54 pages 1 hour read

Reckless Girls: A Novel

Fiction | Novel | Adult | Published in 2022

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Background

Authorial Context: Rachel Hawkins

Content Warning: This section of the guide includes discussion of death.


Rachel Hawkins is the best-selling author of both adult fiction and novels for young readers. She is especially known for The Wife Upstairs (2021), The Villa (2023), and The Heiress (2024). She holds a Bachelor of Arts degree from Auburn University and taught high school English before leaving education to write full-time. Hawkins has been an avid reader since childhood and penned her first mystery in kindergarten. She cites familial support for her writing at a young age as a key factor in her adult success and hopes to encourage young people to read through her middle grade and young adult titles. Hawkins is a fan of gothic literature, and many of her novels make use of gothic conventions, supernatural settings and characters, and paranormal events. In addition to the middle grade, young adult, and adult novels that she’s written under her own name, Hawkins also writes paranormal romances under the pseudonym Erin Sterling. 


Hawkins’s novels for adult readers share their fast-paced plotting, suspenseful stories, and in-depth female characterization with Reckless Girls. The Wife Upstairs is a retelling of Charlotte Brontë’s classic gothic novel Jane Eyre. Its protagonist, Jane, meets Eddie Rochester, a handsome widow who lost his wife in a tragic boating accident. Styled after Brontë’s characters Jane and Rochester, these two figures revisit many of Jane Eyre’s key themes. Jane gradually realizes that first appearances can be deceiving and that there is much she does not know about Eddie. Like Reckless Girls, The Wife Upstairs explores trust and betrayal and examines the impact that deceit and omission have on romantic relationships. 


Like Hawkins’s novels for adults, her books for young readers use spooky, gothic settings to explore trust, betrayal, the gulf between appearances and reality, female identity development, and the complexities of female friendships. For example, the Hex Hall series follows the adventures of several adolescent protagonists, including Sophie, a teenage witch sent to a reform school for other supernaturally minded, wayward young girls. Sophie navigates a series of tricky situations, including the uncovering of terrible family secrets, complex female friendships, and the kinds of trials and tribulations that only a young witch would encounter on her coming-of-age journey.

Genre Context: Locked-Room Mysteries

Locked-room mysteries, also called closed-door or impossible-crime mysteries, is a sub-genre of crime fiction that features a crime, typically a murder that occurs in a closed-off environment in which the murderer must be one of the individuals in the “locked room.” The central crime involves a situation in which the murderer could not have entered the crime scene and then left again or a situation in which none of the assembled characters have left the crime scene, rendering one of them the murderer. While locked-room mysteries often feature the investigation processes of detectives or citizen investigators, the mystery’s solution can also—as in Reckless Girls—be left to one of the novel’s primary characters to resolve. Typically, locked-room mysteries feature fast-paced plotting, moments of intrigue and betrayal, deceiving appearances, and a dramatic final climax. 


Locked-room mysteries are structured to create suspense and anxiety. One of their key conventions is the undetected presence of a violent individual with malign intentions who, because they have already committed one murder, threaten the safety of the group’s surviving members. In order to solve the murder, the novel’s protagonist must dig deeper into the lives of the other group members, exploring the ways in which those individuals might be covering up, or omitting, the darker aspects of their characters.


Locked-room novels have long been a key subgenre within the world of mysteries and thrillers. Edgar Allen Poe’s “The Murders in the Rue Morgue” is often cited as the first example of a locked-room mystery in a work of literary fiction, but locked-room mysteries also became a staple in texts meant for a wider readership, like the pulp magazines popular between the 1930s and 1950s. Their content, typically short or serialized works of fiction, centers on lurid and sensationalistic plots meant to both shock readers and keep them on the edges of their seats. The word “pulp” refers to the cheap paper on which they were printed and references the unpretentious quality of their writing. Locked-room mysteries, because of their atmosphere of heightened suspense, became a staple in pulp magazines and brought the subgenre to a mainstream readership. 


Many famous authors, from Sir Arthur Conan Doyle to Dashiell Hammett, have penned locked-room mysteries, and Agatha Christie, in particular, is often cited as an exemplar of the subgenre. Her work And Then There Were None is a classic example of a locked-room mystery and continues to be popular among readers long after its publication and her heyday as an author. It remains the best-selling crime novel of all time and her best-selling title. The novel follows a group of characters invited to an isolated mansion on a dark and forbidding island as, one by one, they begin to die. It contains many of the elements common to locked-room mysteries, including the gulf between appearances and reality, the menacing presence of an unknown killer, and the gradual breakdown of group dynamics and individual well-being.

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