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Content Warning: This section of the guide includes discussion of sexual content.
Back at Poppy’s house, Tyler performs oral sex on her and has an epiphany. He realizes that he can still serve God without being a priest. Poppy is a part of God’s plan for him, and he wants to marry her.
In his last sermon, he tells the worshippers that God accepts “messy, flawed” humanity, so God doesn’t turn away from people who make mistakes. He pushes the parishioners to emphasize forgiveness and love over guilt and sin.
Tyler wonders how his parishioners will handle his departure, and he compares his situation to the arrest of the former priest. Unable to reach Bishop Bove, he leaves Bove a voicemail about his resignation. Tyler doesn’t have a wedding ring, but he picks flowers from the rectory garden for Poppy. In Poppy’s house, he sees Poppy and Sterling kissing. He compares himself to Biblical figures punished by God, including Jonah and Job, yet he doesn’t feel anything.
Now comparing himself to Adam after God banished Adam and Even from the Garden of Eden, Tyler drives to Jordan’s place and details his relationship with Poppy. For penance, Jordan orders Tyler to stay overnight and spend the next morning praying and reflecting.
If not for Poppy, Tyler would want to remain a priest. However, Bove calls Tyler at two o’clock in the morning to warn him that Sterling has released the photos. Bove wants Tyler to resign, but he considers letting Tyler remain a priest after discipline and relocation.
Millie takes care of St. Margaret’s and gives Tyler her support. At Jordan’s church, Tyler engages with God. Once again, he’s uncertain about what he should do. He thinks about how Jesus engaged with all types of people. Tyler concludes that he can help people outside the church, so he calls Bove and resigns.
Sterling’s pictures turn Tyler into a public figure. Some people villainize him, while others, due to his looks, romanticize him, forming a fan group called “the Tylerettes.” The parishioners of St. Margaret’s want him to stay, but Tyler returns to Kansas City and moves into Sean’s penthouse.
Tyler assumes that Poppy is in New York with Sterling, and Jordan advises him to find her and get closure. Tyler goes to the adult entertainment venue with Sean. Recognizing Tyler from Sterling’s photos, the woman bartender opens up to him and gives him something that Poppy left behind—Lizzy’s rosary. Now, Tyler is certain that their relationship is done.
Tyler listens to the soundtrack of the film Garden State as she tries not to imagine what Poppy and Sterling are doing. He realizes that he must move on, so he goes to a Kenyan village to help build a high school and improve the water supply.
The story moves forward seven months, and Tyler comes home from Kenya. Sean jokes that he looks like a “lumbersexual,” and his mother trims his beard before he goes to New Jersey, where he’ll pursue a PhD at Princeton University. Tyler’s mother understands that Tyler and her other sons must live their own lives.
At Princeton, Tyler uses the internet to locate Poppy, but he’s not successful. He goes to New York City’s Financial District to see Sterling. The receptionist blocks him, but once she realizes that he’s the person from the “Hot Priest” meme, she becomes flirtatious and lets him meet with Sterling.
Sterling is jovial. He refers to Tyler as “old sport” and gives him a glass of very expensive scotch. Sterling isn’t with Poppy, and he believed that she and Tyler were together. After Poppy kissed him in her Weston house, she forcefully kicked him out. Upset, Sterling publicized the photographs. He tells Tyler that Poppy turned a Danforth property in Queens into a dance studio.
Tyler finds the non-profit dance studio, Little Flower, where Poppy provides free dance classes for young people. Poppy isn’t there, but Tyler doesn’t give up. Inside a nearby church, he spots a woman in dance clothes: Poppy.
Tyler wants to have sex with Poppy right away; instead, he calls her “little lamb.” Poppy explains that her kiss with Sterling was a set up. She knew that Tyler was watching, and she wanted to make him leave her and remain a priest. Tyler says that God has a “plan” for them, and he proposes. After she says yes, they have sex in the church.
Poppy narrates the Epilogue, which takes place on their wedding day. Though a common superstition says that it’s “bad luck” for the groom to see the bride on their wedding day, Tyler and Poppy have sex in a small chapel in the church where their ceremony takes place. She compares their sex to communion, and she claims that God is with them. She speculates that they’ll have a son and that he’ll become a priest.
The narrative unites decisive action with obstacles to create a false sense of resolution prior to the final confrontation between Tyler and Sterling. After chapters of deliberation, Tyler settles the conflict between sex and Christianity. While he can’t remain a priest, he can be in a sexual, loving relationship with Poppy without betraying God. However, a new conflict begins. Tyler sees Poppy kiss Sterling and concludes that she has changed her mind and wants to be with Sterling. The scene features a hallmark of the romance genre—misunderstanding. Poppy intentionally foments the confusion, hoping to drive Tyler away and thus prevent him from risking his career. While Tyler has made progress in Accepting the Uncertainty of Destiny, Poppy continues to believe that his destiny is to be a priest. They make firm choices at the same time, but their decisiveness separates them and creates the impression that they might not end up together.
Churches continue to represent communion, and Simone brings the symbolism full circle. Tyler and Poppy meet at St. Margaret’s Church in Weston, and they reunite at an unnamed church in Queens. Church is where the two main characters begin their intense relationship, and it’s where they reconnect. They have sex at both churches, indicating that sex is a shared experience that includes God. Simone brings in a third unnamed church for the wedding. Poppy says, “As we take communion, both of us remembering a very different kind of communion shared between us” (496). Church represents two versions of communion. There’s the traditional communion with the wafer and wine, and there’s the communion that involves sex. The latter is subversive but not destructive. When Poppy and Tyler have sex in the churches, they’re not rebelling against God; God is part of the experience.
The story’s true resolution comes as Tyler and Poppy succeed in Finding Fulfillment in Spite of Restrictive Norms. Tyler realizes that satisfaction doesn’t follow a narrow course and that one form of gratification doesn’t erase another. Tyler can satisfy his desire to be with Poppy and stay with God. He can’t remain a priest, but he can still serve God outside of the Church. Tyler says, “God wanted me in the real world and in the midst of the ordinary lives of His people” (442). Poppy exists in “the real world,” so seeking his spiritual needs outside the Church allows him to meet his sexual and loving need for Poppy. The forms of fulfillment are compatible. After sex in the Queens church, Tyler says, “It was short and rough and loud, but it was perfect, just me and Poppy and God in his tabernacle standing watch over us both” (488). In the end, Tyler unites his two central sources of fulfillment, overcoming The Tension Between Sexual Desire and Christian Morality.
Simone continues to include humor in the final chapters, aiming to capture the comical aspects of social media through Tyler’s viral fame. Part of the humor lies in the realism. Social media regularly turns seemingly ordinary people, like Tyler, into idols. The Tylerettes underscore Tyler’s appeal. There are a number of women who adore him like a celebrity, and Tyler uses his niche stardom to overcome setbacks; for example, once Sterling’s receptionist recognizes Tyler, she lets him meet Sterling. If not for Sterling, Tyler wouldn’t know about Poppy’s dance studio in Queens. Thus, the viral stardom is humorous and pivotal to the resolution.
Simone also uses an allusion, hinting at Tyler’s emotional characterization when he listens to the Garden State soundtrack. Since the movie centers on a pensive, introspective young man, the film has become synonymous with sentimental masculinity. Simone makes Tyler muscular and physically active beyond sex, yet Tyler doesn’t abide by masculine archetypes. He’s not assertive and willful; he’s unsure and cautious. His relationship with Poppy is emotional as much as it is sexual. Through the brief Garden State reference, Simone highlights and pokes fun at Tyler’s adult “emo boy” characterization.



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