38 pages 1-hour read

Reflections on the Psalms

Nonfiction | Book | Adult | Published in 1958

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Chapters 1-4Chapter Summaries & Analyses

Chapter 1 Summary: “Introductory”

Lewis begins with a disclaimer: this is not a scholarly book by an expert in biblical studies or ancient history, but rather a series of reflections written “as one amateur to another” (2). Lewis justifies this approach by the fact that a nonexpert is often in a better position to help a fellow nonexpert with difficulties in a particular subject.


Secondly, the book will treat the Psalms as poetry, with all “the formalities, the hyperboles, the emotional rather than logical connections” (3) that poetry implies. One of the main poetic features of the Psalms is parallelism (See: Index of Terms), in which the same thing is said twice in different words. This device is pervasive in Hebrew poetry and survives in translation. Parallelism expresses one of the main principles of art, namely, “the same in the other” (4), whereby unity is combined with variety, enhancing memorability. Lewis further postulates that it is fitting for the divine nature to express itself in poetry, an imaginative form of speech. The fact that Jesus used the Hebrew poetic idiom expresses his submission to human nature.


Lewis emphasizes that his book is not meant as a complete or exhaustive treatment of the Psalms but is a personal work, led by his own tastes. Neither is it an apologetic work, or one seeking to defend Christianity; instead, it is aimed at those who already believe or are interested in the Bible. Lewis will use the traditional Anglican translation of the Psalms by Coverdale, for its “beauty” and “poetry” more than for its accuracy. Writing from an Anglican point of view, Lewis seeks to avoid theological controversy and to retain the interest and goodwill of different denominations.

Chapter 2 Summary: “‘Judgement’ in the Psalms”

Christians typically view God’s judgment with dread, connecting it with the Day of Judgment in which personal sins will be punished. By contrast, the Psalms express “universal rejoicing” at the prospect of God’s judgment. This is due to the different image of judgment it presents. Whereas Christians see themselves as the guilty party in a divine “criminal trial” and hope for acquittal or pardon, the Psalmists envisioned themselves as the innocent and oppressed party in a divine “civil trial,” looking for God to punish their oppressors. Judgment was thus seen as a vindication and triumph over those who had wronged them.


While Lewis finds the Christian view “more profound and safer for our souls” (12), he argues that the ancient Jewish view is useful and complementary to the Christian. By envisioning divine justice as a civil court case, it reminds us of the “very human standard” that we must meet in our dealings with others. Quarrels between people provide a clear example of how people often emotionally manipulate each other. The protests in the Psalms against those who oppress “the poor” also have application to the present day, particularly in the case of helpless people who are taken advantage of by authorities like tax collectors.


Although there are psalms in which the speaker is a sinful person seeking pardon from God, these are the exception, and the “justice” psalms easily lend themselves to the danger of self-righteousness. Lewis makes a distinction between being “in the right” in a particular issue and being generally “righteous.” Thus, the Psalmist asserting his own rightness in a particular case is not necessarily to be interpreted as self-righteousness. However, being in the right can easily slide into self-righteousness, and this “fatal confusion” is seen in many of the Psalms. Similar to this is the slide from the desire for justice into the desire for revenge. The “vindictive Psalms” are the subject of the next chapter.

Chapter 3 Summary: “The Cursings”

Lewis cites a number of psalm passages that express a “vindictive hatred” that modern readers have found hard to understand. Lewis insists that readers must not 1) explain them away or 2) think that the spirit expressed must be “good and pious” because it is in the Bible. Lewis proposes two solutions. First, readers can use the vindictive psalms to reflect on similar feelings in their own hearts. Second, they can understand the vindictive psalms as a “reaction,” the “natural result of injuring a human being” (24). Lewis stresses that the hatred expressed in the psalms was the consequence of “cruelty and injustice,” and that readers must sympathize. In a more general sense, wrongdoing dehumanizes people.


Lewis balances this insight by insisting that the Psalmists’ reaction to injury, while “profoundly natural,” is still “profoundly wrong.” Here again, it is easy for Christian readers to find an excuse in the fact that the Psalmists were not Christian, but there are two reasons why this excuse doesn’t work. First, Judaism itself had a corrective for natural vindictiveness—one that is later reflected in the teaching of Jesus that forms the basis of Christianity. Second, if the Psalmists expressed vengeance because they were not Christians, it would be logical to assume that “pagan” authors would be even worse in this regard. But in fact, Lewis argues, “pagan” or pre-Christian authors are less “vindictive and vitriolic” than the Psalms.


Lewis’s solution to this problem involves the principle “the higher, the more in danger” (28). Because the ancient Jews took morality seriously, they were prone to react very strongly to evil with an attitude of indignation (see Terms). By contrast, those (like the Pagans) who are less morally aware will have a correspondingly light reaction to evil. Those who hold high moral ideals are prone to greater temptations and can fall into “a more terrible sin” (31). Such a sin consists of thinking that one’s “own worst passions are holy” (31) and thus to “spiritual pride, self-righteousness, persecuting zeal” (32). This leads Lewis to conclude that “Of all bad men[,] religious bad men are the worst” (32). At the same time, the “cursing” psalms have value in that they remind readers of God’s “implacable” hatred for sin, though not for the sinner. In this way, the “Divine voice,” though distorted, can still be heard in these psalms.

