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Content Warning: This section of the guide includes discussion of chronic illness, graphic violence, death, and animal cruelty.
Goodall reflects on concepts of death, grief, and love. She compares chimpanzees’ versions of these experiences to those of humans. While she has “never been afraid of death itself” (152), Goodall was overcome by sorrow when Derek died. He got sick in 1979. Goodall was devastated when Derek’s doctor reported he had a stomach tumor and his prognosis was bleak. She hoped another doctor might give them a different assessment. In Germany, a new doctor informed Goodall that Derek’s condition was indeed hopeless as the cancer had metastasized.
Goodall attributes her ability to survive her sorrow to Derek’s sister-in-law Pam, with whom she stayed while Derek was in the hospital. Vanne was also supportive. Nevertheless, Goodall felt increasingly hopeless as Derek’s condition progressed. Her faith wavered as a result. She and Derek prayed tirelessly, but to no avail.
After Derek’s death, Goodall struggled to adjust to life on her own. Then one night, Derek visited her in what she initially thought was a dream. However, the physiological experience of the vision was so intense that Goodall became convinced she had entered a different plane of existence where Derek’s spirit was alive. She remarks on other supernatural experiences like this one, including Grub’s prophetic dream of Derek’s death before his passing. Vanne and Danny also had similar paranormal experiences and senses. For six months after Derek died, Goodall hung on to her encounters with his spirit. Eventually, however, she had to let him go.
Goodall recalls her search for healing back in Gombe after Derek died. Watching the chimps’ life cycles helped her reconcile with death itself. After a lengthy European tour, Goodall returned to Gombe once more in the spring of 1981. Sitting on the steps of her hut by the lake, Goodall experienced a profound sense of peace. She studied the light, the forests, and the sky, and was calm. She was flooded with memories from her early time in Gombe and felt overcome by awe. She spent many hours in this state of reverie. That evening, she came to terms with all the beauty humans could experience.
In reflection, Goodall still feels sad that many thinkers disregard the connection between science and religion. To her, these fields of thought are interconnected. She remarks on other minds who believe the same as her, including the physicist John C. Eccles and Albert Einstein. She also shares conversations she had with others who were seeking meaning the way she had been. She is glad for the opportunities she’s had to evolve others’ opinions on spirituality.
She recounts a time she spent in the Gombe not long later. Lying alone in the forest, she was overcome by emotion—weeping for everything she had lost and been given. Afterwards, she felt at peace.
Goodall continues reflecting on her grief journey, sharing poems she wrote about her experience after Derek’s death. Meanwhile, a war was raging in Tanzania and other atrocities were occurring in neighboring African countries. These conflicts made her wonder again if there was hope. Reading Hugh Caldwell’s book Human Destiny gave her some clarity, as Caldwell argued that compassion was an antidote to suffering. Goodall agreed. She remarks on Caldwell’s ideas, asserting that humans—unlike other animals—have the capacity to promote peace over violence. She also remarks on animals’—particularly chimpanzees’—capacity for wonder and awe.
Goodall describes prominent figures who have inspired her interest in peace and love, including Mikhail Gorbachev and Mohammed Yunus. She describes Yunus’s work in Bangladesh and the important reforms he’s been able to make. Although the environment continued to suffer during this period and human violence was all around, Goodall didn’t give up hope. She remained confident in those voices who spread messages of peace. She believed that the more people heard these messages, the better chance human civilization had of surviving together.
Goodall asserts that true compassion originates from a connection to the earth. She wishes civilization could return to Indigenous lifestyles but acknowledges the impossibility. She despairs at modern society’s emphasis on distraction, comfort, and success. She holds that everyone must tend “the flame of [their] pure spirit” (199) before they can show compassion and love to others. This notion, she believes, has to do with God.
Goodall reflects on how her life changed after publishing her book The Chimpanzees of Gombe in 1986. After its release, Goodall hosted a conference with the help of Chicago Academy of Sciences director Dr. Paul Heltne. The conference changed Goodall in unexpected ways. Afterwards, she felt committed to a life of environmental stewardship and education. The conference revealed how vulnerable chimp populations were, both in the wild and in medical research labs in the United States, as well as worldwide. Goodall decided to fight for the chimps, unaware that this work would keep her on the road at all times.
