50 pages • 1-hour read
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“He looks at me like an opponent, except we aren’t playing hockey right now. If we were, I’d give him a quick blocker shot to the face.”
The metaphor of hockey, a sport built on strategy and aggression, reflects Jasper’s broader perception of personal conflict and highlights his need for control. His instinct to retaliate against Sterling, a clear social rival, illustrates the reality that Jasper’s protective instincts manifest as anger, especially when he feels powerless outside the rink. The violent sports imagery underscores his discomfort with expressing vulnerability; he therefore navigates the emotional confrontation with Sloane and Sterling using tools that are better suited for the ice than for real-life relationships.
“The puncture from where the pointed claw of my engagement ring dug in taunts me, like the universe knows this marriage will make me bleed in ways that no one else will know or see.”
This quote vividly reveals Sloane’s emotional suffering at the thought of her ill-chosen engagement to Sterling, and the physical pain from her ring acts as a symbolic wound that transforms the very idea of commitment into a weapon and suggests that the relationship is more harmful than healing. She feels helpless, already trapped in a fate she can’t escape, and the idea that the marriage will make her “bleed” in unseen ways speaks to the quiet, invisible toll of her emotional repression.
“[M]y fingers loosen around the sparkly heels in my hand. I drop them like Cinderella.”
By letting go of the shoes, Sloane is symbolically shedding a role she no longer wants to play—one that is associated with her family’s forced ideals of who she should be. The Cinderella allusion is therefore subverted, for rather than being passively saved by a prince, Sloane walks away on her own terms, rewriting the fairytale. By dropping the shoes, she makes a conscious decision to let go of past mistakes. This moment marks her transformative decision to stop chasing external approval and reclaim her independence.
“[S]he’s like the moon when we sat on the roof. Bright and pure, shedding a silvery light over everything so that I can still see where I’m going.”
Jasper sees Sloane as a guiding presence in his life: gentle, luminous, and constant even in the darkness. His simile comparing her to the moon emphasizes her strength and emotional clarity, and it is clear that he relies upon her influence to navigate his own uncertainties, just as people use moonlight to find a path through the night. Her brightness is subtly comforting, symbolizing emotional safety and dependable love. Sloane therefore brings meaning and direction to Jasper’s life by simply being present and steady.
“He just grips me like I’m a flotation device and he’s stranded in a rough sea.”
This quote illustrates Jasper’s intense emotional reliance upon Sloane for stability. By comparing herself to a flotation device, Sloane conveys Jasper’s desperation, suggesting that he feels overwhelmed in her absence. By extension, this imagery frames Jasper as being lost at sea, awash in a flood of emotional chaos and vulnerability. Caught up in his unresolved fears of loss and abandonment, he clutches her for the safety that her presence provides, depending on her to keep him emotionally anchored when his trauma threatens to make him founder.
“Those vine-like intrusive thoughts creep up and threaten to strangle me.”
In this passage, Jasper personifies his intrusive thoughts as living, invasive entities, vividly illustrating the suffocating nature of trauma. His intrusive thoughts are insidious and difficult to detect until they take hold. Thus, comparing them to a strangling force implies that they threaten to choke the very life from him, both emotionally and psychologically. The description also suggests that these thoughts grow independently, feeding on his vulnerability, and are hard to uproot.
“So many people eye me like I’m a Rubik’s cube they can’t solve. My colors are all jumbled on the wrong sides, but Sloane doesn’t care that I’m messy.”
This Rubik’s cube metaphor expresses Jasper’s sense of being mismatched, out of step, and misunderstood by those who see his complexity as a flaw. The imagery of jumbled colors likewise reflects his inner chaos and emotional fragmentation. By contrast, Sloane’s acceptance of his every quirk is meant to help him understand that love doesn’t require perfection or clarity, only understanding and compassion.
“The silence that stretches between us is thick, alive and sparking with the heat and reality of my almost-confession.”
In this passage, the description of silence as “thick, alive and sparkling” conveys a moment charged with meaning and tension, almost as if the weight of unspoken thoughts has become a third character in the scene. The electric friction beneath the surface suggests that some powerful yet intangible truth is trying to break free. Their emotional intimacy builds in stillness, and what remains unsaid holds as much meaning as what is spoken.
“Tonight I’m basking in being myself, and it feels good not worrying about calories or how everyone around me is perceiving my every move.”