Chapter 4 Summary: “Death in the Psalms”

The ancient Jews believed that the dead entered a shadowy netherworld known as Sheol, and this belief is reflected in many of the Psalms. The belief about the future life was evolving in the time of Jesus, when the Sadducees held the doctrine of Sheol while the Pharisees espoused a positive afterlife.


Lewis speculates as to why God refrained from revealing the existence of an afterlife to the Jews for a long time: it was to train them to love God for his own sake rather than for a reward, as was more prevalent in pagan religions. In fact, though a hope for earthly peace and plenty (both for the individual and for the nation and one’s descendants) was a part of ancient Judaism, the religion was rooted in a more spiritual hope that sustained it through great trials.

Chapters 1-4 Analysis

Starting in Chapter 1 and continuing throughout the book, Lewis establishes a confidential relationship with his readers: that of an “amateur” sharing his wisdom and insights about the Psalms. Best known as a critic of ancient, medieval, and early modern literature, Lewis approached Christianity from the standpoint of those disciplines rather than as a specialist in the Bible or theology. Lewis’s popularity as a Christian writer was in part due to the accessible style of his writings, which addressed a broad audience and transcended academic specialism. Lewis creates a rapport with his readers throughout the book by the use of the first person plural “we,” personal anecdotes, clear exposition of his intent and procedures, and an overall modest and humble tone. Through these devices, Lewis positions himself as a fellow reader helping other readers, rather than a lecturer “talking down” to a class of students. In this way, he also lays his own shortcomings and biases as a scholar on the table.


One of Lewis’s overall purposes in the book is to build a bridge between the ancient Jewish religious and cultural context of scripture and modern Christian readers, his target audience. Lewis dives into “difficult” aspects of the Psalms first, seeking to reconcile potentially problematic aspects of the text with the idea that scripture is divinely inspired and morally inspiring. This introduces The Tension Between Divine Judgment and Human Vengeance. Lewis’s explanations are part of a balanced analysis in which cultural and historical context and moral psychology play key roles.


Lewis’s bias remains on the side of Christianity as he points out what he considers weaknesses or limitations in the Psalms’ ancient Jewish worldview. For example, in Chapter 2 Lewis points out the dangers of “self-righteousness” inherent in some Psalms. At the same time, Lewis maintains a balance between criticism of Old Testament mores and placing those mores in a nuanced moral and psychological context—a context in which Christians can sympathize with attitudes that seem foreign and also use them as means of moral self-examination.


For example, responding to the challenge of “cursing” and vindictiveness in the Psalms in Chapter 3, Lewis seeks to make this negative aspect of the Psalms spiritually useful. The vindictiveness in the Psalms can prompt readers to reflect on this negative moral quality in themselves. Lewis’s analysis implies that scripture involves the intersection of God’s word with human nature, with the divine message being filtered through human emotions, strengths, and weaknesses.


Secondly, Lewis proposes viewing problematic aspects of the Psalms in the context of the dehumanizing effects of evil—a consideration presumably related to the ancient Jews’ status as a persecuted people. Lewis implies an obligation on the part of Christian readers to sympathize with the Psalmists’ attitudes, seeing them as the result of “cruelty and injustice”: “They are indeed devilish. But we must also think of those who made them so” (25). Lewis’s argument involves the principle that “The higher, the more in danger” (28): where a higher moral awareness exists, the temptations to spiritual pride are all the greater. Conversely, moral failings in Psalms are evidence of a higher spiritual development that can be found in pre-Christian culture.


Lewis’s expertise in literary devices also plays a role in his analysis of the Psalms, introducing the theme of Metaphor and Imagery as Vehicles of Faith. In Chapter 2, he explains the Psalms’ attitude toward God’s judgment through the extended metaphor of a court case, in which the Psalmist is either the “plaintiff” or the “defendant.” Lewis argues that the two views are complementary because both represent real human experiences, with the Jewish view reflecting the “age-old” experience of the “small man” trying to “get his case heard” (11). By emphasizing the plaintiff’s view, the judicial Psalms emphasize both our very real obligations to the human beings around us and that God oversees and cares about this social order.


For Lewis, the ancient Jewish aspects of the Psalms are tied in with scripture’s being simultaneously the word of God and a reflection of human nature. Lewis’s analysis seeks both to understand the Psalms as a historical text and to make them useful for moral and spiritual life in the present. In this way, Lewis builds bridges between the past and present and between the Jewish and Christian understandings of scripture. Lewis’s analysis implies that the Psalms themselves constitute just such a bridge, or point of continuity, between the two traditions.

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