58 pages 1-hour read

Reel

Fiction | Novel | Adult | Published in 2021

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Chapters 30-43Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness, death, racism, and sexual content.

Chapter 30 Summary: “Neevah”

Linh, the costume designer for the movie, notes that Neevah is losing weight due to rigorous rehearsals for the dance numbers. Linh shows Neevah a costume that she designed for her, a beautiful, vintage, floor-length evening gown modeled after one that Josephine Baker wore. Neevah is thrilled.


Among the trailers for cast, Neevah runs into Canon and asks why he’s been avoiding her since Thanksgiving. She thinks, “I never let personal stuff get in the way of a performance, of the work, but I’ve also never felt like this about someone I worked with” (181). Canon admits that he sends his directorial notes through the assistant director, Kenneth, because Neevah distracts him and he needs to focus. She is pleased by this, but he reminds her that they need to wait until the movie wraps to begin a personal relationship.

Chapter 31 Summary: “Dessi Blue”

In an excerpt from the script, Dessi rushes around her room packing to leave for a tour of Europe with Cal and his band. She can’t find her passport. Tilda is upset that Dessi is leaving. Dessi kisses Tilda and promises to return. When Cal calls for Dessi, Tilda pulls Dessi’s passport from her pocket and bids her goodbye.

Chapter 32 Summary: “Canon”

Monk teases Canon about spying on Neevah and Trey as they play cards on a filming break. Jill informs Canon that Trey has a girlfriend and is not pursuing Neevah. Canon is embarrassed that Monk and Jill have guessed his attraction and asks them not to say anything since he doesn’t want gossip to harm Neevah’s reputation.

Chapter 33 Summary: “Neevah”

Neevah looks forward to a break from the rigorous filming schedule and spending time with her mother over the holiday. She’s been told that Terry and Brandon will be visiting his family in Virginia. After Christmas, Neevah plans to return to Los Angeles and spend New Year’s alone. Canon comes to the apartment she shares with Takira, and Neevah gives him cookies that she baked for the cast and crew.


Canon invites her to spend time with him over the New Year. He confesses that he thought he could wait, but he was wrong. Neevah consents eagerly. He suggests going to Santa Barbara, where he rents a place. She knows they are taking a risk, but she thinks, “In his arms, risk weighs less than this necessary passion” (196). Takira sees them kissing.

Chapter 34 Summary: “Neevah”

Neevah arrives at the house she grew up in. She takes out her house key and wonders “if the key, like [her], no longer fits here” (198). The house is empty, and Neevah wanders through it. There is a stocking with the name “Quianna” hanging over the fireplace. Neevah acknowledges her resentment that their mother took Terry’s side and that Terry got more of their mother’s love.


Terry walks in with groceries, and Neevah realizes that while Brandon’s betrayal doesn’t hurt anymore, Terry’s betrayal is something she might never get over. She thinks, “[Terry] betrayed me. She stole from me, but I’ve been the one in exile” (201). Terry taunts Neevah for how she has stayed away, suggesting that she thinks she’s too good for the rest of the family. Neevah reminds Terry that she slept with Neevah’s boyfriend and got pregnant. Quianna overhears this and is upset. Terry complains about her marriage and that she is stuck in this town, while Neevah has it all. Neevah tells Terry that she took everything: She took Brandon, she took their mother, she took Neevah’s home, and she broke Neevah’s heart.


The next day, Terry, Brandon, and Quianna are not present for Christmas dinner. Neevah is torn between feeling at home and feeling like an outsider. She is pained by memories of how much she loved her sister as a child and how happy their home was when their father was alive. Neevah talks with her mother and finally expresses her hurt that her mother chose to support Terry. Mama confesses that she always thought Neevah was self-sufficient and didn’t need her. Neevah says that she did.


Her mother apologizes, and Neevah feels like they are on the path to healing their relationship. For Neevah, it feels like a new beginning, but she wishes she could repair things with Terry, too. Neevah tells her mother about the past years, including that she has been diagnosed with discoid lupus. She also tells her mother about Canon.

Chapter 35 Summary: “Canon”

Canon talks with Neevah about her visit home. She confesses that it was awkward to see her sister. She says, “I’ve been basically without my family since I was eighteen years old. It’s like a divorce, and she got custody of everyone” (210). They are both looking forward to their time in Santa Barbara, unable to resist the attraction between them any longer.