In this unguarded moment with Jasper, Sloane experiences a newfound sense of personal liberation and self-acceptance. By letting go of calorie counting and the constant fear of others’ judgments on her physical appearance and social status, she sheds the family pressures that have warped her self-worth. This moment becomes a quiet rebellion against the cultural expectations placed on women (particularly dancers) to maintain a trim, petite physique and present a visually appealing, pleasant façade to the world. By reclaiming her body, her choices, and her joy, Sloane also reclaims her power and makes no apologies.
“People looking too closely makes me nervous, makes my skin itch. But with Sloane’s eyes on me, all I feel is warmth.”
The novel repeatedly highlights the contrast between intrusive scrutiny and loving attention, and this dynamic reveals Jasper’s deep discomfort with the thought of being judged or exposed. Just as his nervous reaction emphasizes how unsettled he feels when others observe him too closely, his description of “warmth” shows that Sloane’s gaze has the opposite effect, bringing him comfort and safety.
“A dark blue abyss. Sometimes I feel like I sank to the bottom of that deep ocean and just took up residence.”
The metaphorical “abyss” of Jasper’s eyes symbolizes both beauty and danger, showing that Sloane is drawn to him in a way that feels both overwhelming and inescapable. She has fully surrendered to her feelings, choosing to immerse herself in his emotional world despite its intensity. This imagery highlights the depth of their connection, which goes beyond surface-level attraction and becomes a consuming, immersive bond.
“[H]e shredded his heart for her. Left all the jagged, torn pieces at her feet.”
The visceral, violent imagery of this passage illustrates the depth of Jasper’s emotional sacrifice for Sloane, portraying his love as raw and selfless. The metaphor evokes intense pain, emphasizing the extent to which he exposes himself. When he figuratively leaves the “jagged, torn pieces” of his heart “at her feet,” this submissive image illustrates his willingness to let her see the broken, unfiltered parts of himself even as he places the power of the moment in her hands.
“He kisses me like he wants to consume me.”
The image of consuming—of devouring—suggests that Jasper and Sloane’s kiss taps into a deep emotional hunger. Jasper’s actions reflect his desire to merge completely with Sloane, erasing the distance between them. The moment reflects his need for physical and emotional grounding: something that he can only gain in her presence. His all-consuming affection also stems from his fear of losing those he loves, and he therefore attempts to hold on too tightly. The raw, urgent nature of the pair’s love is a force that borders on obsession but nonetheless remains grounded in emotional depth and longing.
“[L]ife is just moments all strung together like multicolor Christmas lights. You always end up liking some colors better than others.”
This description reflects the diverse emotional experiences that make up a life. By comparing disparate experiences to different colored lights, Jasper acknowledges that not all memories or phases are equal; some shine more brightly or feel warmer than others. His introspective mood shows that he is learning to accept joy and hardship as inevitable parts of the human experience. This perspective reflects his new growth and emotional maturity, as he recognizes that life can only become meaningful when people appreciate its contrasts.
“Everyone in my life has treated me like the tiny ballerina inside a jewelry box. Nice to look at and cute to listen to when you’re in the mood, but easily shut away when you have something else to do.”
Sloane uses the metaphor of a jewelry box ballerina to voice her frustration with the fact that how others have reduced her to a passive, decorative role in their lives. Because her profession gives the impression that she is a passive, decorative figure, her family relegates her full identity to surface-level appeal, stripping her of complexity, agency, and emotional depth. Both Sterling and her father only value her when it is convenient for them, ignoring any needs that require effort on their part. As Sloane deals with the long-term damage of being objectified, silenced, and emotionally neglected, she turns to healthier sources of connection in order to be seen and respected as a whole, autonomous person, not just a charming accessory in someone else’s story.
“[M]y need to take control is a beast I keep locked inside, away from the girl I’ve put up on a pedestal.”
This passage reveals that Jasper’s internal conflict and his desire for dominance are fierce and potentially destructive. Referring to this urge as a “beast” suggests that his emotions are powerful and primal and must be restrained in order to protect Sloane. He views her as pure, delicate, and untouchable, and his tendency to idealize her further hinders his ability to act freely around her. By locking the “beast” away, he suppresses parts of himself out of his fear of damaging the relationship and betraying the ideal version of Sloane that he perceives.
“My jealous side came out to play, and I didn’t hold him back at all. I let him dig his claws in, and now I’m worried I might have embarrassed her in the process.”
