38 pages 1-hour read

Reflections on the Psalms

Nonfiction | Book | Adult | Published in 1958

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Chapters 5-8Chapter Summaries & Analyses

Chapter 5 Summary: “The fair beauty of the Lord”

Lewis signals a change of subject and tone with this chapter: it turns away from moral concerns to discuss the idea of beauty and joy in the Psalms. Judaism shared ancient religion’s concern with animal sacrifice and also with festivity, joy, and “delight in God” which contrasts with “dutiful ‘church-going’” attitudes of today. Lewis cites David’s dancing before the Arc of the Covenant as an example of this “robust, virile, and spontaneous” (46) joy, which he finds “The most valuable thing the Psalms do for me” (45).


In fact, ancient Jewish religious consciousness did not distinguish between the spiritual love of God and the externals of religious festivity, especially at the Temple in Jerusalem. For them, “Life was one,” and they did not separate religion from other aspects of life such as “music, or festivity, or agriculture” (47). In fact, many of the Psalms relate directly to the sacred worship of the Temple; they speak of singers, minstrels, and processions that took place there, and the experience of “‘seeing’ the Lord” reflects experiences of liturgical ritual.


However, this frame of mind holds a latent danger in that the experience of ritual can become “a substitute for, and a rival to, God Himself” (48). This is because, as the religious consciousness develops, the original unity between ritual and spirituality becomes lost; the believer becomes intellectually able to distinguish one from the other, and must therefore place one or the other first. At some point, Lewis argues, this happened in Judaism. When it did, adherence to external religious observances became more important than “mercy, ‘judgement’, and truth” (49) to the religious establishment. At the same time, the prophets (including the Psalmists) denounced and acted as a corrective to these developments, emphasizing the need for inner sincerity and devotion.


However, Lewis argues that this tendency in religion has been sufficiently criticized. He wants instead to emphasize “joy and delight in God” (50) because he feels we need this more today. The Temple was “the living centre of Judaism” (50), fostering a sense of longing for God’s presence that is expressed in many of the Psalms, e.g., Psalm 27 and Psalm 42. Lewis prefers to call this feeling an “appetite for God” because this phrase expresses the “cheerful spontaneity of a natural, even a physical, desire” (51) that lies at a heart of the Psalms’ call to rejoice and make music for God.


Some of this ancient religious spirit cannot be revived for Christians today, in part because it still exists in some parts of Christianity and in part because Christianity has an added tragic element that must coexist with simple joy: namely, Christ’s cross. Lewis ends by underlining the “delighted debt” that he feels toward the “fully God-centred” spirit of joy in the Psalms.

Chapter 6 Summary: “Sweeter than Honey”

Lewis considers what the Psalmists meant when they referred to God’s law and commandments as “sweeter than honey” and as the source of “delight”—a question that to him was “at first very mysterious” (55). For ancient Jewish scholars, the Mosaic Law was a subject of study much as “history, or physics, or archeology” (56) are for a student today, and a source of pride and pleasure. However, this could lead to a misplaced professional pride and conceit, looking down on outsiders as ignorant and inferior, as well as to the Law taking on a “cancerous life of its own” by breeding a “vast overgrowth” of legalism.


However, the Psalms show readers “the good thing of which this bad thing is the corruption” (58). Psalm 119 is a poem that, through its intricately patterned structure, expresses following God’s law as “the delight in Order, the pleasure in getting a thing ‘just so’” (59). At its best, this attitude is not “priggery” or “scrupulosity” but rather “the language of a man ravished by a moral beauty” (60).


When the Psalms declare that the Law is “true” or “the truth,” they are recognizing that the Law is good because God is good; the Law is rooted in God’s own nature and thus has “intrinsic validity, rock-bottom reality” (61). The Jews may have also perceived the Law as “sweet” in contrast with surrounding pagan practices, which included such “appalling” features as child sacrifice. Lewis finds the perfect expression of the idea in Psalm 19, which he also finds to be “the greatest poem in the Psalter and one of the greatest lyrics in the world” (63).


To conclude, Lewis speculates that as Christianity finds itself increasingly opposed to other, “cruel” worldviews that “ignore all individual rights” (64), Christian ethics will stand out all the more for its “sweet reasonableness,” just as the Jewish Law did for the Psalmists. However, this also opens the door to self-righteousness and pride.

Chapter 7 Summary: “Connivance”

The Psalms warn not only against doing evil, but against connivance or complicity with evil and evildoers. While this attitude of moral purity can lead to an attitude of prideful “Pharisaism,” i.e., being self-righteous or hypocritical, it does nevertheless point to a real problem: “How ought we to behave in the presence of very bad people?” (68).


This problem sometimes manifests itself in “band-wagoning,” where someone develops a desire to associate with important yet wicked people. The reason Christians should resist such a desire is not that they are “too good” for such people but because they are “not good enough” to cope with the temptations and problems that might result—notably, the temptation to “condone, to connive at […] to ‘consent’” (71) to evil.


Life often places readers in such company whether they want it or not. They are made party to gossip and malicious talk, or to talk against virtue and decency. If they tacitly go along, they are implicitly denying Christ; if they express objection and disagreement, they appear self-righteous. Lewis advises either silence or disagreement expressed in the spirit of rational debate. In matters of grave moral import, a protest becomes imperative: The Psalms speak frequently against the “sins of the tongue” (75), which makes those psalms very relevant to Lewis’s era.

