47 pages 1-hour read

Remote Control

Fiction | Novella | Adult | Published in 2021

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Chapters 5-8Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of child abuse, child death, substance use, and death.

Chapter 5 Summary: “The Road”

The girl walks along the road where her brother died, trying not to look at the bodies and the flies swarming them. On the edge of town, she sees a roadblock with several military men behind it. She sneaks past it in the grass, then continues walking. Eventually she comes to the town of Nabori. She sleeps beside the road. She is woken up by a man calling her a “spirit,” and she realizes that she is glowing green in the dark. She begins walking again.


As the sun begins to rise, a man pulls up beside her in his truck. He asks her name, and she tells him it is “Sankofa” as she clutches the broken bird in her hands. The man offers her a ride to the next town and even a bed to sleep in. He promises to program his car to take them there so she doesn’t have to trust his driving. Sankofa hesitates, then agrees, not wanting him to call the police. However, when she touches his truck, it dies instantly.


When the man reacts with anger toward Sankofa, she flees. He grabs her bag, pulling her back, then slaps her across the face. As he goes to slap her again, she glows green. She closes her eyes, expecting to be slapped. After a moment, she opens them and sees that the man is gone. In his place is nothing but his jawbone. Sankofa flees into the bush, running until it gets dark, then falls asleep beside a tree.


When Sankofa wakes up, she remembers what happened and cries. Overwhelmed by hunger, she searches until she finds a stream and a mango tree. To her surprise, she sees the fox across the stream. She calls to it, but it turns and runs into the bush. Feeling more comfortable in the forest, she stays there for a week.


On her last day in the forest, Sankofa spots the fox again. She names it Movenpick. She isn’t sure what it means but heard it in a commercial for Accra and liked the sound of it. Movenpick responds indifferently, moving back into the forest, but then begins to travel with her.


On the night, before she leaves the forest, Sankofa dreams of her Auntie Nana, whom she has always considered “mean.” Nana scolds her for staying in the forest, hiding, insisting that she needs to take control of her life—just as Nana did when she earned a PhD. Feeling motivated, Sankofa leaves the next morning.


One day, Sankofa comes across a man who tries to rob her. She uses her light to kill him. From there, word begins to spread about Sankofa and her ability. People give her gifts, like shea butter from the roadside stands that sell it. Sankofa learns to demand things from people, realizing that her reputation is giving her power. She also learns that she cannot touch technology, as she kills phones, televisions, cars, and more. Through it all, no one ever connects her back to the village of Wulugu, a thought which gives her both relief and sadness.


Sankofa searches in her mind and can feel the seed, so she follows it. As she travels over the next few years from town to town, the seed always moves just ahead of her. She begins to wonder if it doesn’t truly belong to her and is instead evading her.

Chapter 6 Summary: “The Red Couch and Eye Patch”

Sankofa travels for five years across northwest Ghana. She is attacked a couple of times, but learns to focus the green light and kill anyone who tries to harm her. At the same time, people begin coming to her for help with loved ones who are suffering. Sankofa helps them, mercifully killing those who ask. People learn of her power, while Sankofa learns that she can get shelter, food, new clothing, and anything she wants just by asking.


In the village of Tepa, Sankofa is drawn to a large home. When she gets to the door, the man with the eyepatch who stole the seed opens it immediately. Sankofa can tell that he has malaria. She goes inside and they sit in the living room.


Sankofa asks where the seed is, and the man tells her that he sold it. He isn’t sure why he stole it to begin with, other than to keep it out of the hands of LifeGen and to stop Kusi, who was corrupt. He angrily scolds Sankofa for following him for years, always keeping death just behind him. He ignores Sankofa’s insistence that she only kills out of mercy or for protection.


The man takes out a gun and points it at Sankofa. Before he can shoot, Sankofa kills him with her green light that lights up his entire home. When all that is left is his rib bone, the strange wind blows it to her feet. She realizes it is the first time she ever killed someone out of rage.


Sankofa goes outside. She can feel the draw of the seed leading in one direction. However, she turns the opposite way, insisting that she will no longer follow the “evil.”

