47 pages 1-hour read

Remote Control

Fiction | Novella | Adult | Published in 2021

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Chapters 1-4Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of child death and death.

Chapter 1 Summary: “Sankofa”

Sankofa, a 14-year-old girl, walks through the road of a small town called Tamale. It is a suburb of the city of Accra in Ghana. She is followed by a small red fox that is always with her. When the townspeople notice her, they begin hiding in their homes, closing their shutters, and driving away in their cars. She makes her way to the biggest home, a white, modern-looking mansion. She knocks on the gate but is ignored by the gateman. Instead, she lets herself in, walking to the front door. She knocks on it, telling them that “Death has come to visit” (12).


Inside the home, a group of well-dressed adults looks at her apprehensively. Sankofa realizes that it is Christmas, a thought that gives her a pang of longing for her past. However, she pushes it out of her mind. She is invited to sit at the table with a large array of food before her. She requests new clothing, and one of the women calls a seamstress to sew a new outfit similar to the traditional Ghanaian outfit Sankofa wears. Sankofa is given room-temperature orange Fanta, her favorite drink. As she eats from the Christmas buffet, she thinks of how “good” these people are.


Sankofa requests that children keep her company while she eats. The home’s owner brings two children, a boy and a girl, from bed. The children are hesitant around her, but Sankofa invites them to eat. The boy introduces himself as Edgar, making friendly conversation with Sankofa. The girl, Ye, is afraid. Sankofa can tell that they are American based on their accents and their inability to understand the native language.


Edgar asks Sankofa if the rumors about her being related to death are true. While the adults whisper in annoyance, convinced Edgar will get them killed, Sankofa requests them to turn off the light. She then flexes her power, growing green in the dark. Edgar is excited, while Ye runs from the table.


An hour later, Sankofa leaves. A little way down the road, the gateman from the house comes running to her. He demands to know if she knows his brother, whom she killed. She admits that she does, as she remembers the names of all those she kills. The gateman pulls out a gun and shoots her. Time slows for Sankofa, as she sees the smoke from the gun and the bullet spinning in the air. Green light leaves her body, lighting up everything around her. It stops the bullet a few feet from Sankofa, breaking it, then concentrates on the man. As he is melted by the heat of it, Sankofa tells him that she remembers his brother: He was dying of cancer and asked Sankofa to take him.


When all that is left of the gateman is bone, a wind comes and blows the ash away. Sankofa rubs shea butter on her body to cool herself down. As her fox, Movenpick, trots down the road, she follows behind.

Chapter 2 Summary: “Starwriter”

The narrative now switches to an extended flashback, which will comprise the majority of the novella.


Before becoming Sankofa, the girl is born with the name Fatima. As a child, Fatima spends her time sitting in the yard with her grandfather and looking up at the constellations. She names one “Sankofa,” as it looks like a Sankofa bird. She draws the pictures she sees in the stars and writes the words in the dirt, earning her the nickname “Starwriter” from her grandfather.


One day, when she is four years old, Fatima is in her favorite shea tree looking down at her pictures when a meteor shower starts. One falls from the sky and lands in her yard. She picks it up, thinking how it looks like a green seed. It burns her, so she drops it onto the ground. It quickly falls into the soil, disappearing below the surface.


A year later, suffering from malaria, Fatima sits in the same tree. She enjoys the breeze up there as well as a fox that lives there, having recently escaped from the local zoo. Beneath her, in the same spot the meteor fell, the earth begins to shake. A tree root comes through the ground, pushing with it a small wooden box. When Fatima opens it, she finds a seed inside. It begins to glow green, releasing a swirl of mist which enters her body. It cures her malaria, and she never gets it again. From that point forward, Fatima keeps the box and the seed in her room, cherishing them.


The next year, Fatima is in the tree when she sees an SUV pull up to her home. Two men get out, one dressed in white with an eye patch and the other in a black suit. She recognizes the man in the black suit as a politician from TV. She thinks the other looks like a bodyguard. The men enter her home.


A few moments later, the man in white speaks to her from the ground. He offers her goat meat if she will come out of the tree to talk to him. He mentions the box she found in the ground. When Fatima refuses to come down, the man responds angrily. He insists that LifeGen Corporation will pay a lot of money for things related to “aliens,” so he needs it for his boss, Parliament Member Kusi, and his campaign. He takes a small device out of his pocket. It begins to beep as he enters the house.


Fatima waits in the tree for several more minutes. When she goes inside, Kusi has her box in his hand and is laughing with her father. After Kusi leaves, her father tells her that he was able to sell her box for a lot of money. He promises to buy Fatima a dress and her brother, Fenuku, a new drone. Fatima is upset about her box but pacified by how the money will change their lives.


That night, Fatima is woken up by the sound of people talking. She finds her father outside with his friend, Kwesi. Kwesi tells him that Kusi was robbed in his SUV. They believe his bodyguard, the man in white, took everything that he had. Fatima knows that the man now has her seed.

Chapter 3 Summary: “Moonrise”

A year later, Fatima is seven years old. She sits in the same shea tree by her home. When she is overwhelmed by heat and dizziness, she climbs from the tree and seeks out Fenuku. He confirms that her skin is glowing green, something that happens each time she feels the heat. Fenuku has her pick up a wasp. When Fatima squeezes it in her hand, it stings her, causing her to glow a brighter green that even she can see.


