57 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of emotional abuse, sexual content, and cursing.
Charlie muses on the differences between Emerson, who seems very polished, and Beau, who is brash and “unfiltered.” While she previously thought that staying with Beau through his struggles to keep a job would strengthen their relationship, she now understands that Beau saw her as a reminder of those hard times.
Charlie shops for lingerie, wanting to “feel sexy under [her] clothes” while she works for Emerson (39). She likes the way she looks, which makes her reevaluate her stance on Emerson’s proclivities. She considers that “as long as its consensual and everyone has something to gain” (39), even kink that involves submission or degradation is not antifeminist. However, she thinks that Emerson will not be interested in her since she is not wealthy.
After making her purchases, Charlie runs into Beau, who is with another woman. He ridicules Charlie for purchasing lingerie for her new secretary job, and he then demands to know why she didn’t retrieve his half of the money from Emerson. Charlie walks away without responding. Having the freedom to do so pleases her, though Beau’s criticism still stings.
Emerson mentally reprimands himself for finding Charlie attractive when she shows up for her first day of work. He agonizes over their interactions, afraid that he will inadvertently reveal his attraction. He encourages her to ask questions about the Salacious Players’ Club and is gratified when she seems curious but not judgmental.
Meanwhile, Charlie is overwhelmed by the vast array of kink practices. Emerson explains that his own interest is in “a Dominant-submissive relationship” (46). She asks him what he thinks she might find arousing, and though he deems it likely that she responds strongly to praise, he demurs. Emerson dislikes imagining her sharing such practices with someone else, though he criticizes himself for being selfish to think this way. He vows to keep his distance from her.
Charlie feels intimidated by going to the Salacious Players’ Club and meeting “kinky people.” The club’s general contractor, Drake Nielsen, flirts with Charlie, which Emerson dislikes. Emerson discourages her from discussing kink with the other club employees, which she notes is hypocritical, given his stance that kink is far more common than popular discourse suggests. When he claims that he worries because she is “not ready,” she angrily insists that she is best equipped to determine her own emotional readiness.
Charlie meets Garrett, who encourages her to explore the half-finished club. He tells her to sit on a throne and kneels in front of her, suggesting the erotic possibilities of the position. Charlie finds herself uncomfortable, both by being in the position of power and by the feeling that she is being unfaithful to Emerson, despite the lack of sexual chemistry she feels toward Garrett. When Emerson sees them, he becomes angry, and Garrett finds this amusing. Emerson demands that Charlie remain near him when she is at the club, citing her past relationship with Beau. This makes her feel foolish; she has been worrying over her attraction to Emerson, and she now believes that he sees her as a child. She finds the idea of him being angry with her extremely unpleasant.
After Emerson and Charlie leave the club, he explains that he wants to protect her because she is “too young” to get involved in the club. When he asks about Beau, Charlie admits that she bumped into him and says that he was angry over the security deposit. She says that Beau sees her as “nothing but a fuckup. A loser and an idiot” (60). Emerson denies that she is any of these things and apologizes on Beau’s behalf for making her feel that way. Charlie doesn’t know how to respond to his defense of her. Later, she considers how good it would feel “to have a man like Emerson Grant look at [her] as a woman good enough for him” (62).
After work, Charlie picks Sophie up from school and takes her to purchase the newest installment in her favorite manga series. When Charlie notices the clerk at the comic shop looking at her revealing outfit, she flirts with him to get him to find a copy of the popular book for Sophie. Later, Charlie reflects that it felt good to think of herself as “a sexual person” (65).
Garrett teases Emerson for his unilateral praise of Charlie. Emerson insists that this is because their relationship is platonic. Drake and Maggie join them, as does Hunter and his wife, Isabel. Drake and Hunter tease Emerson about Charlie until Garrett urges them to stop and apologizes for flirting with Charlie. Emerson struggles to tamp down his attraction to Charlie, feeling that it is inappropriate due to her past relationship with Beau. Hunter raises a toast to their club, though Maggie cautions him not to jinx the opening, which is still six weeks away.
Charlie is surprised by a photo of a woman in elaborate, Shibari-style bondage as part of her application to give a presentation on rope bondage at the club. She stops herself from asking Emerson if he has ever bound a sex partner. Over her first two weeks working for Emerson, her attraction to him has grown. She has not been back to the club since the first day, and she credits this to Emerson’s “overprotectiveness.” She contrasts this tendency to protect her with her own absentee father’s “territorial and stubborn” forms of control (73).
Charlie has settled into her work, and she entertains herself by dissecting Emerson’s reactions to her outfits. They discuss their family lives, and she fears that he will fire her when he realizes that she isn’t going to bring Beau home to him. She is flattered when Emerson asks for her opinion on a suit for the club’s grand opening, but she is surprised that he plans to attend without a date. Charlie reads his palm and concludes that he has “a long, straight heart line” (75), which signifies that he values love. She predicts that he will have an epic love and insists that she plans on having the same. Emerson touches her hand gently, which arouses her.
He offers to take Charlie to the opening, but she refuses, citing her inadequacy because she is his secretary and his son’s ex-girlfriend. Charlie is also nervous about witnessing sex acts, but he promises that no sex acts will occur outside of private rooms. He then offers to purchase her dress, which she cannot afford, and ultimately, she agrees to go with him. He teases her about her lackluster agreement, and she comments about her unglamorous job at the roller-skating rink, where she still works on weekends. They laugh together and then kiss, though Charlie reminds herself that this is a poor decision.