Chapter 7 Summary: “RoboTown”

Sankofa arrives in RoboTown. At its center is a nine-foot-tall, artificially intelligent robot. It directs traffic, gives people directions, and helps people cross the town’s road. As Sankofa walks past it, she becomes unnerved by how it looks at her.


Sankofa enters a busy part of the market with electronics stores. At first she is relieved that no one notices her. However, when they do, people begin to run and hide from her or look apprehensive. Eventually, she comes to a store called Mr. Starlit Electronics with a long line outside of it. A woman stands against the wall, smoking. Instead of backing away from Sankofa, she calls her to her. She asks Sankofa to come inside to eat and rest.


Inside the store, the woman introduces herself as Alhaja Ujala, the owner of Mr. Starlit Electronics. She leads Sankofa to a backroom. It has a wall filled with ceremonial masks. Alhaja explains that she collects them, wanting to feel “wise” like a woman she read a story about as a child.


While Sankofa eats and drinks Fanta, Alhaja tells her that it is an important day for her store. The newest electronics are being released, and they are being sent to Alhaja’s store before they are available anywhere else. She asks Sankofa to stay in her store during the delivery, warding off potential thieves. She warns Sankofa of how dangerous it will be, as they’ve already gotten threats from a violent group known as the Bandit Boys. Sankofa happily agrees to help.


An hour later, Sankofa is sleeping and dreaming of being in the forest. She is woken up by Alhaja because the electronics have arrived. On waking, Sankofa feels the seed calling to her but feels the peaceful pull of the forest even more. When Alhaja hands Sankofa a cup of coffee, the smell of it reminds her of her father. She puts it down without drinking it.


Outside, Sankofa stands behind Alhaja, looking out at the long line of people. A man in red steps forward holding a cudgel. He warns Alhaja to give them the electronics so no one is harmed. Several more men step forward holding guns and machetes. She insists that she won’t, so the man throws his cudgel, striking Alhaja in the arm. When Sankofa steps over her, beginning to glow, everyone flees—including the men in red. As they run, Sankofa notes a drone circling overhead.


The next day, the customers return, but the Bandit Boys do not. People also come to see Sankofa after hearing what happened. She stands outside all day, ensuring no one else causes a problem. That night, Alhaja and her employees celebrate. However, Sankofa goes to a bedroom in Alhaja’s house that used to belong to her daughter. She is overwhelmed by thoughts of her father and spends several hours crying in the night.


On the third day, Alhaja takes Sankofa through RoboTown. She comments on the fact that people will be less afraid of her if they see her in town. Sankofa remembers a group of women who saw her in Alhaja’s yard glowing from the mosquitos that were biting her. She notes how she won’t stop using her power to stop the mosquitos, as she has vivid memories of malaria as a child.


Alhaja takes Sankofa to the mosque. She introduces her to Sister Kumi. She then leaves Sankofa there, promising to return in an hour.



Sankofa and Sister Kumi sit on the floor of the mosque. Sankofa notes how Sister Kumi is not afraid to look at her as most people are. Sister Kumi asks about Sankofa’s power, referring to it as “evil.” Sankofa insists that she helps people and only uses her power for good. When Sister Kumi suggests that Sankofa repress the power, pushing the glow beneath the surface, Sankofa is interested in the idea. 


The two sit together and pray, while Sankofa focuses on repressing her power. At the same time, she pushes away her sadness, the guilt of killing her family, and the urge to find the seed. After, Sister Kumi suggests that Sankofa begin wearing a hijab. Sankofa agrees, and when Alhaja returns to get her, she is truly happy.

Chapter 8 Summary: “Everything Happens in the Market”

The next day, Sankofa investigates the robocop. She learns that the people of RoboTown are proud of it, taking good care of it and never vandalizing it. The older teenagers in town know the most about it, as they often have to avoid it to cause mischief and throw parties. They willingly give Sankofa information about it, as she cannot research it herself without technology. The teenagers tell her that its drones are what are following her and that its primary goal is to gather information. They assume that Sankofa bothers it, as she has no technology for it to track and, now that she wears a hijab, it also can’t see her face.