Jasper’s self-awareness forces him to reflect on an impulsive display of jealousy, but rather than owning this emotion, he personifies it as a separate entity, portraying it as something wild and animalistic. The imagery of claws likewise invokes a sense of aggression and suggests that his jealousy is inherently possessive. Jasper’s concern about potentially embarrassing Sloane highlights his internal conflict between his protective instincts and his respect for her autonomy.
“My entire body is one huge heartbeat. Just a pulse covered by desperate flesh. I’ve never felt so wanton and I’ve never felt so desired.”
This passage captures the raw intensity of Jasper and Sloane’s physical and emotional union. Describing the body as “one huge heartbeat” conveys the surging emotions of love, desire, and urgency, which converge in a single overwhelming moment. This scene marks a turning point in their relationship, when their love is no longer restrained but fully expressed through body, heart, and soul.
“I’d still be a pretty little mannequin, born and bred to make appearances in his world.”
In her previous life, Sloane felt reduced to a mere decorative object, and she never wants to return to that. The mannequin metaphor suggests that she was once someone who existed solely for display purposes, lacking authentic self-expression or genuine participation in her own life. Now, however, she rejects the systematic conditioning that forced her to suppress her own desires in the interest of serving someone else’s needs.
“My dad pulled the rug out from under me with such force that I’m toppling. I’m Alice down the fucking rabbit hole into Wonderland where absolutely nothing makes sense.”
Sloane feels a profound betrayal when she hears her father threaten Jasper, destabilizing her sense of reality. Although she is not surprised by his behavior, she experiences a total loss of balance, indicating that his actions disrupt her sense of security. The allusion to Lewis Carroll’s famed title, Alice’s Adventures in Wonderland, turns this betrayal into a surreal experience devoid of familiar rules and logic. However, Sloane’s experience is not a whimsical adventure; it is a traumatic plunge into chaos. By comparing her situation to Wonderland, she highlights how her father’s actions have shattered her previous understanding of family loyalty and trust.
“For too long, I was a soft, demure little dove. And then they burned me. Scorched me. Turns out I’m a dragon.”
By comparing her inner transformation to that of a dove becoming a dragon, Sloane offers a vivid metaphor to indicate that she has shed her gentle submissiveness to reveal her core of inner strength and resilience. The dove represents a past self hampered by conformity and powerlessness, and it is clear that her suffering stands as a crucible that reforges her into something far stronger. Her declaration that she is a dragon suggests that she has undergone a trial by fire and has been reborn as a force to be reckoned with.
“I wonder if he can tell I’ve lifted the veil and see him more clearly than ever.”
The image of lifting the veil reflects Sloane’s refusal to marry Sterling, even as the idea of removing this visual barrier symbolizes her new sense of clarity and transformation. Traditionally, veils are designed to obscure one’s face for practical or ceremonial reasons during weddings, funerals, or religious ceremonies, but in this context, the veil signifies Sloane’s former ignorance about her father’s true nature. Having been made aware of his manipulations, she undergoes a moment of awakening and recognizes his flaws. This powerful shift shows that Sloane now has the awareness to resist the narrative that he wants her to follow.
“You’re not just tattooed on my skin. You’re branded on my heart. Woven into the fiber of my being.”
Jasper’s ballerina tattoo symbolizes Sloane’s lasting emotional and spiritual impact on him. He carries their story visibly on his skin just as the emotional bonds and scars that he shares with her remain etched deep within his heart. This passage also shares a thematic connection to the pair’s focus on Healing Old Wounds with Love and Support.
“Don’t much care if I had a role in making you. I know in my heart I had a role in making you who you are today.”
Harvey’s statement conveys the idea that fatherhood extends far beyond genetics or origins, and he essentially claims a deep recognition of his ongoing impact on Jasper’s character and life choices. This idea suggests that self-worth and identity are shaped by guidance and shared experiences rather than mere biology. Harvey also openly acknowledges the emotional bond and responsibility that come with being a formative presence in Jasper’s life.
“[W]hen it comes to you, I’m powerless.”
Jasper’s statement captures the novel’s central paradox: that love disarms him despite his struggle for control and independence. However, this form of powerlessness is not a weakness but a recognition of the transformative intimacy that he and Sloane now share. The phrase shifts the meaning of the novel’s title from toxic helplessness to the willing, healthy vulnerability born of authentic love and connection.



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