52 pages 1-hour read

Rabbit, Run

Fiction | Novel | Adult | Published in 1960

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Pages 64-137Chapter Summaries & Analyses

Content Warning: This section of the guide features discussion of sexual content, sexual violence, graphic violence, and gender discrimination.

Pages 64-76 Summary

After leaving the restaurant, Rabbit and Ruth walk through Brewer at night, passing large bright neon signs. Rabbit tries to connect with Ruth, but she is withdrawn. He recounts a childhood memory of finding a pioneer house foundation while hiking on the mountain. Ruth dismisses the story. They argue briefly, then walk with their arms around each other.


They arrive at her apartment building on Summer Street, across from a limestone church. They climb one flight of stairs to her apartment. As she unlocks the door, Rabbit begins trembling with anticipation. Once inside, he prevents her from turning on the light and kisses her violently. She fights back and orders him out, but he kicks the door shut and insists he had to express his feelings.


They argue about contraception. When she moves toward the bathroom to insert a diaphragm, Rabbit objects to it. In a passionate gesture, he kneels at her feet and whispers they should be married, then removes her shoes. He watches her in the bathroom, refusing to let her close the door. He leads her back to the bedroom and slowly undresses her, calling it their wedding night. He washes the makeup from her face despite her protests, treating her like a child.


They have sex. When Rabbit climaxes, he feels a betraying despair. Afterward, Ruth goes to the bathroom. He falls asleep before she returns with water.

Pages 76-86 Summary

Rabbit has an intense dream. He is in his childhood kitchen with his parents and others. A girl opens the icebox, revealing a large cake of ice with white veins and a star-shaped crack. The ice is alive, frightening Rabbit. His mother endlessly scolds the girl. The scene shifts; he is now with the girl, revealed to be Janice, behind the Mt. Judge Recreation Hall. She wears a pink dress and cries. As Rabbit holds Janice, her face begins to melt like wax. He tries to catch the melting flesh in his hands and screams himself awake.


He wakes in Ruth’s bed and kisses her sleeping face. She wakes, and they have sex again in morning light. He watches churchgoers enter the limestone church across the street, then says a silent prayer for Ruth, Janice, Nelson, his parents, the Springers, and Janice’s unborn baby. Later, Rabbit and Ruth discuss religion; he affirms belief in God while she declares herself an atheist. His faith annoys her.


Rabbit steps out to buy groceries for lunch. When he returns, he finds Ruth’s mystery novels and is reminded of an army buddy. A breeze through the curtains triggers a memory of childhood Sunday walks with his family, inspiring him to suggest they climb Mt. Judge that afternoon.


After lunch, he tells Ruth he needs to return the car to Janice and collect his clothes. She reluctantly agrees to let him go. Upon returning, Rabbit is overwhelmed by Janice’s lingering presence and the sense of desertion. In the kitchen, he finds the pork chops from Friday still in the pan. He quickly gathers clothes into a bundle, leaves the car keys on the television, and exits. As he descends the stairs, he remembers forgotten items: toothbrush, razor, and another pair of shoes.

Pages 86-99 Summary

Outside his apartment, Rabbit encounters Miss Arndt, a neighbor holding a palm frond, who mentions it is Palm Sunday. When she observes a clergyman in a slow-moving gray car, Rabbit realizes he is trapped. The driver is Jack Eccles, a young Episcopal minister who introduces himself and offers Rabbit a ride to Brewer. In the car, Eccles explains that Janice and her father attended church that morning and recounts Friday night’s events: Janice called her parents at two in the morning, and Mrs. Springer then called him.


Eccles reveals he spoke to Rabbit’s mother, who insists her son is too good to desert his wife. Rabbit explains he left because he felt trapped and realized how easy it was to walk out. He only came back because it felt was safe. They discuss religion and responsibility. Rabbit describes his past as a basketball star and the humiliation of his current job demonstrating the MagiPeeler. Despite the tensions between them, Rabbit accepts Eccles’ invitation to play golf on Tuesday.