When Sankofa talks to Alhaja about the robocop, Alhaja explains that it has been there for decades. When it was first built, people were so impressed by it that they traveled from far away to see it, increasing business and the population of RoboTown. It is entirely AI, meaning that it is not corrupt in ways that other police are. Sankofa is shocked to learn that Sister Kumi originally programmed it, as she used to be an electrical engineer before getting married.


Sankofa stays with Alhaja for almost a year. One day, Sankofa picks the avocados from Alhaja’s tree in the yard. Alhaja then notifies the women in town, and they come to buy them. Alhaja gives Sankofa part of the money, surprising her. It is more money than Sankofa has ever had.


In the market, Sankofa looks through the stands. In one, among a collection of trinkets, she finds the wooden box with the seed. She realizes that, when she stopped looking for it, it sought her out instead. She feels its pull and realizes that she needs to have it. When she asks the stand owner how much it is, he reacts angrily, insisting that she can’t have it. However, when she draws on her power and begins to glow, he backs down, giving it to her. She gives him half her money in exchange, an amount that is more than he would have sold it for.


Sankofa buys food and sits by a tree at the edge of the market to eat. She is interrupted by the drone, which flies down to her and looks at her. Wanting peace, she waits until it gets closer, then grabs it, shutting it off and causing it to fall to the ground. A man nearby sees her and yells, then a crowd gathers to see what she did. In response, Sankofa grabs the drone and flees. She vaguely hears a car crash in the street.


When Sankofa gets to Alhaja’s store, Alhaja asks her what happened and tells her that there has been a car accident for the first time in years. Sankofa ignores her, fleeing to her room. When she sits on the other side of the door, her power rises up in her, unbidden, for the first time in years. Sankofa falls asleep.


Sankofa wakes up when a man bangs on the door, calling her a “witch.” She hears Alhaja call to her. She changes her clothes, returning to her old outfit of a wrapper and top. When she leaves her room, several men are waiting for her. Outside, she sees a crowd gathering that follows them into the street.


Standing before the robocop, it explains what happened. It was distracted by Sankofa killing its drone, which caused it to accidentally tell a family to cross the street. A seven-year-old boy died. It explains that all it sees when it looks at Sankofa is “confusion,” which is a constant distraction.


Sankofa tells the people that she will leave. However, they respond with anger, throwing things at her and eventually closing in on her. Sankofa falls to the ground, and they begin hitting and kicking her. She fights against the urge to protect herself with her power, not wanting to destroy her new “home.” However, she is unable to do so, releasing it in a burst of light.


When Sankofa opens her eyes, the first thing she sees is Movenpick nearby. She then realizes that she is surrounded by several bodies, one of which is Alhaja. At the same time, she also sees that she was able to control her power somewhat, as she only killed the handful of people close to her.


Sankofa gets up and flees. On the edge of town, she is approached by a drone. It speaks to her and tells her that it is gathering information on her for LifeGen. Sankofa wonders if they are the ones that sent the seed back to her after all this time. The drone explains that LifeGen will “find use for” her (130), then shocks her, knocking her out.

Chapters 5-8 Analysis

When Sankofa leaves her childhood home, she walks down the same road where she once inadvertently killed the villagers. This road is a metaphorical representation of the bridge between Sankofa’s past and her future. She is both literally and metaphorically leaving her trauma behind, beginning her journey to Redefining the Self After Trauma and Change


Almost immediately, she is confronted by the conflict that will plague her throughout her life: misunderstanding from those around her. After she inadvertently kills the man’s car, he reacts with anger, assaulting her and forcing her to use her power to defend herself. When she kills him, unintentionally but inevitably, the moment underscores the tension between Sankofa and the rest of the world. She does not want to cause harm, yet the world provokes or threatens her, forcing her to act in the role of death which she never chose. She thus responds instinctively to fear and aggression with her otherworldly power, creating the myth that surrounds her that is based in both fear and awe.


The second time that Sankofa is attacked, this time by a man who intends to rob her, she uses her power willingly for the first time. This moment marks a pivotal change in her character, as she begins to see herself not as a passive victim of fate but as someone who has control of her own future. The dream she has of her Auntie Nana draws a parallel between Sankofa and this older woman from her past. Just as Auntie Nana left home to pursue her dream of earning a PhD, she encourages Sankofa to do the same, putting her past behind her and grabbing autonomy for the first time. 