Fatima’s father comes outside on his way to the mosque. He tells Fatima and Fenuku to go into the market. As they walk, Fatima thinks of how badly she wants to leave her hometown of Wulugu and travel the world. She thinks of Accra, which is 300 miles away, and how their town only has one road full of potholes.


When they get to the road, Fenuku runs across it. Fatima is daydreaming, so she falls behind. Fenuku yells to her, and Fatima tries to cross during a gap in the traffic. She stumbles in a pothole and falls, then is struck by a car. Overwhelmed by pain, Fatima feels the burning from the green light overtake her. When she opens her eyes, she sees that everyone around her is “asleep.” Her hair has been burned off. She stands up, seeing her brother on the ground, his face turned away from her. In that moment, she realizes that she no longer remembers her own name, despite remembering everything else about her life and family.


The girl walks home. She stops by the mosque and sees that everyone there, including her father, is asleep. When she gets home, her mother is asleep, too. She runs through the house, ending up in her brother’s room. There she finds bird figurines that he likes to carve. She picks up a Sankofa bird, touches it, then drops it to the floor when she gets a sliver. Its neck breaks, and she cries.



The girl goes downstairs and eats the meal that her mother had prepared. She then goes to sleep. When she wakes up in the morning, everyone in town is still sleeping.

Chapter 4 Summary: “Goddess of Travel”

Three days later, the girl leaves Wulugu. She has realized that everyone in town was not sleeping, but dead. Flies and maggots began landing on the bodies all over town. When she would see them around her mother, she would often grow angry, then begin to glow, the flies dropping dead around her. She finally took a handful of belongings like the broken Sankofa bird, her book on mythology, a jar of shea butter, and one of her mother’s wigs, then left town. 


As she begins to walk, she tells herself that she is “like Hermes.” She promises to find the seed that was stolen from her.

Chapters 1-4 Analysis

The novella opens in the present, then shifts to the past, framing the story as a flashback to Sankofa’s childhood. The Sankofa seen in the opening pages has a mythological quality about her, with her reputation preceding her as people treat her with equal parts fear and respect. She is given gifts, brought into peoples’ homes, and everyone knows her favorite drink. However, at the same time, the people in Accra flee from her as she walks through the streets. The novella thus serves as her origin story, flashing back in time to show her childhood, humanize her, and explore how she became the myth she is in the present.


The novella’s focus on Sankofa’s perspective and experience grants insight into Sankofa’s humanity beneath the awe she inspires in the people of Ghana, introducing the theme of The Burden of Power. As the novella will explore, she is on a quest to return to her home that she once destroyed as a child. As a result, while the people in the mansion cower in fear, she feels pangs of longing and regret for the family she has lost. While Sankofa presents herself as an all-powerful entity to be worshipped and feared, beneath she struggles with the burden of the life that has been thrust upon her by the mysterious seed.


The first step in Fatima’s journey comes with her adjustment to, and experimentation with, her new power. The scene with her brother, Fenuku, highlights Fatima’s youth and innocence as she struggles to understand what has happened to her. This scene stands in juxtaposition to the scene at the Christmas table: In the opening chapter, she calls on her power with ease when Edgar encourages to, glowing at the dining room table without allowing her power to affect any of those around her. In contrast, when she first learns about her power, she uses pain to evoke it and has no sense of what the glowing actually means. Then, when she is hurt in the street, the power comes unbidden, destroying the town and underscoring Fatima’s lack of control. These two scenes emphasize where Fatima was and where she is now: A power which she once did not understand is now fully under her control.


Although Fatima causes the death of her family and the village through that power, her character evokes sympathy rather than anger or blame, as her actions are a product of what was done to her rather than a conscious choice. For the rest of the novella, Fatima embarks on a journey of Redefining the Self After Trauma and Change. The young, innocent girl in this section of the text will need to grapple with who she has become and with the broader world to ultimately find her place in it.


Fatima’s names convey the change that she makes in the first section of the novella as she begins her journey. The loss of her birthname, Fatima, coincides with the trauma she experiences when she inadvertently kills the people of Wulugu. This moment is a rupture in her life, fully separating her from her home, family, and former life. The name she then chooses, Sankofa, is a word from the Twi language of Ghana which means “to retrieve.” In Ghanaian culture, it is a concept which involves pulling from the past, bringing that which is important into the present and allowing the past to inform it. 


The fact that Sankofa chooses this name underscores the connection that she will always have with the past. The Sankofa bird sculpture that she takes from her brother is a metaphorical representation of this idea. It is a connection with her brother, emphasizing her longing for her family. When she breaks it, it highlights the physical break that she is making with the past. When she begins her journey away from her family, her name may change, but her true identity and her experiences remain with her.


Fatima’s interaction with Kusi’s bodyguard introduces a primary conflict in the novella, the tension between technology and the natural world, which introduces The Duality of Technology. Fatima is representative of nature, sitting in the trees, drawing the constellations, and befriending Movenpick. She cherishes the seed, keeping it safe and protected in her room, even without fully understanding what it does to her. Conversely, Kusi and his bodyguard seek the seed for LifeGen, hoping to sell it to fund his campaign. 


Without ever being explicitly discussed or explored, technology permeates the novella, with Sankofa wearing her bioclothing, her family using their 3D television, and people being constantly distracted by their phones. When Kusi’s bodyguard steals the seed for LifeGen, it is Fatima’s first interaction with LifeGen and its influence over Ghana. The bodyguard’s subsequent theft underscores the corruption of this world, led by the money that is controlled by LifeGen.

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