52 pages 1-hour read

Perfect Victims: And the Politics of Appeal

Nonfiction | Book | Adult | Published in 2025

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Author’s Note-Chapter 2Chapter Summaries & Analyses

Author’s Note Summary

In the “Author’s Note(s),” Mohammed El-Kurd outlines the intentions, limitations, and ideological framing of his work. Acknowledging the incompleteness of the book, El-Kurd stresses that writing in the midst of what he describes as “genocide” cannot fully capture the scale or immediacy of Palestinian suffering. He notes the inadequacy of language in the face of bombs and mass death, but expresses a desire to contribute coherently to an already expansive conversation around Palestine and liberation.


El-Kurd critiques the commodification of “Palestine” as social currency in some progressive spaces, where it can be selectively deployed for clout without meaningful engagement. He emphasizes that while Palestinian presence in global discourse has grown, it often remains confined to frameworks that sanitize, dilute, or neutralize the urgency of the issue. Rather than focus solely on rights-based or legalist discourses, El-Kurd positions his work as an intervention that highlights lived experience, local epistemology, and cultural fragmentation. He seeks not just to bridge the gap between Palestine and the rest of the world, but also to confront the tension between Palestinians in the homeland and those in the diaspora.


He clarifies that Perfect Victims is not a manifesto, academic monograph, or comprehensive critique, but rather an interrogation—of language, ideology, audience, and discourse. The book deliberately avoids relying on legal terminology such as “illegal” and rejects the courtroom as the primary site of struggle. Instead, El-Kurd experiments with tone, voice, and structure, aiming to treat readers as familiar guests rather than judges. His intentional shift in pronouns and disproportionate use of masculine forms is a political choice meant to challenge tropes and foreground the full spectrum of Palestinian identity—including the often-demonized or invisible figure of the Palestinian man.

Chapter 1 Summary: “The Sniper’s Hands Are Clean Of Blood”

El-Kurd lays the groundwork for his broader argument by documenting the dehumanization of Palestinians and the global mechanisms that enable and normalize their suffering. He describes how Palestinian death is rendered ordinary—so routine that it barely registers in global consciousness. The chapter begins with a meditation on the pervasiveness of death in Palestinian life, likening media reports of mass killings to weather forecasts: They are detached, matter-of-fact, and devoid of context or accountability.


El-Kurd asserts that this widespread detachment is not accidental but systemic. Journalists, politicians, diplomats, and academics participate—often unconsciously—in a machinery of language and narrative that erases the perpetrator, obscures the crime, and diminishes the humanity of the victim. Using the metaphor of the sniper, he critiques not only those who enact violence directly, but also those who make such violence palatable through sanitized discourse. These “snipers,” El-Kurd argues, exist across institutions: In newsrooms, lecture halls, and government offices. They may never hold a weapon, but their complicity is no less deadly.


The chapter then explores how Palestinians have been denied the full spectrum of human identity. They are often confined to a false dichotomy—either perfect victims or dangerous terrorists. To be granted a hearing in public discourse, they must appear docile, grieving, and depoliticized. Bereaved Palestinians are permitted to mourn, but not to contextualize their grief. Survivors may speak, but only if their stories are stripped of ideology and collective meaning. Any expression of resistance, anger, or national aspiration is quickly pathologized.


El-Kurd also examines the internal consequences of this dehumanization, showing how Palestinians, over generations, have internalized the burden of proving their own worthiness. From media appearances to daily interactions with Western visitors, Palestinians often feel compelled to explain, soften, or justify their existence—to adopt a “politics of appeal” aimed at securing basic empathy. This performance, he argues, is both exhausting and degrading, reinforcing the very hierarchies it seeks to navigate.


Finally, the chapter criticizes the asymmetric global response to violence and mourning. While Israeli deaths trigger widespread international grief and symbolic gestures, Palestinian lives and losses are often met with indifference or conditional sympathy. El-Kurd concludes that this imbalance is not incidental, but essential to maintaining the current geopolitical order. Palestinian death, he argues, sustains the status quo, and Palestinian rage is treated not as a natural response but as a threat. The chapter sets the stage for a broader interrogation of the narratives, systems, and assumptions that define global engagement with Palestine.

Chapter 2 Summary: “The Politics of Defanging”

El-Kurd interrogates the concept of “humanization” and the political costs that come with attempting to be recognized as human in a world structured by colonialism. He opens by recounting how he was advised to “humanize” his grandmother in his writing by omitting anything too bitter, angry, or politically charged—removing the more complicated or unpalatable aspects of her character in favor of a softened, sanitized version of her story. This anecdote becomes the launching point for a broader critique of the logic that governs public sympathy for Palestinians.


El-Kurd defines the modern humanization project as a representational strategy—sometimes well-intentioned, sometimes cynical—that demands Palestinians present themselves in “respectable” and “relatable” terms. This typically includes highlighting innocence, helplessness, or victimhood while omitting traits that suggest political conviction, militancy, or anger. In order to be mourned or defended, a Palestinian must first prove that they meet externally imposed standards of civility and restraint. El-Kurd describes this expectation as a kind of performance—a script of idealized, sanitized behavior that both Palestinians and their allies are pressured to follow.