Goodall recalls her visit to SEMA’s research lab in Maryland. She was overcome by sorrow witnessing the animals’ suffering. She started speaking out against animal research, often changing people’s minds on the practice.
Goodall asserts that chimps experience so many of the same afflictions as humans. This is why she has fought for them. She discusses her encounters with the chimp JoJo, whom she met at a research lab at New York University. They shared an immediate connection and Goodall felt his sorrow and despair.
Goodall can’t understand why some people believe empathizing with animals is a deficiency. She shares all of her thinking on the matter and explains why she believes interspecies communication is essential to human civilization. The more Goodall learned about animal cruelty, the more her opinions developed. She even became a vegetarian. She believes other people can change their outlooks, too, and references her difficult conversation with a cab driver on these matters. Although set in his beliefs, she later learned how sensitive the driver had become after their interaction.
Goodall asserts that her second husband Derek’s death complicated her journey towards Overcoming Grief, Fear, and Despair. For years, Goodall explains, death did not cause her anxiety because, “I have never wavered in believing that a part of us, the spirit or the soul, continues on,” but that nevertheless, “It is the process of dying that I shy away from” (152). In the case of her husband’s illness, Goodall was forced to confront this painful process: She “had no choice” but “to watch him get weaker, and suffer, and die” (154).
In turn, Goodall experienced a protracted grieving process and healing journey. She had to orient to a new life without Derek, and had to reassess her belief in God. Death and loss—and Goodall’s resulting grief and despair—furthered her search for meaning and understanding. Derek’s absence challenged her sense of self and her core beliefs. Since his death felt like a profound injustice, Goodall found herself “railing against fate” (169) and questioning God. In time, however, Goodall was able to reconcile this internal battle by returning to the natural world and seeking peace in environmental beauty. Returning to Gombe helped her refocus her attention onto her work, and thus retrieve her purpose in life.
Goodall assumes an observant authorial stance and a reflective tone to convey her profound belief in the healing effects of connecting with the natural world. Chapter 12, “Healing,” is rife with nature imagery and descriptive detail—stylistic elements which again enact Goodall’s intense connection with nature and affect a peaceful, healing mood. While in a sustained bout of reverie, Goodall noticed “the faint light from the moon,” “the soft murmur where the waves caressed the stones on the beach” (170), and “the rustlings of leaves overhead” (171). Surrounded by the sights and sounds of the natural world, Goodall felt “very much in tune […] with the chimpanzees and their forest” (171). Formally, these passages of imagistic and sensory detail beget Goodall’s wider reflections on life, loss, and longing. The same is true of Goodall’s experience in Gombe: Spending time in nature led her to a peaceful state of mind and an eventual reconciliation with her sorrow.
The healing which Goodall personally found in nature led her to believe that anyone can connect with the natural world to find understanding and empathy, invoking Compassion and Hope as Resistance to Violence. After Goodall heals from her sorrow over Derek’s passing, her account assumes a more assertive stance and tonality. Goodall is emerging from the “fog” of her grief and seeking a new way to engage with life: “As though wakening from some vivid dream I was back in the everyday world, cold, yet intensely alive” (174). Metaphorically waking up to her life again, Goodall began to reassess her own meaning and purpose. Her scientific observations, research, and publications spurred her “commitment to conservation and education” (206).
In these latter chapters, Goodall begins to make more definite pronouncements about the human condition and the environment. Her tonal shift mirrors parallel shifts in her worldview and her work: “We will have to evolve,” she asserts in one passage regarding the future of humankind, “from ordinary, everyday human beings—into saints!” (200). Goodall issues a call to action in this moment, urging her audience to a life of self-sacrifice, empathy, and compassion. If, she argues, each individual can show empathy to animals and the natural world, she might connect with her true spirit; in turn, she might “connect with others, so that together we could create a better world” (199).
Goodall’s messages of hope and peace emerge from a series of questions she asks herself about her society, her relationships, her environment, her work, and herself. While Goodall does use a more commanding voice in these chapters, she consistently leaves room for questioning and exploration. Just after discovering that she was called to a life of environmental stewardship, for example, Goodall lapses into a string of questions about her future. Allowing her self-doubt and fear space on the page reiterates Goodall’s humility and is an attempt to foster trust between her and the reader. This stylistic technique also conveys Goodall’s belief that although humans will never have all of the answers, everyone can pursue compassion, hope, and peace if they are first honest and humble.



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