29 pages • 58-minute read
Ruha BenjaminA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The recounts an episode from the TV sitcom Better off Ted: a corporation installs automatic technology, but a glitch in the sensors mean they do not respond to people with dark skin. The episode demonstrates how efficiency and productivity often take precedent over equity as companies seek to protect their bottom line. While such technologies overlook Black people, others, such as surveillance technology, make Blackness hypervisible. This exposure also evokes film and the ways that photography has historically been used to depict and substantiate racial classifications. While exposure implies visibility it often implies misreading, where racialized individuals are “constantly exposed as something [they] are not” (101). Some respond to aesthetic judgments by insisting on their beauty, while other scholars, such as Mia Mingus, call for an assertion of one’s own aesthetic value that is not concerned with beauty at all.
In the late twentieth century, exposure techniques for photography did not adequately account for a variety of skin tones, leaving darker-skinned subjects blurred. On the other hand, Polaroid’s ID2 camera faced backlash for implementing an added flash to improve pictures of Black South Africans for their passbooks, documents used to restrict the movement of Black people during apartheid. In both cases and many others, photo technologies repeatedly privilege light-skinned subjects.
Visibility opens individuals up to others’ gazes, which interpret, despise, or fetishize what they see. Further, facial recognition technologies developed in an ethnically homogenous region often have difficulty distinguishing faces of people from elsewhere. The majority of software worldwide has the most difficulty distinguishing Black faces, leading to people being unfairly suspected.
Some scientists and governments idealize eugenics, but it is racist and ableist; it pursues a subjective human perfection that is falsely framed as objective. Eugenics, Benjamin argues, is genetic tailoring. It also encourages the reproduction and preservation of some lives over others along racial and class lines.
Genetic science has produced Forensic DNA phenotyping. This perpetuates the practice of relying on stereotypes to assume someone’s criminality. Though facial recognition technology struggles to identify Black faces, privacy is least accessible to oppressed people. With DNA science as with forensic DNA phenotyping, data that is hardly sufficient is weaponized to make assumptions about people, their character, and the perceived criminality.
Chapter 3 leans on the concept of exposure to discuss the inequities of visibility. Technologies that distinguish faces and bodies are often not designed to work within a broad racial spectrum. This renders darker-skinned individuals invisible. On the other hand, the design of many surveillance technologies excessively recognizes or misrecognizes dark skin, leading to assumptions of criminal behavior. These technologies deny people’s individuality and privacy in ways that reflect racial and gendered stratifications, among others.
Benjamin emphasizes the double duty of visibility for Black subjects that are both seen too much and seen too little. The logic of this paradox lies in “being looked at, but not truly seen” (101). Benjamin argues that appearance cannot be a reliable representation of one’s interiority. Just as a photograph can be staged, what we see is not always the truth. Stereotypes rely on the collapsing together of the outside and inside. This allows for anti-Black sentiments in US society to influence predictive policing technology, or beauty AI to equate dark skin with delinquency and ugliness.
Chapter 3 demonstrates the blurred lines between truth and fiction, as well as humanity’s hubris and hunger for control. Benjamin offers examples of experts who believe they can produce an image of a person based solely on their DNA, but this technique relies heavily on stereotypes. Benjamin writes of how the Kuwait government tried to filter applicants for asylum by using genetic testing as proof of nationality. As critical scientists complained, DNA is not a respecter of national boundaries. The desire for societal control motivates authorities to use flawed technology. Benjamin demonstrates that the will to exact control can sometimes be enough to turn fiction into truth.



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