49 pages 1-hour read

Priest

Fiction | Novel | Adult | Published in 2015

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Themes

The Tension Between Sexual Desire and Christian Morality

Content Warning: This section of the guide includes discussion of sexual content.


The story draws much of its tension from the conflict between Tyler’s sexual desires and the restrictive sexual morality of his church. Not only does the Catholic Church forbid sex outside of marriage, but Tyler’s role as a priest comes with an expectation of celibacy. Tyler explains, “I was sworn to God not to know another’s body while I lived—not even to know my own body, if we were getting technical about it” (35). In pushing back against this vow, Poppy emphasizes the dual meaning of the word “know” in this context. By forbidding “knowledge” of the body—a usage found in English translations of the Bible as well—the Church seeks to deprive Tyler not only of physical pleasure but also of the knowledge he would need in order to make an informed decision. To forbid knowledge is to take away agency. Poppy points out that he already “knows” his body and hers and cannot now unknow them. Tyler genuinely loves Poppy and God, and he struggles to figure out whether these two loves are compatible or whether he must choose one and dismiss the other. The Catholic Church’s restrictive attitude toward sex keeps him in a distressed limbo. He thinks he’s “sinning,” and Christian figures like St. Augustine reinforce the thesis that sex and Christianity are mutually exclusive. Tyler puts himself in a binary situation, and the stark choices propels the romantic drama.


As Tyler develops his thoughts on sex and God, he realizes that the conflict is complex. When he and Poppy have sex, they do so out of love for God, not out of disrespect or defiance. Tyler says, “[S]omehow it was all holy, the altar and the relic within and us on top of it” (248). Their sex is a way to commune with God. At her wedding, Poppy notes, “As we take communion, both of us remembering a very different kind of communion shared between us” (496). Tyler resolves the conflict by dropping the binary: Sex and Christianity aren’t opposites. Millie says, “I’ve lived a long time, and a man and a woman wanting each other is by far one of the least sinful things I’ve seen” (131). The three quotes highlight the book’s ultimate conclusion: When two people have sex in a loving relationship, they create a holiness that links them to God.


Part of the conflict between sex and Christianity is the lack of acknowledgement. Tyler notes, “Almost every variation of Christianity had been in the business of suppressing sex and its enjoyment, but suppressed desires didn’t just disappear” (130). Tyler suggests that the clash is a forgone conclusion and that opposition to sex is the default stance. Tyler and Poppy confront the assumed discord and show that God and sex coincide. Millie and Jordan also add to the conflict; they stand by Tyler. Tyler then counters the anti-sex presumption, telling his parishioners, “God wants you as you are—stumbling, sinning, confused […] He asks us to lay down our lives—not to live like ascetics, devoid of any pleasure or joy, but to give Him our lives so that he may increase our joy and increase our love” (412). Tyler puts his sermon into practice, embracing sex and God.

Finding Fulfillment in Spite of Restrictive Norms

The human drive for fulfillment propels Tyler and Poppy. To find meaning and satisfaction, each must be willing to break with social expectations—whether those expectations are informal norms or, as in Tyler’s case, strict religious and vocational rules. Initially, Poppy is much more comfortable with this kind of norm breaking than Tyler is. Having bucked the expectations of her wealthy, conservative family at an early age, she is accustomed to living according to her own rules and in pursuit of her own desires. Tyler is much more inclined to respect communal expectations—as evidenced by his listing of church rules in the Prologue. With Poppy’s help, he learns that he can live out his desires and his moral values at the same time. 


Until Poppy came along, Tyler found fulfillment through his relationship with God. His vow of celibacy indicates that Tyler shouldn’t need anything else to please him; faith in God, the creator of the world and humans, must suffice. Yet Tyler can’t suppress his desire for Poppy. His need is human, but Tyler, as a priest, is supposed to conquer and overcome common human desires like the desire for sex. Poppy doesn’t want to take Tyler from God, so she pushes Tyler away. She gives up her satisfaction so as not to corrupt the spiritual pleasure that Tyler finds in his relationship with God and the Church. Tyler realizes, however, that sexual and spiritual fulfillment aren’t mutually exclusive. He and Poppy become fully fulfilled by creating a direct link between themselves and God. When they fulfill their sexual needs, they also take care of their desire to be close to God.


