblings. When it comes time to kill Ouranos, Kronos volunteers in order to prove himself and to satisfy the darkness inside him after years of emotional abuse, showing how inner darkness drives him to achieve greatness and be recognized for his actions. Once the deed is done, Kronos finds that he likes these feelings. He claims power as king of the Titans and lords over his siblings, sending them away or, in Rhea’s case, forcing her into situations she doesn’t want. The Olympians eventually destroy Kronos, showing how acts done through darkness have long-reaching consequences. Kronos’s fear of Ouranos’s prophesy leads him to treat his children poorly, motivating them to destroy him. Thus, Kronos’s inner darkness ultimately leads to his demise: His fear of Ouranos’s prophesy drives him to fulfill it.


While Kronos shows how poor treatment creates and perpetuates darkness, Aphrodite symbolizes darkness even in the brightest places. As the goddess of love, Aphrodite is stunningly beautiful and seen as a pillar of all the good things to come from love, including romance and family. On the surface, she seems pure of purpose, but when challenged (particularly when she’s forced to wed Hephaestus), Aphrodite represents the dark side of love: jealousy and resentment. These feelings cause her to seek an affair with Ares and her anger is trigged when others don’t worship her. She becomes petty, manipulating emotions to get what she wants, as evident in how she wins Adonis’s affections by promising him what she knows will make him happy. Together, these parts of Aphrodite’s personality show the damage that the dark side of love can do. Aphrodite’s first love is herself, and her inability to treat others with the same level of care reveals how even seemingly good forces can create negativity when darkness motivates them.


Kronos and Aphrodite reveal how darkness affects different individuals, and the tale of Athena and Arachne shows the impact of darkness on groups. During the weaving contest between Athena and Arachne, Athena creates a tapestry showing the glory of the gods, while Arachne’s creation depicts the gods at their worst. These opposite depictions of the same group show how the gods don’t recognize their own inner darknesses and also how darkness is in the eye of the beholder. What motivates Athena’s enraged beating of Arachne is partially Arachne’s negative depiction of the gods, representing how Athena’s facing her own darkness brings out the worst in her. This reflects what the stories reveal about Kronos and Aphrodite, but Athena’s story goes further by involving an audience of humans. Athena’s treatment of Arachne prompts the mob to cheer on the violence and turn against someone who has been a pillar of their community. In doing so, the human onlookers show how darkness easily spreads, and their actions “paint[s] a picture of humans that’s just as true and just as scathing as Arachne’s tapestry about the gods” (242).

What Makes a Society

As the most powerful beings in Greek myth, the Olympians dictate how those beneath them live, including what actions are acceptable and what rules to follow. By doing so, the gods create societies among themselves and for the humans who worship them, and through the exploration of godly rules and punishments, as well as Percy’s comparison of ancient Greece to modern times, Percy Jackson’s Greek Gods explores how society functions. Merriam-Webster defines society as “a community, nation, or broad grouping of people having common traditions, institutions, and collective activities and interests.” This definition applies to both the gods and humans of ancient Greece, and Percy Jackson’s Greek Gods reveals how human society mirrors that of the gods. When they took power from the Titans, the Olympians shaped the world according to their preferences and moral codes. Each god named certain plants and animals as sacred, and these also became sacred to the humans who worshipped the gods. In addition, the gods established that failure to follow their rules would result in punishment. Together, this forms the institution of the gods, and collective traditions like the hearth at the center of the home show how humans conform to societal expectations set forth by those in power.


In addition to adopting godly traditions, the rules that the gods established illustrate how being part of society is a choice. As the goddess of the hunt, Artemis helps all who hunt for food and are kind to nature, but if someone “kill[s] too many animals for no good reason, Artemis [will] have a few things to say” (338). Artemis determines proper hunting practices (for survival) and improper hunting practices (for sport), which she then backs by punishing any human who kills for fun. Because Artemis has the power to enforce her rules, she becomes a leader and makes sure the rules of her society are followed. Thus, if humans wish to live in her society and avoid punishment at her hand, they hunt strictly for survival and not for the sport of killing. Alternatively, humans can reject society and do as they please, but this decision has consequences. Living outside Artemis’s society, for example, means that a person isn’t subject to punishment under her rules but also introduces the possibility for people to over-hunt and destroy their source of food. As Artemis’s societal institution shows, being part of a society means choosing to acknowledge and respect its rules even if the people don’t always like those rules.


While the relationship between gods and humans explores what makes a society function, Percy’s commentary on the activities and norms of ancient Greek culture shows how societies evolve over time. During the rule of the Olympian gods in ancient Greece, the gods commonly wed their siblings or even their adult children. Throughout the book, Percy notes that this practice isn’t part of his modern-day world of Greek myth, showing how the culture of the gods and demigods has changed. In addition, this stark difference symbolizes how beliefs influence societal norms. In ancient Greek times, the gods viewed siblings differently than in the modern-day US, believing that, once grown, siblings were adults and, thus, fundamentally different people than they were as children. In this light, siblings like Zeus and Hera saw nothing wrong with getting married and having children of their own because their godly status and power meant that their offspring would be strong. As immortals, the gods allegedly weren’t susceptible to the problems of human genetic inbreeding, so having children with other gods served only to purify bloodlines. Repeatedly, Percy acknowledges that, while he finds this practice distasteful and confusing, he understands why the gods did it, showing his ability to respect other societies even when he doesn’t agree with their institutions.

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