Rabbit returns to Ruth and tells her about the encounter. He convinces her to walk up Mt. Judge. They walk through the city park and climb the old log steps on the mountain’s Brewer side. Ruth struggles in heels, eventually removing them; Rabbit removes his shoes in solidarity. Near the top, they reach the Pinnacle Hotel parking lot. At the cliff’s edge, Rabbit contemplates God and becomes certain someone is dying in the city below. Frightened, he asks Ruth to hold him. Feeling secure, he asks if she was really a sex worker. She angrily asks if he is really a rat. He answers ambiguously. They take a bus down.

Pages 99-116 Summary

On Tuesday afternoon, Rabbit takes a bus to Eccles’s house in Mt. Judge for their golf date. A woman named Lucy answers the door. She reveals she is Jack’s wife, not his babysitter, and that they have two daughters. She discusses Jack’s preference to have women compete for his attention, adding that a son would threaten Jack. When Jack calls down that their daughter Joyce is in bed with him, Lucy becomes irritated. She recognizes Rabbit as the Springers’ son-in-law who disappeared. As she turns away, Rabbit impulsively slaps her backside. She pivots in shock, and he makes a mocking show of penitence.


Eccles comes downstairs disheveled. Lucy rebukes him for playing golf instead of making parish calls. The argument between husband and wife becomes personal, touching on faith and duty. Joyce appears at the stairs in her underpants, claiming she had a scary dream about a lion. Lucy blames Jack for reading her Hilaire Belloc poems. Rabbit smells cake burning; Lucy runs to the kitchen.


Eccles and Rabbit leave for the golf course. In the car, they discuss Rabbit’s upbringing and their mutual social connections. Rabbit confides his belief that something wants him to find it; Eccles dismisses this as a vagrant’s delusion. Eccles offers Rabbit a gardening job for a parishioner, Mrs. Horace Smith, and reveals he knows about Ruth Leonard.


At the golf course, Rabbit plays terribly while Eccles plays cheerfully, though not especially well. Rabbit privately compares the women in his life to golf clubs: the irons are Janice and the woods are Ruth. Eccles asks why Rabbit left, challenging him on whether the thing he seeks really exists. Realizing Eccles wants reassurance, Rabbit grows angry. Eccles calls him monstrously selfish and a coward. Furious, Rabbit steps to the next tee and hits a perfect, soaring drive. He turns to Eccles triumphantly, asserting that the feeling associated with that drive is what he meant.

Pages 117-137 Summary

Time passes through spring. Rabbit works as a gardener on Mrs. Smith’s estate, planting annuals and tending the grounds. The garden blooms in succession: crocuses, daffodils, forsythia, and finally the rhododendrons, which crown the season. Mrs. Smith, an elderly woman, walks with Rabbit through the grounds. She tells stories about her late husband Horace, who loved the flowers though she would have preferred alfalfa. She shows him the Bianchi rhododendron, the only true pink in the nation, which she and Horace drove to New York to collect from a boat. She reveals their son was killed in World War II.


On Memorial Day, Rabbit and Ruth go to the public swimming pool in West Brewer. Ruth, self-conscious about her bathing suit, swims easily while Rabbit watches from the pool’s edge, feeling a sense of ownership over her body. Ruth describes the goodness of his life, citing their relationship, Eccles’ friendship, the flowers Rabbit tends to, and Mrs. Smith’s affection. This drives an argument in which Ruth wonders when Rabbit will pay the consequences of his actions. Rabbit claims that when a person is brave enough to be themselves, other people will have to pay the price for them.


Ruth reflects internally on her sexual history, her fears that she is pregnant with Rabbit’s child, and how Rabbit is different from other men. She wonders if she deliberately brought on the pregnancy. She thinks about crying easily at work, feeling sleepy and hungry, all of which are signs of pregnancy she recognizes but cannot yet acknowledge aloud.


The narrative shifts. Reverend Eccles visits Mrs. Springer on her screened porch. He watches Nelson and Billy Fasnacht play in the yard. When Nelson cries when Billy takes his truck, Eccles intervenes to retrieve it. Mrs. Springer urges him to let Billy learn to get it back himself. Mrs. Springer is bitter about Rabbit, criticizing Eccles for playing golf instead of helping him. She wishes she had called the police. Moved by a powerful feeling of pity for Mrs. Springer and Nelson, Eccles promises that she should get the law after Rabbit if he does not return when the baby is born. He leaves and drives toward the Angstroms’ house.

