49 pages 1-hour read

Phantom Limb

Fiction | Novel | Adult | Published in 2016

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Character Analysis

Content Warning: This section of the guide contains discussion of mental illness, self-harm, death, disordered eating, and child sexual abuse.

Emily Rooth (The Narrator)

As the protagonist and unreliable narrator of the novel, Emily Rooth (known to herself and everyone else as Elizabeth until the novel’s final chapters) constructs a two-year-long delusion following a traumatic car accident. To cope with the overwhelming guilt of having caused the death of her identical twin, Elizabeth, Emily assumes her sister’s identity and creates an alternate reality where she, as “Elizabeth,” is the healthy caretaker for her sister, “Emily.” This entire first-person narrative is a product of a dissociative fugue state, a psychological defense mechanism that protects her from a truth her mind cannot process. Her narration is central to the novel’s exploration of The Fragmentation of Identity After Trauma, as her sense of self is so completely shattered that she must borrow another’s identity to survive. The narrative structure, which withholds this crucial information until the final chapters, forces the reader to experience the same disorientation and shock as Emily when her constructed world finally collapses at the headstone marked for Emily that is actually Elizabeth’s grave.


Emily’s character is defined by an internalized guilt that manifests as self-punishment. The recurring motif of cutting and scars, which she projects onto her imaginary sick sister, is a physical expression of her own psychological torment. Early in the narrative, the narrator (as Elizabeth) states of her sister’s self-harm, “I understood why she crucified herself” (4), a statement that is later revealed to be a moment of subconscious self-awareness. The scars that cover her legs are marks of her own making, a penance for her role in Elizabeth’s death. This connection between emotional pain and physical self-harm directly illustrates the theme of Self-Harm as a Manifestation of Psychic. Even after confronting the truth, Emily’s decision in the Epilogue to continue living as Elizabeth is coupled with a return to cutting. This final act suggests that while she has chosen a new identity, the underlying guilt remains unresolved, trapping her in a cycle of self-destruction.


Her identity is also characterized by an intense codependency that originates in a childhood of severe abuse and neglect. Raised by an abusive mother who allowed men to sexually abuse Emily and Elizabeth, the twins learned to rely solely on each other for survival, blurring the lines between their individual selves long before the fatal accident. This pre-existing dynamic lays the foundation for Emily’s assumption of Elizabeth’s. She reconstructs Elizabeth as the strong, stable, and capable twin she always wished she could be, while projecting her own trauma, depression, and self-hatred onto the imaginary “Emily.” Her relationship with Thomas introduces an external force that threatens this closed system, ultimately leading to its collapse. Her final choice to forsake her own identity permanently in favor of Elizabeth’s is a testament to the difficulty of reintegrating a fractured self, suggesting that for some, the only way to live with catastrophic loss is to cease being the person who experienced it. Emily is a round and dynamic character whose journey is not one of simple recovery but of psychological adaptation.

Elizabeth Rooth

For the majority of the novel, Elizabeth Rooth exists not as a person but as a psychological construct created by her twin sister, Emily. In identifying as Elizabeth, the narrator identifies with her idealized self: strong, rational, and endlessly patient. She is the stable caretaker who works, attends college, and navigates a romantic relationship, all while tending to her severely depressed and reclusive sister. This version of Elizabeth is a foil to the real Emily, representing everything Emily feels she is not. As a purely mental invention, this character is necessarily flat and static, serving as a consistent, perfect counterpart to the chaotic, self-destructive “Emily” that the narrator has compartmentalized. The narrator’s ability to fully inhabit this persona demonstrates the depth of her dissociation and her desperate need to escape her own identity.


Elizabeth’s primary role in the narrative is symbolic, embodying the novel’s title, Phantom Limb. She represents the agonizing absence in Emily’s life after the car accident. The detailed, two-year-long delusion in which Emily imagines that she is Elizabeth and the caretaker of Emily is her attempt to cope with this psychological amputation, treating the void left by her sister as a real and present part of her life. The entire narrative is, in essence, a conversation with this phantom, a manifestation of the pain that comes from losing an integral part of oneself. This makes Elizabeth less of a character and more of a driving force behind the novel’s central mystery and its exploration of how the mind processes catastrophic loss.


The final chapters shatter this construct by revealing the real Elizabeth through Emily’s recovered memories. The flashback to the night of the accident shows Elizabeth not as a perfect, idealized figure but as a teenager experiencing jealousy and anger. Her fight with Emily over a boy, Marc, is a moment of adolescent conflict that starkly contrasts with the saintly image Emily has maintained for two years. This revelation serves two critical functions: It highlights the extent of Emily’s delusion and the unreliability of her memory, and it humanizes Elizabeth, rescuing her from the impossible standard of perfection Emily had created for her. Ultimately, Elizabeth’s character is an illustration of how memory can be reshaped to serve the urgent needs of the present, even at the cost of objective truth.

Thomas

Thomas serves as the primary catalyst for the unraveling of the narrator’s delusion. He embodies kindness, patience, and a steadfast normalcy that contrasts sharply with the narrator’s internal chaos. His consistent and unconditional love for “Elizabeth” provides her with a potential connection to a life outside her insular, trauma-defined world. Thomas is drawn to what he perceives as a “strong, focused, and independent woman” (14), completely unaware that this persona is a fragile psychological construct. It is his desire to meet his girlfriend’s sister that applies the external pressure needed to fracture the narrator’s carefully maintained fantasy.


Functioning as an anchor to the real world, Thomas’s presence persistently challenges the narrator’s alternate reality. His reasonable requests to be included in her entire life are perceived as a fundamental threat to the closed system she has built with her imaginary sister. This gentle pressure forces the narrator to invent increasingly elaborate deceptions, which ultimately become unsustainable. His character illustrates the theme that long-term healing and genuine connection are impossible without confronting the truth, no matter how painful. While his own character is largely static, his impact on the protagonist is immense, making him the unintentional agent of change who forces a necessary, albeit devastating, confrontation with reality.

Lisa

Lisa is a classic mentor archetype who functions as the voice of psychological reason and exposition within the narrative. As the twins’ trusted therapist from childhood, she possesses a deep, firsthand knowledge of their history, which lends credibility to her clinical explanations of the narrator’s mental state. It is Lisa who provides the vocabulary for both the narrator and the reader to understand concepts like dissociation, reactive attachment disorder, and identity fugue. Her sessions with the narrator in the psychiatric hospital are pivotal moments of revelation, as she gently guides her toward the traumatic memories she has suppressed. Lisa represents a bridge between the narrator’s subjective, fractured reality and the objective truth she must confront in order to begin healing. Her compassionate but firm approach provides a safe space for the novel’s most difficult truths to be revealed.

Bob and Dalila Rooth

Bob and Dalila Rooth, the twins’ adoptive parents, represent the possibility of a safe and nurturing home, an environment that stands in stark opposition to the abuse and neglect they suffered under their biological mother. Their introduction into the narrative establishes a baseline for what a healthy childhood could have been. However, their struggle to form a deep, reciprocal attachment with the deeply traumatized girls highlights the lasting and often insurmountable impact of early childhood abuse. Dalila’s desire to rescue and heal the twins, followed by her heartbreak over their persistent psychological struggles, underscores the novel’s argument that love alone cannot always conquer severe trauma. They serve as essential figures who provide context for the twins’ development and their intense, exclusionary codependency.

Mother

The biological mother of the twins acts as the antagonist of their past and the source of their foundational trauma. Though physically absent from the main narrative, her influence is omnipresent. Characterized by extreme neglect, sadistic physical abuse, and the facilitation of her daughters’ sexual abuse by her “special friends,” she creates the toxic environment in which the twins’ survival relies entirely on their codependent bond. Her actions are the catalyst for the entire tragedy, instilling the deep psychological wounds that lead to Emily’s self-destructive behaviors, their blurred identities, and Emily’s eventual dissociative break from reality following Elizabeth’s death. She is the ghost whose cruelty sets the story’s events in motion.

Rose

Rose is a fellow patient in the psychiatric hospital who serves as both a foil and an ally to the narrator. Her struggle with anorexia includes body dysmorphia; she looks into a mirror and sees a fat person, even as everyone else can see that she is dangerously thin. This condition directly parallels the narrator’s own delusion of seeing an unscarred body and interacting with a deceased twin. It is through witnessing Rose’s break from reality that the narrator is forced to confront her own body in the mirror, a pivotal moment that leads to the discovery of her self-inflicted wounds. As the narrator’s first genuine friend outside of the twinship, Rose offers compassion and a model for future relationships, representing a potential life beyond the all-consuming grief and isolation that have defined the narrator’s existence.

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