He notes that this dynamic exists beyond the Palestinian context as well, drawing parallels to how Black victims of police violence or survivors of sexual assault are defended through tropes of innocence: Sobriety, compliance, youth, or mental illness. In each case, public recognition depends not on the wrongness of the violence, but on the “worthiness” of the victim.


According to El-Kurd, the logic of humanization is deeply classed, racialized, and political. Those with elite access, such as through possessing press credentials or Western passports, may find it easier to be “humanized,” while poor, angry, or noncompliant Palestinians remain excluded from sympathy. El-Kurd critiques how this logic manifests even in obituaries, where the profession, demeanor, or political beliefs of deceased Palestinians are emphasized not as facts but as moral justifications for their grief.


He warns that this framework implicitly shifts the burden from the colonizer to the colonized. Rather than scrutinizing systems of occupation, dispossession, or surveillance, the focus becomes whether the oppressed have “earned” dignity through proper conduct. He argues that this approach reinforces colonial values and leaves behind those Palestinians who fail to meet its narrow criteria, such as the poor or the armed. El-Kurd suggests that even Palestinians who die waving white flags may still be excluded from mourning, because their humanity is never assumed.


Toward the end of the chapter, he engages with counterarguments, such as those who believe in moral authority or see “respectability” as organic rather than performative. He acknowledges that some Palestinians reject his critique and instead see virtue in adopting a universally “ethical” posture. However, El-Kurd maintains that such views overlook the asymmetries of power, language, and culture that shape global discourse. Ultimately, he asserts that the project of humanization, as currently constructed, is insufficient and exclusionary, failing to protect the majority of Palestinians who live and die outside its boundaries.

Author’s Note-Chapter 2 Analysis

El-Kurd begins the book by rejecting the traditional frameworks often used to mediate Palestinian narratives in global discourse, introducing the theme of Media Power and the Politics of Legitimacy. In both the Author’s Note and first two chapters, El-Kurd positions himself not as a detached commentator, but as a participant with personal stakes and critical distance. His writing acknowledges the tension between mourning and messaging, witness and strategy, sincerity and performance. Rather than seek universal empathy or consensus, El-Kurd’s early chapters interrogate the mechanisms by which Palestinians are asked to become palatable to the world. In this context, the so-called “politics of appeal” is both the book’s central subject and its target of refusal.


Stylistically and structurally, El-Kurd introduces the reader to a form that is deliberately uneven. He moves between prose and poetry, polemic and memoir, collective observation and personal disclosure. These tonal and formal shifts are not ornamental; they are structural assertions of narrative sovereignty. The opening chapters make frequent use of epigraphs and aphorisms—compact, loaded phrases that resemble both protest chants and legal testimony. At the same time, El-Kurd resists the formalities of Western academic language, favoring lyricism, repetition, and irony. His rhetorical flourishes act as countermeasures to the flattening, decontextualizing tendencies of dominant narratives. This elasticity of tone reflects the fractured nature of Palestinian experience and identity, itself a product of colonial fragmentation.


A key formal choice is El-Kurd’s shifting use of pronouns, which signal the impossibility of a singular Palestinian voice, to address The Burden of Performative Victimhood. In one moment he writes in the first person plural (“we”), in another he refers to Palestinians as “they,” and elsewhere defaults to the singular, gendered “he.” These shifts reflect not indecision but a refusal to simplify. El-Kurd’s decision to foreground the Palestinian man—too often excluded from mourning or depicted as irredeemable—invites readers to contend with the full spectrum of the colonized figure, not just the innocent or symbolic ones. This complicates and resists the dominant discourse in which the “worthy” victim is always imagined as passive, unarmed, and photogenic.


El-Kurd also directly challenges the structural expectations of Western publishing and journalism, where Palestinian narratives are often sanitized for consumption. He critiques the pressure to “defang” Palestinian anger to earn sympathy or appear civilized: He writes, “The problem is, if you want to humanize the Palestinian, you have to defang the Palestinian” (34)—an indictment of the representational economy that trades dignity for digestibility. His refusal to filter emotion or conviction underscores a broader philosophical rejection of liberal humanism, which he believes centers recognition and rights only for those who behave according to dominant norms. Rather than appeal for understanding through acceptable grief, El-Kurd insists that resistance, even when militant or impolite, remains valid and human.


Even the book’s formatting participates in its critique. In the Author’s Note, El-Kurd explains that he gradually moves the names and biographies of Palestinian “martyrs” and prisoners into the footnotes—not to marginalize them, but to normalize them. By presenting the dead as household names, he reverses the usual hierarchy of legibility, refusing to treat Palestinian suffering as exposition or justification. In doing so, he offers a subtle form of Resistance as Refusal and Reclamation—refusing to court sympathy on foreign terms and reclaiming the dignity of narration as a right, not a reward.


Underlying all of this is a rhetorical tension, as to write compellingly about Palestine often means writing against the grain of audience expectations. El-Kurd anticipates this and disarms it. His prose does not ask for permission, nor does it apologize for its rage or contradictions. His goal is not to persuade the hostile or the indifferent, but to affirm a reader already willing to listen, whom he describes as a “curious stranger or… a familiar visitor” (12). Through this lens, even irony becomes a form of intimacy, and even sorrow is strategic. These early chapters thus establish both the ethical and formal logic of the text, creating a refusal to plead and a commitment to narrative sovereignty over coherence or consensus.

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