Pages 64-137 Analysis

Rabbit’s relationship with Ruth Leonard is framed as a distorted search for spiritual purity, co-opting religious concepts to sanctify his escape. He treats their first sexual encounter as a sacrament, insisting it is their “wedding night” (69) before he ritualistically washes the makeup from her face. This act of purification, however, is an assertion of his will performed against her protests, not an act of grace but a demonstration of power. From her bed, he observes the neighboring church’s rose window, which “seems in the city night a hole punched in reality to show the abstract brilliance burning underneath” (70). This image externalizes his internal state: He yearns for transcendence but can only access it from the profane space of an illicit affair. The experience reinforces his belief in a personal, unmediated connection to the divine, one that exists outside of institutional religion and its moral constraints. This leads him to perceive a transgressive act like making love during Sunday service as an authentic form of worship.


The character of Reverend Jack Eccles functions as a critique of institutional religion’s failure to address modern spiritual crises, developing the theme of The Inadequacy of Modern Religion. Eccles attempts to minister to Rabbit through secular means, like counseling, job placement, and fellowship through golf, but all fail to penetrate Rabbit’s existential predicament. Their golf match is an extended metaphor for this failure. Eccles plays methodically but poorly, adhering to the rules, while Rabbit plays erratically until a moment of pure instinct, prompted by Eccles’s moralizing, produces a perfect drive. At this moment of physical grace, Rabbit exclaims, “That’s it!” (116), identifying the elusive feeling he seeks not in faith but in instinctual perfection. Eccles cannot comprehend a truth that exists beyond his theological framework. His spiritual emptiness is further revealed through the chaos of his domestic life, which undermines his authority and exposes his professional piety as a fragile construct.


In contrast to the failures of institutional religion and domesticity, Rabbit finds a temporary, secular salvation through physical labor and a connection to the natural world. His work as a gardener for Mrs. Smith provides him with a sense of purpose and order. The garden, with its predictable cycles of growth, offers a stable, meaningful reality where his actions have tangible results. This connection to the earth provides a non-theological spiritual fulfillment, a sense of participating in a larger process without the mediation of a church. His relationship with Mrs. Smith, grounded in shared work and her straightforward storytelling, is more authentic than his fraught affair with Ruth or his antagonistic relationship with Eccles. For a time, the garden is a pastoral sanctuary, a space where The Pursuit of Freedom and the Rejection of Responsibility is momentarily resolved into productive solitude.


These chapters trace the crystallization of Rabbit’s rejection of responsibility into a conscious philosophy. What began as an impulsive flight becomes an articulated worldview, which he explains to Ruth: “If you have the guts to be yourself… other people’ll pay your price” (129). This statement marks his full embrace of radical individualism. It absolves him of guilt by framing selfishness as a form of courage. He views his freedom as an inherent right, and the suffering of his family as the inevitable, external cost of his own authenticity. The narrative, however, consistently undermines this self-justification by juxtaposing his perspective with the consequences of his actions. Eccles’s visit to the Springer household reveals the genuine pain and social fallout of Rabbit’s “pursuit,” grounding his abstract quest in the reality his abandoned family experiences. The image of his son, Nelson, weeping over a stolen truck serves as a poignant counterpoint to Rabbit’s feelings of being wronged by the obligations of family life.


The text further employs shifting narrative perspectives to create a complex psychological and moral landscape that challenges Rabbit’s solipsistic viewpoint. While the narrative is primarily focalized through Rabbit’s consciousness, brief shifts into the interiority of other characters prevent the reader from fully accepting his version of reality. Rabbit’s dream of Janice’s melting face is a potent manifestation of the subconscious guilt he consciously represses. Later, a stream-of-consciousness passage exposes the workings of Ruth’s mind, revealing her anxieties about a potential pregnancy and her complex feelings about Rabbit. This establishes her as a subject with her own history and desires. Similarly, the narrative follows Eccles to the Springer home, exposing his professional self-doubt and his helpless pity for Nelson and Mrs. Springer. These structural choices expand the novel’s scope beyond Rabbit’s immediate experience, creating a polyphony of voices that attest to the human cost of his flight.

blurred text
blurred text
blurred text

Unlock all 52 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs