55 pages • 1-hour read
Tony TulathimutteA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of racism, bullying, gender discrimination, mental illness, disordered eating, sexual content, animal cruelty, and emotional abuse.
Alison, a woman in her late twenties, has never had a relationship that progressed into love. She believes that she is innately “bad,” which prevents her from finding a relationship with a good man.
One night, Alison visits her best friend, Neil. Neil and Alison have been friends since college, when Neil supported Alison through her eating disorder. After flirtation, they have sex, which Alison greatly enjoys. Neil asks her if he can take a picture of her giving him a blowjob. Alison is flattered and agrees, asking for a copy. The next morning, Neil tells Alison that he isn’t interested in a serious relationship. Alison accepts this and reports the night’s events to friends, who are impressed. The picture Neil took turns out to be terrible.
The next time they hang out, Alison asks to have sex again, but Neil declines and counters that they should stop hanging out so often. Alison sheepishly accepts, then wonders what she did to scare him off. Alison reports the development to her group chat friends, who express contempt for Neil. This implies that they were never impressed with Alison to begin with, but she shrugs off her suspicion that they are patronizing her.
Three months later, Alison is overjoyed to hear from Neil and agrees to meet up. She is surprised when Neil arrives late with an Asian woman named Cece. Suspecting that Cece is Neil’s girlfriend, Alison stalks Cece’s social media profiles in the bathroom and feels inferior. Despite Cece’s attempts to bond, Alison can hardly mask her contempt. She brings up the time she and Neil had sex. Neil abruptly leaves with Cece.
The next morning, Alison reads an angry email from Neil, claiming that he and Cece are just friends and that Alison disrespected their boundaries. He accuses Alison of weaponizing her sadness to make it look like Neil was awful to her. Alison refuses to accept his criticism but writes a response to say sorry for her behavior. To her dismay, Neil does not also apologize.
Upset, Alison rants to her group chat. They caution her against fixating on Cece’s race and suggest trying meditation, therapy, and antidepressants. Alison quips they would make her boring, but this insults her friends. Her friends recommend having a one-night stand to forget Neil.
Alison starts using online dating apps. She dates a range of men and ends up compiling a list of pet peeves. She goes on a date with an old schoolmate she once had a crush on, The Feminist, but the date is terrible because of how dull and deferential he turns out to be. He only performs engagement whenever Alison talks about her pain, but Alison indulges him. She has sex with him out of pity.
Believing that it is now too late in her life to form a meaningful connection with anybody new, Alison refuses to go out except for work. This has a detrimental effect on her body as she becomes physically weaker and bruises easily. Online, she sees that Neil and Cece are officially dating. Alison decides to prove she is better than Cece by outperforming her in a new post. Neil does not engage with the post, so Alison deletes it.
Alison decides that the key to outdoing Cece is to find something unique to base her personality around. She buys Pootie, a raven that has been trained to speak compliments but finds it unmanageable because of its sharp beak and claws. Alison turns to podcasts and briefly considers starting a podcast herself, but this causes her to realize the loneliness of podcasts. She turns instead to the American comedy series The Office.
Alison writes a list of everything she hates about Neil, but the entries only confirm Neil’s humanity and that she would have deserved him if she were better. She has a fantasy that Neil cannot leave her because there are no other women left. She weeps knowing that the fantasy will never come to pass. She rediscovers the blowjob picture Neil took and moves it to a photo album entitled “loser,” because it is the only proof that they ever had sex.
Alison’s group chat organizes a potluck, which Alison volunteers to host. One of the group chat members is a woman named Na’amah, whom Alison has never met in person and who is in the late stages of pregnancy. Na’amah brings her young daughter with her but becomes concerned for her daughter’s safety around Pootie. Alison hides Pootie in her bedroom to reassure Na’amah. Alison becomes insecure when she hears all the incredible things her friends are doing with their lives. She, on the other hand, has nothing to report. The gathering is interrupted when Na’amah’s daughter accidentally releases Pootie. Alison tries to restrain Pootie, but Pootie wounds her hand, sending her to the emergency room.
When Alison gets home, she sees a large wet stain on the couch where Na’amah had been sitting. She confronts Na’amah on the group chat, and Na’amah apologizes for staining the couch. Alison tries to get her to pay for the couch’s cleaning, but Na’amah has not been receiving income while on strike. Alison’s other friends try to de-escalate, but this turns Alison antagonistic. She insults the entire group for being hypocrites in their resentment of men and for having superficial problems. Na’amah strikes back by pointing out that Alison’s biggest problem is that she resents Neil. The other friends side with Na’amah and leave the chat, alluding to the existence of another group chat that excludes Alison.
Alison’s social network enables her to see that Neil has become a travel photographer and is expecting a child with Cece. Soon, Alison receives an invitation to Neil and Cece’s wedding. Alison is initially sickened by the gesture, but then she reasons that attending might grant her closure. She goes alone and in a revealing dress. She is awkward and engages with no one at her table.
Alison asks Neil if they can talk. She delivers a speech expressing her joy for him and her regret for causing problems. Neil answers that he has no ill will against things that happened long ago. Alison is stung by the idea that their sexual encounter is ancient history and by his willingness to dismiss their past. She asks him to delete the picture he took of her. Neil doesn’t remember what she is talking about, so she shows it to him. He panics, tells her that he deleted it right away, and walks away to enjoy his wedding.
Alison goes home drunk and miserable. She opens her empty group chat and laments that no one understands her and cares for what she’s going through. She feels newly numb to her pain. The next morning, she wakes up and realizes she left her doors open, allowing Pootie to escape. She resolves that her newfound numbness to pain can be the gift she offers to people, becoming a nothingness that will enrich their lives.
“Pics” functions as a companion story to “The Feminist,” presenting a female parallel to the main character of the opening story. Just as The Feminist is defined by his deference to women, Alison is defined by her deference to a particular man, Neil. Alison cannot overcome her devotion to Neil, a close friend she sees monthly and who supported her in college: “Neil was the only person who didn’t regard her with either concealed disgust or corny delicacy, who made recovery feel meaningful and worthwhile” (32). It is clear that Alison’s trust in Neil far outpaces the progress of intimacy she wishes she could make in any other relationship. This is partly due to Alison’s low self-esteem: She sees herself as innately “bad,” unable to find a good man because of her nature—a conviction that illustrates The Struggle to Reject Imposed Identity. Alison, who sees in Neil the possibility of connection, wants to use Neil to improve her sense of self-worth.
After Alison and Neil have sex, Alison misinterprets their one-night stand as an escalation of their relationship. She cannot divorce the casual nature of their physical encounter from the emotional connection she has to him. Her decision that Neil is her life partner scares Neil away: She holds on to their sexual encounter and assigns it extra meaning, which not only has the ironic effect of ruining her friendship with Neil, but also feeds into the vicious cycle of her low self-esteem. Alison spends the rest of the story convinced that whatever she does—from revealing their sexual history to Cece or to creating a new personality centered around pet ownership—will prove that she is not be worthy of Neil’s love.
This is what Alison and The Feminist have in common: Neither can have the love they want, so they settle for pity as a consolation prize. Alison weaponizes her sadness to elicit compassion from her friends in the group chat, but this only has the effect of amplifying her loneliness. When her friends suggest ways for to move past her grief about losing Neil to Cece, like meditation and therapy, she dismisses them, closing the door to any potential healing. Her stagnancy only becomes clear to her when she sees her friends in person and realizes the richness of their lives. Because Alison’s life has been solely defined by her longing for Neil, she has missed out on accepting The Benefits of Rejection—such as reconsidering her perception of herself or her tendency to perseverate.
The “pics” in the title of the story refer to the photo Neil takes of Alison during their sexual encounter. Alison keeps the picture in an album called “loser,” performatively enacting her low self-esteem. As the only tangible proof that Alison and Neil’s sexual encounter happened, the photo becomes increasingly symbolic. To Alison, the photo represents her convictions that she and Neil are destined to be together. When she shows the picture to Neil at his wedding, however, he is rightfully shocked. For him, their one-night stand is a long-past event; he cannot grasp Alison’s obsessive attachment. She has lived out a one-sided relationship that has taken place entirely on her phone, stressing The Loneliness of the Internet Age.



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