Chapter 8 Summary: “Nature”

Lewis identifies two factors in the Psalmists’ culture that determine their approach to nature. First, the ancient Jews were peasants or farmers who lived close to the soil. Second, they believed in a creator God who was distinct from his creation. The first factor can be seen in the vivid nature description in the Psalms. The belief in creation has three results that can be seen in the Psalms, results that make Judaism unlike other ancient religions (none of which had anything like a doctrine of creation in the Jewish sense). First, the doctrine of creation separates and distinguishes God from creation, making it impossible to treat nature as divine. Secondly, at the same time, it makes nature into “an index, a symbol, a manifestation, of the Divine” (81). This is more so than in paganism, where the many gods that filled nature were themselves created beings. In Judaism, nature revealed the existence of the uncreated God, the source of all.


Thirdly, the doctrine of creation means that nature can be seen “not as a mere datum but as an achievement” (83). God’s works have his truth, solidity, and reliability. Fourthly, and most surprisingly, seeing creation as God’s handiwork means that even parts of nature that are “useless or hurtful or wholly irrelevant to man” (84) are honored, making human beings and all other creatures kin to one another.


Lewis digresses to discuss a piece of evidence that he believes connects nature poetry with the doctrine of creation. Scholars have argued that the Hymn to the Sun attributed to the Egyptian pharaoh Akhenaten may reflect a form of religion that influenced Jewish monotheism. While Lewis stops short of postulating a direct connection, he affirms that a similar attitude toward nature allowed Akhenaten to write similar nature poetry to the Psalms. The “full and abiding development” (89) of creation theology remains Jewish. Indeed, Lewis argues that the more concrete religious experience of the Jews provided a better “ground” for religious development than the exalted but abstract nature-rooted monotheism of Akhenaten.

Chapters 5-8 Analysis

This section of chapters shifts the focus from moral to aesthetic questions, although a moral focus returns momentarily with Chapter 7. This foregrounds the literary aspects of the Psalms and the theme of Metaphor and Imagery as Vehicles for Faith. The common thread is how the Psalms reflect the ancient Jews’ experience of the divine in liturgy, in the Law of Moses, and in nature. The experience of God’s presence is closely related to the experience of beauty. Lewis explains how the ancient Jews found God’s reality reflected in the visual and aural beauty of the Temple liturgy, in the order and rightness of the Law, and in the bounty of nature.


Lewis emphasizes that ancient Jewish religious experience was centered in specific places and things. For the Psalmists, participating in Temple worship was the means of communing with the divine—with “seeing God.” Many of the Psalms are explicitly connected with Temple liturgy, referring to festivals, processions, and music-making that took place there. For the Psalmists, religious ritual and the inner experience of the divine were one and the same.


From this starting point, Lewis develops an argument about the relationship between the “festal” and “spiritual” dimensions of religion. He theorizes that the two dimensions became progressively estranged due to the influence of abstract thought. According to Lewis, modern Christian religious attitudes reflect this shift. Christian worship today is generally less exuberant than ancient religious rituals, and modern believers see religious ritual as essentially separate from, and subordinate to, spiritual experience. For Lewis, the Psalms are refreshing in that they present religious longing in terms of “cheerful,” spontaneous, and almost “physical” desire, introducing the theme of Praise as a Natural Response to Divine Glory. This, for Lewis, is a healthy way to approach religion and one that the Psalms can help people; backing away from rationalism and abstract thought is necessary for readers to recover a sense of wholeness and naturalness in religion.


Lewis’s discussion of the literary themes of the Psalms is enriched by the fact that as poetry, the Psalms are themselves artistic products and can convey aesthetic qualities. Lewis makes this linkage explicit in Chapter 6, arguing that the intricate acrostic structure of Psalm 119 is analogous to the Jewish believer’s careful and disciplined devotion to following the details of the Law. Faithfully following the Law, and by implication composing a poem like Psalm 119, are ways of reproducing “the Order of the Divine mind” (59) in one’s daily life.


Lewis’s discussion of nature in the Psalms homes in on the ancient Jews’ status as farmers. Living close to the land, for them “nature” was more or less synonymous with the world itself. A corollary to this is that they saw nature in terms of its usefulness, yet this did not prevent them from appreciating nature for its own sake and as a sign of God’s presence. In fact, due to the Psalmists’ direct experience of the land, the Psalms (according to Lewis’s analysis) provide a more tactile sense of nature than is found in other ancient poetry.


The Psalms’ nature poetry is unique also in that it points to the doctrine of creation. This is the linchpin of Lewis’s discussion, having far-reaching consequences. On the one hand, the doctrine of creation forbids any divinization of nature as found in pagan religion. But in doing so, it opens the door to a repertoire of images in which divinity is manifested in nature—images that are used extensively in the Psalms. Further, the Jewish doctrine of creation allowed the Psalmists to see nature as an achievement of God’s creative power, and thus a symbol of his truth and permanence. Finally, it led to an appreciation of humanity’s place as creatures in the larger scheme of nature. For Lewis, all these dimensions show the Psalms, and the Jewish worldview that they express, to be unique in their attitude toward nature in the context of their time.


Chapter 7 stands apart from this section in that it returns to the moral themes of Chapters 2-4, examining what the Psalms have to say about cooperation with evil. As in earlier chapters, Lewis argues that the Psalmists’ moral stance against connivance is liable to lapse into self-righteousness and sanctimony. Here, more than in the previous chapters, Lewis brings the discussion up to his present day—the mid-20th century— using the Psalms as a springboard for how to act in morally objectionable situations. While Lewis considers self-righteousness (whether real or apparent) something to be avoided, unwittingly participating in evil is far more serious. This discussion is significant in that Lewis shows the Psalms’ practical relevance for modern, everyday life. As in previous chapters, Lewis points out a danger latent in the Psalmists’ attitude, but in the end validates that attitude as having moral and spiritual worth.

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