50 pages 1-hour read

Postmortem

Fiction | Novel | Adult | Published in 1990

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Themes

Content Warning: This section of the guide includes discussion of gender discrimination, sexual violence, rape, ableism, and graphic violence.

Procedural Rigor Versus Intuition

Postmortem explores different methods of investigating crime through the differing approaches of the two main characters: Dr. Scarpetta and Detective Marino. Scarpetta is representative of procedural rigor; she uses her technical expertise as a medical examiner to learn about the crime. In contrast, Marino uses his “street smarts” and intuition to solve crimes. In the early days of the investigation, their different approaches cause tension and conflict. However, ultimately, both of their approaches are shown to have merit, and the case is solved through the integration of their two disparate approaches.


Dr. Scarpetta’s technical expertise and what she is able to learn from it are described in highly realistic detail throughout the work, emphasizing the importance of scientific rigor to her work and in the investigation. She uses cutting-edge, time-consuming, and painstaking techniques to learn crucial information about the crime. For instance, Scarpetta and her fingerprint expert Vander use a laser to identify debris on Lori Petersen’s body. She “explore[s] inches of the suffused flesh at a time” while “collecting [tiny fibers] with forceps” (24). This work takes hours, but it ultimately yields two clues. She learns that the murderer uses borax powdered soap and that Matt Petersen left his fingerprints on his wife’s body. Although Matt is ultimately excluded as a suspect, Dr. Scarpetta realizes that the murderer must work somewhere that uses borax powdered soap and that he must use quite a lot of it, a key finding that will lead to the eventual reveal of his identity. Scarpetta also closely collaborates with criminal profilers, an approach portrayed in the novel as a scientific process. Her knowledge of the criminal’s motivations helps her set a trap for him. As FBI criminal profiler Wesley explains, “What we want to do is make the guy think we think he’s stupid. Hit him where it hurts” (253). They use this understanding to place a story in the newspaper that successfully insults the murderer and prompts him to take reckless action, an example of putting scientific conclusions into action.


Detective Marino, in contrast, relies on his intuition. Early on in the investigation, Marino’s “intuition” leads him to suspect Lori Petersen’s husband based on a combination of likelihood—it is most often the husband who kills their wife—and his prejudices and lack of understanding about intellectual work. As he puts it, he suspects Matt in no small part because Matt is an actor “writing dissertations on sex and violence and cannibals and [gay people]” (66). Scarpetta sarcastically characterizes Marino’s theory as merely “a wonderful plot for Agatha Christie” (66), but over the course of the novel, she comes to respect his “street smarts,” which eventually lead him to save her life.


Scarpetta and Marino initially have little respect for each other’s approach. Marino feels his “street smarts” are superior to Scarpetta’s “book-learning,” but eventually, both of their approaches are shown to have merit. Scarpetta’s medical knowledge leads her to recognize that the victim has maple syrup urine disease. Marino’s intuition leads him to stake out Scarpetta’s home on the night she is attacked. As he tells Scarpetta, “I’m thinking this squirrel’s maybe already casing the doc. Now he’s really going to be off the wall” (307). By the end, it is clear that the combination of their two approaches is essential to their success and will serve them well working as a team on future investigations.

Misogyny and Violence Against Women

A core theme of Postmortem is societal and institutional misogyny and how it often manifests in violence against women. All of the women in the novel face different forms of misogyny; in some instances, men’s hatred for women tips over into sexual violence.


Kay Scarpetta is one of the few women working in a male-dominated profession. She feels increased pressure to excel at her job because of the institutional misogyny she faces from the “good ole boys club” that runs the city (72). Detective Marino, with whom she works closely, is cold to her from the moment they met, leading her to wonder “if he didn’t like women” (6). His skepticism of her manifests in subtle ways, such as how he “condescendingly” asks if she knows the directions to the crime scene. His dismissive attitude toward her is echoed in her treatment by the county commissioner, Amburgey. He actively sabotages her investigation by hacking into the database and planting evidence to take media attention off of the police’s failure to respond appropriately to Lori Petersen’s 911 call. Scarpetta realizes she is an easy scapegoat because she is a woman in a man’s world.


