58 pages 1-hour read

Kennedy Ryan

Reel

Fiction | Novel | Adult | Published in 2021

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Themes

Content Warning: This section of the guide includes discussion of illness, death, racism, and cursing.

The Importance of Recognizing and Celebrating Black Artists

In the Author’s Note that appends the paperback version published by Forever, Ryan writes, “Reel is a love story, but also a love letter to the scores of Black creatives whose work and accomplishments have gone largely unacknowledged and unsung” (466). The fictional life of Dessi Blue and the movie meant to share her history with the world embed this effort to acknowledge forgotten artists into the plot line of Reel, highlighting the importance of recognizing and celebrating Black artists.


The character of Dessi, a Southern girl who becomes internationally famous as a singer, is ultimately remembered only in a roadside sign, an injustice that reduces her talent, her contributions, and her story to little more than a passing footnote. Ryan suggests that this has happened all too often with real historical figures who battled to share their talents and live their lives against the barriers of racial prejudice and legalized discrimination that prevailed in the US until the passage of the Civil Rights Act in 1964.


In response, Ryan seeds her narrative with references to the rich culture of the Harlem Renaissance and the singers, dancers, writers, actors, entertainers, and intellectuals who made lasting contributions to American culture as a whole. Some of these artists, like Duke Ellington, Louis Armstrong, Ella Fitzgerald, and Billie Holiday have enjoyed enduring recognition. Others, like author and folklorist Zora Neale Hurston, who wrote the novel Their Eyes Were Watching God that Neevah is reading, slipped from public view and have only recently been recognized for their work.


Part of Ryan’s effort to recognize and celebrate the work of Black artists entails positioning the characters in her story as inheritors of a vibrant cultural legacy. This includes not just Canon as director and Neevah as an actor but also Wright (“Monk”) as the composer, Verity as the screenwriter, Jill as the cinematographer, and even Takira, whose talents as a stylist are in demand from the entire cast. As she watches early footage of the movie with Canon, Neevah reflects,


The excellence and the pride and creativity that swept through Harlem and reverberated around the world—they’re all there. […] I’m an echo of those artists—their talent and persistence in the face of prejudice or war or poverty or any flaming darts the world threw at them. Instead of burning them to death, adversity lit a fire under them to make something the world had never seen. Innovating with their bodies and minds and voices. The chaos and necessity of imagination (377).


Neevah not only recognizes the importance of making art and celebrating achievements by artists of color but also hints at the necessity of spotlighting moments of Black joy to demonstrate that the lives of Black Americans are not defined by or limited to racial prejudice or suffering. Canon furthers this theme of celebrating the contributions of Black artists with his documentary on his mother, an accomplished photographer. These efforts on the part of Ryan and her fictional characters shed light on overlooked currents of American history, adding a joyous note to a novel that ends with a romantic happy ending and the professional accomplishment of its two Black protagonists.

The Challenges of Preserving Personal and Artistic Integrity

Inside its narrative of an evolving relationship, Reel uses the individual character arcs of its protagonists to examine the toll that professional commitment, artistic vision, and ambition can take on a person involved in the entertainment industry. Both Canon and Neevah are fully committed to their careers, and both of them, at some point or another, question what they are willing to sacrifice for their art. Through their experiences, the novel examines the challenges of preserving personal and artistic integrity.


Canon, in particular, is depicted early on as a dedicated director who devotes his all to his projects. Especially after his relationship with Camille got him fired from a job, he is determined that personal concerns will take a backseat to his work. Neevah finds this motivating when she first signs on as Dessi, reflecting that, “[He is] sharp and takes no shit, but I want that. To do my best, I need that […] For his art, he’s obsessive and distracted and focused and impatient and long-suffering. He’s a million things and he’s single-minded” (127). Neevah also is described as being completely focused on her work and the kind of performer who gives a role her all. Canon is looking for that in the actress he casts as Dessi, but this shared commitment provides an early indication that these two characters are compatible.