The phone interrupts them. Charlie jolts away, embarrassed, and Emerson urges her not to apologize. They both agree that a relationship between them is a bad idea, and Charlie agrees to stay at work. He praises her, which she finds extremely soothing, and he asserts that he does desire her, despite their decision to not enter a sexual relationship.
Despite his skepticism about palm reading, Emerson is preoccupied with Charlie’s interpretation of his love life. In the decades since he split from Beau’s mother, he has not given romance much thought. However, meeting Charlie has led him to consider romance again, though he reminds himself that this is counterproductive to his plan to reunite with Beau. He leaves his son another “desperate” voicemail, and he references Charlie’s job with him.
Charlie returns to work after having walked miles in the cold to retrieve Emerson’s lunch because her car wouldn’t start. This frustrates Emerson; he wishes that she had called him for aid and plans to help her jump start her car after work. Because she walked in heels, he orders her to let him give her a foot rub, though he recognizes the sexual connotations of the act. He worries that Charlie will find him “predatory” when she realizes that he is aroused, but she encourages him.
Later, Beau calls and scolds Charlie for taking the job with Emerson. When Emerson tries to take the phone, Beau hangs up.
Emerson jump starts Charlie’s car, and she finds his competence appealing. Emerson is dissatisfied even after the car starts and insists on buying her a new car battery. She protests taking his credit card to pay for the expense and for a dress for the club opening, but she gives in when Emerson insists that she needs both for her job. She sees the offer as an apology for reporting her employment to Beau, and she wonders what came between father and son. (Later, she learns that Beau disapproves of the club.) She disliked Beau’s accusation that she was having sex with Emerson and his assertion that his father is “sick.” She insists that she is comfortable working for Emerson and has no intention of quitting; Emerson admits to being uncomfortable with their employer-employee relationship, but he says that this isn’t because of Beau, which Charlie finds confusing.
Charlie goes dress shopping with Sophie, who is concerned about her sister’s recent style change. Sophie admits that Charlie seems happy with how she is “changing.” Charlie is surprised by this descriptor but recognizes that she has been recently developing a sexual confidence that makes her feel able to pursue her own desires without shame. Sophie fears change, but Charlie finds it exciting.
In this portion of the novel, Emerson and Charlie grow closer, though they continue to resist their attraction to one another. Charlie begins to work for Emerson, which adds another layer of taboo to their developing relationship. These chapters are narrated in alternating points of view from Charlie’s and Emerson’s perspectives, highlighting that despite the power differential between an employer and his employee, Emerson is trying to actively avoid being predatory toward Charlie. Meanwhile, Charlie’s point-of-view sections show that she does not feel pressured to engage in sexual encounters with Emerson simply because he is her boss and she is financially dependent on him. Rather, she is genuinely attracted to him and shows agency in her decision-making.
The novel shows that the economic disparity between the characters is more of an emotional concern than a material obstacle. Though Charlie cannot afford expensive things, including the new car battery that Emerson purchases for her and the expensive dress for the club’s opening, she does not characterize her situation as one of extreme financial hardship. Instead, she considers additional money as a welcome convenience rather than a desperate need. She does, however, worry that her unglamorous life will make Emerson lose interest, indicating that she feels the emotional impact of class structures even in the absence of explicit material struggle. By minimizing the impact of this financial disparity and by emphasizing Emerson’s worries that he will seem predatory toward his employee, the novel makes it clear that the relationship is rooted in mutual attraction and consent, not coercion. This reinforces the novel’s interest in the importance of prearranged consent in sexual and romantic relationships—especially in relationships that involve kink practices.
As Charlie learns more about kink and the ways in which she feels connected to praise kink practices, the novel deepens its exploration of Sexual Confidence as a Path to Self-Worth. While she initially interprets her desire to please Emerson as an unhealthy response to her father’s abandonment and Beau’s mistreatment, these chapters show that she feels increasingly empowered through positive sexual attention. The first time she gets satisfaction from using her sexuality is when she flirts with the comic book store employee to get Sophie a copy of the newest installment in her favorite manga series. Charlie takes the initiative in this scene, and she uses her sexuality in a way that feels empowering and positive to her.
This scene also highlights the theme of Familial Obligations and Their Limits. It is consistent with Charlie’s character that she takes this first step toward feeling good about herself in the context of caring for her sister, which Charlie consistently ranks as among her highest priorities. Still, in this scene, she accepts that she deserves to feel powerful and competent for her own sake and not merely because it benefits others whom she cares about. Though Charlie is no less attached to Sophie, she is slowly learning that caring for her own needs is important, too.
As Sophie notes in Chapter 13, Charlie’s growing sexual confidence translates into visible happiness, even before Charlie’s relationship with Emerson is secure. This confirms that Charlie’s self-confidence is not, as she periodically fears, about Emerson at all, but rather about an increased knowledge of herself, as brought about by her embracing her sexual side. While the attention she receives from Emerson catalyzes this shift, the resulting confidence is hers alone. She further learns that embracing change is an important part of her process of healing from the emotional abuse she suffered at Beau’s hands and the anxiety she still feels about her father’s abandonment.



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