60 pages 2-hour read

Problematic Summer Romance

Fiction | Novel | Adult | Published in 2025

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Background

Series Context: Not in Love Series

Problematic Summer Romance is the second installment in Hazelwood’s Not in Love series, following Not in Love (2024). Not in Love takes place several years before Problematic Summer Romance and tells the story of Eli and Rue (his fiancée in Problematic Summer Romance) as they navigate forbidden romance and workplace conflict. Prior to the events of Not in Love, Eli, Conor, and Minami were classmates in a doctoral program at the University of Texas. Minami’s research project was stolen by their faculty advisor, who gets them kicked out of the program. With help from Conor’s father, the three start the biotech firm they run in Problematic Summer Romance. They share the express goal of taking over the company where their advisor brought Minami’s stolen research. Rue is employed by this company. While she and Eli have a short history before meeting professionally, they decide to continue their affair even though Eli is working against Rue’s boss, whom she respects. When the truth comes out about Minami’s project, Rue’s desire to help Eli turns her against her boss. However, Eli, Minami, and a reluctant Conor realize that overtaking Rue’s company means Rue will lose research. In the end, Eli, Rue, and Minami all make sacrifices, showing the power of truth and the importance of understanding circumstances from multiple angles.


The interpersonal and romantic relationships of Not in Love influence events and emotions throughout Problematic Summer Romance. Prior to becoming friends with Maya, Conor and Minami dated, but they broke up when Minami turned down his marriage proposal. In Problematic Summer Romance, Minami tells Maya that she couldn’t marry Conor because he was emotionally distant, which becomes the catalyst for Maya realizing Conor truly does care about her. Not in Love takes place before Maya leaves for Scotland and features her younger years from Eli’s perspective, which show his struggles with becoming the instant parental figure to a teenager. This provides backstory for Eli and Maya’s relationship in Problematic Summer Romance and allows readers to see Maya’s growth since the first book. In addition, Not in Love makes it clear that Conor was not a parental figure to Maya despite being available to her, which paves the way for Conor and Maya’s romantic arc to be unincumbered by a parent/child dynamic.

Genre Context: Age-Gap Romance

Age-gap romance novels include a significant age difference between the romantic couple as a main source of tension. Interpersonally, this tension can manifest as a power imbalance or an issue of maturity. Externally, the relationship often draws derogatory comments about how one partner is old enough to be the other’s parent, as happens in Problematic Summer Romance. As in Conor and Maya’s situation, the male lead is often older, but this is not always the case. Typically, the gap is driven both by the age gap itself and a disparity in lived experience. When the members of an age-gap romance are both older, the gap ends up feeling smaller because there is less of a disparity in how much they have experienced. With younger characters like Maya and Conor, the gap initially feels larger because she is 23 and he is 38. However, this age gap can be offset by factors such as the younger character experiencing hardship or trauma that makes them grow up quickly, as is the case with Maya. Though Problematic Summer Romance is free of taboo or inappropriate dynamics between the main couple, the age-gap trope also includes more controversial romances, such as in Birthday Girl by Penelope Douglas, in which a 19-year-old girl gets involved with her boyfriend’s dad, and Praise by Sara Cate, which explores sexual and professional power dynamics between a younger woman and her ex-boyfriend’s father, who owns a sex club.


At its core, the age-gap romance trope explores how love can transcend conventional boundaries of time and experience. It aims to appeal to readers who are drawn to emotional intensity, heightened stakes, and the slow dismantling of barriers rooted in power, fear, or self-doubt. In books like Problematic Summer Romance, the trope becomes less about the age itself and more about the emotional negotiation between characters—how each person comes to see the other as an equal, despite (or because of) their differences. The trope also allows for internal conflict, particularly when one character, like Conor, must unlearn inherited fears and trust that the relationship is based on consent, not control. This emotional unraveling and rebuilding is what gives the age-gap romance its lasting dramatic appeal.


Though age-gap romance has flourished in contemporary fiction, the trope has deep roots in literary tradition. Classic novels such as Jane Austen’s Emma (1815) feature romances in which the male lead—Mr. Knightley—is notably older than the heroine, Emma Woodhouse. Their age difference is not the central conflict, but it underscores the dynamic of mentorship, growth, and eventual romantic equality that characterizes many age-gap stories. Similarly, in Charlotte Brontë’s Jane Eyre (1847), the brooding Mr. Rochester is about 20 years older than Jane, and the novel grapples with questions of power, experience, and autonomy. The age-gap trope has long been used to explore emotional development, especially for young female protagonists navigating the expectations of adulthood and desire.

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