Chapter 36 Summary: “Neevah”

Neevah’s sense of anticipation at spending time with Canon is like what she feels before a performance. She and Takira talk briefly about Takira’s feelings over being single during the holidays. Neevah asks herself if it’s wise to be having sex with Canon while they are still filming, considering the consequences if things go sour, but she wants him. Takira reminds Neevah that Canon is breaking his own rules for her.


Canon comes to the door, and they kiss. Neevah thinks that she wants not just the sex but “the secrets behind his guarded eyes; the sentiments locked away in his heart” (217). She decides that she’s willing to risk what it takes to have him.

Chapter 37 Summary: “Canon”

While he drives them to Santa Barbara, Canon tries to wrap up a call with Evan as they discuss filming locations that could stand in for the French Riviera. Canon doesn’t want Evan to find out that Canon is with Neevah. Neevah tells him directly that what she feels is not a crush: “I don’t need this to advance my career. And this isn’t some misplaced hero-worship actor-director complex. I like you. I respect you. I want to know you” (220). She adds that she also wants to have sex with him. Canon warns her that if people find out, things could get messy, and he’s seen other relationships fizzle under the pressure. Neevah insists that she doesn’t care what people say.

Chapter 38 Summary: “Neevah”

Neevah is impressed by the house that Canon has rented. She showers and then puts on a dress, leaving off undergarments. Canon makes dinner, and they dine on the balcony. He’s prepared salmon since he’s seen that Neevah doesn’t eat red meat. They dance to the music of Luther Vandross. They then have sex, and Neevah thinks, “I’m branded his however he wants me” (232).

Chapter 39 Summary: “Canon”

Canon and Neevah swim in the pool, enjoying their time together. Canon suggests that they keep their relationship a secret until the movie is done. He tells himself that he has to focus on the movie until it’s done; then, he can focus on Neevah.


Neevah notices a rash developing on her skin, possibly from exposure to the sun. When Canon approaches her in the bathroom, she is startled and breaks a mirror. She says that she’s frustrated with herself for forgetting about how her skin reacts to the sun.

Chapter 40 Summary: “Neevah”

Neevah and Canon venture out into Santa Barbara to join in the New Year’s Eve festivities, and Neevah enjoys dancing with him. She thinks, “Canon is like a supernova when you’ve been staring up at an empty, starless sky, and I cannot get enough of him” (240). They walk back to his house along the beach and kiss, and Canon is recognized by a woman who is Camille’s publicist.

Chapter 41 Summary: “Neevah”

In her trailer, Neevah tells Takira that she and Canon had great sex, but now they’re back to being distant on set. On Sunday, Neevah is sleeping when Canon wakes her and invites her on a date. He’s dressed casually with a shirt advertising the movie I’m Gonna Git You Sucka. Neevah teases him that she was going to spend the day relaxing and reading Their Eyes Were Watching God. As Canon drives her to their date, they discuss how they’d like to travel somewhere after Dessi Blue wraps. They arrive at The V and have the open-air restaurant all to themselves.


As they dine, Neevah asks about Canon’s relationship with Camille. He tells her about how his impression of Camille, which led him to get involved with her, turned out to be incorrect. He knew he didn’t love her, and after he heard her making plans to undermine another Black actress, he broke up with her. Out of hurt pride, Camille insisted that Canon be fired from the movie. Canon says that Camille’s image wasn’t real, but the light that fills Neevah is. They have sex in one of the rooftop cabanas and make plans to see each other the next Sunday.

Chapter 42 Summary: “Neevah”

As Neevah is getting ready for filming, she realizes that she’s been gaining weight and getting puffy. Takira notices that Neevah is losing hair. Worried about a flare-up of her lupus, Neevah agrees to contact Dr. Ansford. Neevah wants to handle things herself and not tell Canon unless she has to.


Dr. Ansford is worried by Neevah’s symptoms, which include fatigue, muscle aches, and joint pain. She asks Neevah to get bloodwork done. Neevah approaches Kenneth to ask for time off for a doctor’s appointment. She is concerned about causing trouble for production, but Dr. Ansford warns her that she has to take care of her health. Canon is concerned and finds Neevah to steal a kiss.

Chapter 43 Summary: “Canon”

Canon talks with Kenneth and Jill about the challenges of shooting on film for their exterior shots of the French Riviera. They’ve selected Santa Barbara as their locale.