Abby Turnbull, another career woman, also becomes a target for misogyny when Commonwealth’s attorney Bill Boltz drugs and rapes her while she is working on a profile of him for the newspaper. He uses societal misogyny as a shield against the allegations, telling her that he would “make [her] out to be slut” if she reported the crime (213). It is suggested, although never confirmed, that Boltz was similarly sexually aggressive with Scarpetta. The use of sexual violence as a way to dominate and control powerful women like Abby and Scarpetta derives from the hatred of women borne of misogyny.


This spectrum of hatred and violence reaches its apex in the actions of the serial killer, Roy McCorkle. He targets career women who make him feel inadequate, seeking to control them through rape, bondage, and ultimately taking their lives. He leaves his semen on their bodies as a further way to degrade them while marking them as his property. In the novel, murdering women is shown as the ultimate form of male domination, and the humiliation of the women killed does not end with their deaths. As Scarpetta acknowledges, their violation does not end there, as the victims would be “turned inside out, every inch […] photographed, all of it on display” until “every aspect of her person [was…] scrutinized, judged, and in some instances, degraded” (11).


In threading together societal misogyny and the way it manifests in discrimination and violence against women, the novel makes a tacit argument for gender equality. Scarpetta, as a strong woman in a leadership role as chief medical examiner, is, whether she wants to be or not, a crucial part of changing societal attitudes towards women.

The Psychology of Serial Killers

A focus of the novel is the psychology of serial killers, especially as revealed by the practice of criminal profiling. Profiling is the practice of making inferences about a criminal based on psychological insights and the crimes themselves. In Postmortem, Scarpetta uses the insights of criminal profilers and Marino’s intuition to learn enough about the murderer to encourage him to act recklessly, leading to his capture.


Early in the investigation into Lori Petersen’s murder, Scarpetta and Marino meet with FBI profiler Benton Wesley. Wesley uses his psychological and criminological expertise to provide a profile of the killer. He tells them that the killer is a “loner” who “has a difficult time with close relationships, though he may be considered pleasant or even charming to acquaintances” (75). He further concludes that the killer is white and has a fascination with police work. He believes that the killer has “violent sexual fantasies” and then progressed to enacting those fantasies (76). Finally, he concludes the murderer is intelligent, obsessive-compulsive, and likely works a “menial job.” These insights prove crucial to their understanding of the crime and to moving their investigation forward.


Marino likewise contributes to Scarpetta’s understanding of the murderer’s psychology during their drive to the crime scenes. He comments, for instance, that the murders take place on Friday night or Saturday morning because the murderer works Monday through Friday. He then “has the weekend off to chill out after he’s done it” (151). This insight allows Marino to be ready on Friday night when the murderer attacks Scarpetta at home.


Scarpetta adds to this insight into the murderer by meeting with Dr. Spiro Fortosis, a forensic psychiatrist who works at the University of Virginia. He tells Scarpetta that “this killer’s reactions to publicity […] is a little unusual” (237). He compares the murderer to two other paradigms of killers: those like John Hinckley, Jr., who attempted to assassinate President Reagan for the publicity, and those like Henry Lee Lucas, who actively avoid the spotlight. He notes that the murderer is a “blend of both extremes” who “thrives on the attention” but does not want to be caught (238). Scarpetta uses this understanding of the killer’s reaction to media coverage to craft a news story insinuating that the killer has an intellectual disability to provoke him into acting recklessly.


The validity of criminal profiling is eventually borne out when every aspect of Wesley’s profile turns out to be true when they finally uncover the identity of the murderer. Roy McCorkle, the murderer, works as a “communications officer” who works with the police. He was seen by his colleagues as an “all-right guy” who was friendly without having any close friendships. Further, he washes himself obsessively to cover up the maple syrup smell caused by his metabolic disorder. By validating Wesley’s profile, the narrative emphasizes how an understanding of the psychology of serial killers is essential to the investigation of a crime.

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