The story indicates that fulfillment often deviates from common norms. Poppy doesn’t derive meaning from the privileged life her parents scripted for her. Separate from her sexual experiences with Tyler, Poppy has gotten satisfaction from performing as an adult entertainer and commandeering sexual environments. Her sex work didn’t leave her empty or degraded; rather, it empowered her. To her, the adult entertainment venue has a liberating dynamic that produces a transcendence on par with communion. Poppy explains, “I was so combustible, Father Bell. I would get wet watching the men stroking themselves” (73). Poppy’s passionate feelings at the club match Tyler’s intense moment at his church. He says, “There was a beat of perfect completeness, a moment where I felt as if I could pluck each and every atom out of the air, where magic and God and something sweetly beyond complete understanding was real, completely real” (140). While Poppy experiences sexual combustibility, Tyler feels a spiritual explosion in the context of sex with Poppy. Though he gives up his position as a priest, he does not leave the Catholic faith. Rather, he realizes that his love for Poppy and his love for God are complementary, not mutually exclusive. Sexual fulfillment adds to, rather than impedes, his spiritual satisfaction. Poppy, too, undercuts stereotypes about adult entertainment venues, as she presents the club as not only empowering but also spiritually satisfying.

Accepting the Uncertainty of Destiny

Tyler strongly believes that God has a plan for his life, but he initially struggles to figure out whether Poppy is a part of that plan. He wonders, “Maybe it was God’s plan all along for us to end up here, alone in this sanctuary, and forced to face the truth, that this was more than friendship, this was more than lust” (206). His deliberations help propel the story. He’s unable to distinguish between his identity as a priest and “God’s plan.” He has many questions: If God didn’t want Tyler to be with Poppy, then why did he put Poppy in his life? Conversely, if God wanted Tyler to be with Poppy, then why did God have Tyler become a priest? The doubts highlight the uncertainty around fate. God doesn’t hand Tyler a script that shows him how his life unfolds. There are no tangible instructions for Tyler.


Ironically, Tyler’s inner turmoil reveals a lack of faith. He wants some kind of evidence or proof that he is on the right path, but the nature of faith is that one must trust without proof. Tyler tries to push himself in Poppy’s direction through material acts like the kiss and the gift of Lizzy’s rosary. Ultimately, these symbols falter. There will be no clear, tangible sign that he is following God’s plan. Instead, he must accept that human life is inherently uncertain and that the best he can do is follow his own conscience and intuition. Considering whether he can continue to help others after giving up his role as a priest, Tyler realizes that Jesus did not simply preach from a pulpit; instead, he helped people in “direct, physical—sometimes intimate—ways” (442). Jesus’ example helps Tyler resolve his dilemma. Tyler, too, belongs in “the real world.” He leaves his role as a priest and reconnects to God through volunteer work and his marriage to Poppy.


Throughout the book, Tyler must learn lessons that Poppy has already learned before meeting him. She sensed as a young adult that the life her parents had constructed for her wasn’t part of her destiny. Poppy says, “I adorned the life that already had too many cars, too many rooms, too many luncheons and fundraiser galas. A life already filled with two other children who’d also graduated from Dartmouth and then proceeded to marry fellow rich people and have little rich babies” (64). She broke the cycle by leaving her situation. She’s already ahead of Tyler, as she’s left her unfulfilling role and followed her destiny. Tyler notes their unequal footing when he says, “It just feels like I am risking everything, and you are risking nothing” (275). In reality, the difference between them is that Poppy has already risked everything. She has already taken the leap of faith that Tyler must take now, and she has come out safe on the other side. Poppy is less vulnerable than Tyler because she has found a secure role that aligns with her values and desires. Unable to distance himself from the priesthood, Tyler remains precarious. The dynamic indicates that fate comes with strength. Poppy feels empowered since she follows her destiny. Once Tyler stops being a priest, he gets intense feelings, like “the brushing of dove’s wings and a baptism of fire all at the same time” (442). The strong imagery gives Tyler confidence that he’s abiding by his destiny.

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