For several years, as Sankofa travels across Ghana, she exists in a space of liminality that defines her character, invoking The Burden of Power. She is both savior and death-bringer, blurring the line of the morality of her character. As a result, she is met with both fear and respect, welcomed into the homes of others and yet often ostracized for her reputation. She is mature in her handling of her reputation, yet her insistence on drinking orange Fanta reflects her childlike innocence. Sankofa’s physical representation itself embodies this liminality, as she is forced to act like an adult by her circumstances yet physically remains a young girl. As Sankofa is forced to embrace the power given to her by fate, she is also left unable to live a normal life, instead traveling indefinitely while being unable to truly belong anywhere.


As word of Sankofa’s power spreads, Sankofa is not only viewed differently by the people around her, she willingly acts differently, too. She stands up for herself, demands gifts, and relies on her reputation to bring her both comforts and respect, an important step in her journey to redefining herself that began with her act of self-defense. Sankofa becomes a figure of both fear and mercy, as she travels from town to town and uses her power only to answer pleas for release from suffering. Sankofa’s power is thus shown in a complicated moral framework, as her killings are acts of compassionate death that blur the line between death and salvation. Central to Sankofa’s character, however, is her willingness to accept the gossip and judgment inflicted upon her, insisting that she will use her power for good even when it forces her into isolation.


After years of existing in liminality, driven by the insistent pull of the seed, Sankofa changes when she fights back against the forces that have been provoking her. Her confrontation with the bodyguard serves as a metaphorical confrontation with her past and the powers that are bigger than herself. Although she still does not understand LifeGen or the bodyguard’s connection to it, she nonetheless responds to his confrontation with anger. When she kills him, it marks the first time, in her words, that she uses her power to kill “out of rage” (81). This moment emphasizes Sankofa’s desire to control her own life, taking autonomy by destroying this mysterious force of corruption that has provoked her. As she leaves the home and turns away from the seed for the first time, she is attempting to free herself from the burden of power.


In RoboTown, Sankofa finds a home and belonging within society for the first time since leaving Wulugu. After using her power to save Alhaja’s shop, Alhaja then gives Sankofa a home, allowing her to stay, earn money, and adapt to life in RoboTown. To do so, however, Sankofa is forced to suppress her power, a tension which Sankofa herself identifies: Alhaja wants to use her power to protect her store, yet insists that Sankofa must abandon that same power to truly belong. The mosque scene highlights Sankofa’s longing for peace and her internal struggle between embracing her power and casting it off. When she dons the hijab, an act of both cultural and physical belonging, she chooses her desire to reintegrate into a community and reclaim her humanity. For months, she is able to return to normalcy yet does so by repressing her power—something she is ultimately unable to fully do.


Sankofa’s time in RoboTown also highlights the theme of The Duality of Technology, bringing Sankofa into direct confrontation with advanced technology for the first time. Central to RoboTown is the robocop, a fully-AI policeman that controls the lives of the citizens through its directives and its surveillance. While there are many benefits to the robocop, as outlined by the citizens that Sankofa asks about it, it also forces its citizens to become reliant on it and unable to act on their own. When Sankofa briefly “distracts” it, the town falls into chaos, leading the family to wander into the street while distracted by their phones and causing the death of a young boy. As the citizens angrily discuss what happened, Sankofa notes that they begin to “consider the plight of RoboTown now that its robot was stupid” (126). In other words, the citizens have grown complacent, incapable of making choices on their own due to their overreliance on technology. Ultimately, however, they blame Sankofa for exposing their vulnerability, attacking her and forcing her to use her power to kill many of them.


Sankofa’s experiences in RoboTown and her subsequent escape underscore the tragic cycle of her life. Each attempt that she makes at belonging—such as her time in Wulugu, her home in the forest, her life with Alhaja, and her religious devotion and connection to Sister Kumi—ends in tragedy, with Sankofa’s power ultimately getting in the way of her ability to truly find a home. Each of these experiences does not save her as she hopes but instead serves as another defining experience in her life. In this way, the novella sets up for the end of Sankofa’s journey as a circle: She must return to the point of her trauma to fully address what has happened to her and break the cycle of tragedy.

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