Evan informs Canon that a podcast has been released in which Camille revealed that Canon is sleeping with the lead actress on Dessi Blue. Evan reminds Canon how this looks: He is the director with all the power, and Neevah is the unknown actress looking for a big break. Lawson Stone, the executive from Galaxy Studios, is not pleased. They discuss how Canon should handle the gossip that is going to follow. Canon believes that he can deal with it, but he wonders how Neevah will be affected.

Chapters 30-43 Analysis

This third section of the novel, the third act in a five-act dramatic structure, advances the romance plot significantly as the sexual attraction between Canon and Neevah builds to a boiling point and then leads to consummation and a commitment to a relationship. The theme of navigating a romance amid unequal power dynamics raises the issue of how a sexual relationship could impact their professional relationship, invoking The Challenges of Preserving Personal and Artistic Integrity. In keeping with popular conventions of the romance genre, the sexual attraction between Canon and Neevah is so strong that it overcomes all other obstacles, culminating in passionate sex scenes that many romance readers enjoy and expect.


Canon is the instigator and director of their relationship at this point: He comes to Neevah’s house at Thanksgiving, he proposes that they wait, and then he revises this decision to suggest that they have sex but keep their sexual relationship a secret. Neevah considers her options and gives her full consent, showing that she wants Canon as much as, if not more than, success in her role as Dessi Blue. For a while, the secrecy adds intrigue to the relationship, heightening the pleasure for Neevah especially, as she feels that they are occupying a make-believe world apart from the real world.


This sense of inhabiting a world of their own replicates the sense of absorption that lovers have in one another while playfully offering a metafictional commentary on the way the movie is already a make-believe construction within the setting of a fictional story. The sense of isolation and secrecy enhances the sexual pleasure. However, their exposure to the “real” world of the story by Camille, Neevah’s rival and foil, poses an obstacle to their growing romance, setting up tension and stakes for the next dramatic act.


Neevah’s contact with her family gains weight in terms of her character arc as the return to the home she grew up in leads to a confrontation with The Benefits of Healing and Reconciliation. Neevah’s wounded feelings toward the past involve not just Terry’s and Brandon’s betrayals but also the loss of contact with her mother. Neevah’s wish to repair these relationships shows that she is equipped for connection and healing, further indicating that she is ready for a relationship with Canon too. The ability to share how she feels with her mother, and accept her mother’s apology, shows Neevah’s emotional maturity and the generosity of her spirit. This turning point in the backstory of her family drama provides a counterpoint to the turning point in her relationship with Canon. These chapters also hint at a change in Neevah’s health, a third unfolding plotline that creates suspense and foreshadows subsequent events.


The chapters that furnish scenes from the screenplay for Dessi Blue provide peeks into yet another narrative—i.e., the story being told about Dessi’s life—but the movements of each scene reflect on something happening in Neevah’s life. The earlier scenes of Dessi meeting Tilda and then Cal show changes in her love life and her career that echo the changes taking place in Neevah’s life when she meets Cal and is cast in his movie. The scene of Dessi being asked to alter her skin color to suit the racist beliefs of the audience provide an emotional obstacle that shows Neevah’s commitment to her role, giving her a moment of connection that advances her relationship with Canon.


Another scene from this section shows Dessi embarking on a new stage of her life and career with Cal, leaving her old life with Tilda behind. This foreshadows Neevah’s commitment to Canon but also suggests that she will leave something of her old life behind as she moves forward with the new. Dessi’s affection for Tilda parallels the bonds between women in other storylines, including Neevah and Takira’s deep friendship. Just as Neevah still feels hurt about losing her sister, Dessi leaves someone behind, too.


The theme of The Importance of Recognizing and Celebrating Black Artists continues with allusions that add humor, emotional weight, and context. The film I’m Gonna Git You Sucka (1988), considered a cult classic by Black and white audiences alike, parodies the blaxploitation film genre, which worked to showcase Black protagonists rather than making them side characters or stereotypes. Their Eyes Were Watching God (1937), which Neevah says she is reading, is a novel by American author Zora Neale Hurston that explores the character growth of a young woman living in the American South. The work is considered a classic of American literature, and Hurston is now celebrated as a leading literary figure of the Harlem Renaissance.


Likewise, Luther Vandross, a Black singer, is recognized as one of the most successful rhythm-and-blues artists, having won several Grammys and other honors for his albums. While Vandross’s romantic music provides a further connection between the romantic leads, showing a similarity in their musical tastes, the larger references to these cultural monuments continue to bring awareness to the achievements of Black creators and position Neevah’s and Canon’s work within a thriving creative world built by Black artists, entertainers, and performers producing work of the highest quality.

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