Canon’s mother is a secondary character who introduces and emphasizes the theme of artistic integrity. Canon tells Neevah that artistic integrity was everything to his mother: “She said, to survive, don’t use your gift for shit you hate” (163). His mother warned Canon not to corrupt his art. He admits that his mother likely wouldn’t approve of the music video that Canon directed for the dull and uninspiring hip-hop song that Monk co-wrote. In a scene with Neevah, Canon and Monk make fun of the lyrics and admit that they took on the project for the money, not because they were moved by the artistry of the work. Neevah understands because she, too, has been desperate for roles.


Both of them realize that Remy Holt’s vision holds art as a higher good, and that is why she insisted on maintaining a certain level of integrity. Neevah is inspired by his mother saying in The Magic Hour that “[w]e are artists […] When there is no joy to be found, we have the power in our hands, the will of our souls, to make it” (143). Neevah agrees with Canon that there is a higher calling attached to the telling of a story like Dessi’s, and that is why Neevah becomes frustrated when her heath concerns keep her from filming. Although she and Canon both come to review and reorient their priorities, their shared commitment to the film and to the quality of their own work remains their focus, and the joy of being able to share their work with the world provides the payoffs that Remy was talking about in remaining dedicated to one’s art despite obstacles.

The Benefits of Healing and Reconciliation

While Canon deals with the grief of losing his mother, Neevah’s storyline illustrates the impact that past hurts can have on the present moment and the importance of finding forgiveness for wounds of the past. Along with the passion of falling in love with Canon and the excitement, and challenge, of working on his movie, Neevah’s character arc demands that she confront the bitterness she still feels over the affair that Terry and Brandon carried on behind her back. For her own health, mental as well as physical, Neevah looks for a way to repair this relationship so that she can feel like she has her family back. As Neevah draws closer to her family again, the novel explores the benefits of healing and reconciliation.


Neevah begins the reconciliation when she is visiting North Carolina over Christmas, on break from filming the movie. While her confrontation with Terry at that time is mutually hostile, things move to a new level of understanding when Neevah inadvertently lets Quianna, her niece, know the truth about how her parents got together. This compels Terry to re-examine her own circumstances and her judgments about Neevah. To Neevah’s surprise, what looks like resentment on Terry’s part that Neevah left home, moved to New York City, and established a career turns out to be Terry’s expression of loss at the relationship with her sister.


Ultimately, in their conversations on the topic, Terry admits that as a young adult, she was insecure about her own worth and jealous that Brandon was interested in Neevah and not her. This idea of jealousy and the wounds it deals is later echoed in the animosity that Camille expresses toward Neevah after Camille learns that Canon is pursuing a relationship with Neevah. Neevah feels her own experiences of jealousy when she sees Evan’s sister Arietta with Canon and again when she views the shampoo commercial with Camille showing off shiny, healthy hair while Neevah is in the midst of a lupus flare-up. Neevah’s jealousy helps her understand the pain that Terry once felt, leading her to forgive Terry for pursuing a sexual relationship with Brandon while he was dating Neevah.


As part of the optimistic conclusion of the novel, Terry and Neevah’s relationship is restored by Terry’s apology, Neevah’s forgiveness, and the exchange of a kidney. Another exchange in the novel that underlines the need to confront and examine wounds of the past takes place between Neevah and her mother. During her visit home for Christmas, Neevah, after more than a decade away, finally finds the courage to tell her mother how she feels about their separation. Her mother’s apology goes a long way toward restoring Neevah’s trust in her as a source of emotional support, which is confirmed when her mother faces her fear of flying to come to Neevah’s bedside when she is ill.


The reknitting of relationships between mothers and daughters is subtly echoed by Dessi’s wish to return to Alabama to care for her mother, even though Dessi realizes that she is returning her family to a world that permits the expression of racism. In these various ways, the characters of Reel find that coming to peace with the wounds of the past adds to the strength and health of their current relationships.

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