34 pages • 1-hour read
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Samira finds the cathedral and marvels at how both it and the surrounding city seem untouched by the destruction of war. She finds the hotel across the street and notices a Nazi soldier walking out of the front doors. Behind him, the prisoners file out in a line, and among them, Samira sees her mother walking with her head held high. At the end of the line is another German soldier, for a total of two. Samira watches as they march the prisoners toward the woods to be killed.
Samira is on her own as she follows the group to a field and watches as they’re told to dig their own graves. Samira decides she must try to help, even if it means she might die in the process. When her mother spots her behind some trees, she yells in Arabic that Samira shouldn’t be there and tells her to run. One of the soldiers then hits Samira’s mother in the back with his rifle. Samira feels like she might collapse.
Samira’s mind races as she tries to figure out a solution. When she spots a green helmet, it leads her to another Rupert in a tree, but this one’s sound box is damaged. Samira fixes it enough to get it working again for a moment and manages to fool the Nazis. Samira smiles as they start ducking for cover, but then one comes toward Samira to find out what’s going on.
Samira uses the dagger from Clarke to cut Rupert’s parachute off and drop him down onto the ground below. It lands on top of the soldier, who can no longer see, and begins thrashing around as he tries to free himself. The dummy stops making noise and doesn’t explode like the other one did, and Samira starts to panic again, dropping her dagger in the process. The soldier manages to free himself and points his gun right at her.
Cyrano bites the soldier’s leg, causing his shot to miss, and Cyrano bites him again. Samira climbs down the tree quickly to retrieve the dagger, but she slips and drops it again, this time to the ground. Samira looks up and sees the soldier standing over her with his gun, and then suddenly, a loud clang, and Samira’s mother, Kenza, stands over the soldier with a shovel in her hands.
Kenza picks up the soldier’s gun and tells him that “it’s over” (56). He surrenders, and Samira finally has the chance to hug her mother. Samira watches as the other prisoners’ faces flood with relief. Kenza ties both soldiers to a tree for the Allied forces to find, not wanting to kill them and lower herself to their standard. Cyrano finds his family, and Samira finds out that his real name is Froufrou. She prefers Cyrano but is happy that he’s reunited with his family. Kenza tells everyone that they must head back to Bayeux to help where they can and tells Samira that she’s a hero. Kenza knows much must still be done, both in France and at home in Algeria, but she tells Samira that, first, they should both get a good rest.
The theme of Hope and Persistence in the Face of Crisis becomes increasingly important in this section as Samira risks her life to save her mother and the other prisoners. This act of defiance reflects the larger resistance efforts throughout the war: Individuals, often out of necessity, fought back against the occupying forces in secret. Samira’s decision to use a Rupert, a dummy designed to mislead the Nazis, is a resourceful resistance tactic. When she realizes that her plan is working, she smiles in a rare moment of triumph amid fear and uncertainty. The smile symbolizes a small victory, not just for Samira but also for the larger cause of the resistance, which depends on such acts of defiance, no matter how small they might seem. This moment shows that even the young can make a difference in the fight against tyranny.
Later, Samira’s mother explains to her that while nobody directly helped Samira, everyone has a role in the resistance and in allowing Samira to reach her. This point emphasizes the collective nature of the resistance effort, in which individual actions contribute to the larger cause, highlighting Resilience and Resistance Against Oppression as a theme.
The Impact of War on Civilians again becomes a central theme when Samira witnesses Nazi soldiers beating her mother and forcing the prisoners to dig their own graves. Samira’s mother, though exhausted and frightened, holds her head high, embodying the strength and resilience necessary to survive in such horrific conditions and showcasing where Samira got her strength. This scene is a pivotal moment in the plot, as Samira’s immediate concern is her mother’s safety, but it also signals a moment of reversal. Samira’s quick thinking leads to her saving her mother from the Nazi soldiers, but in the process, her mother also saves Samira, marking the importance of mutual sacrifice and courage. The use of onomatopoeia—“POOM, POOM-POOM. PaKOOM!” (28)—helps bring the story to life by making the world more immersive. The sounds of war add a layer of realism by communicating the tension and chaos that Samira experiences.
The line “[T]his magical place was about to be defiled by a horrible atrocity” (46) emphasizes the tragedy of seeing something beautiful and sacred like the Bayeux Cathedral transformed into a site of violence and oppression. The cathedral symbolizes French culture and history and the enduring strength of the French people: “The whole front of it was covered with beautiful, intricate stained-glass windows that had somehow survived the Allied bombing of Normandy, just like the rest of the city” (43). Cyrano’s role is pivotal in the story’s conclusion. The terrier’s actions directly contribute to saving Samira’s life and further emphasize the idea of resistance and the importance of solidarity, even among those who can’t speak or make human decisions but instead act out of instinct. Though the immediate danger is over, Samira’s mother remains focused on the ongoing struggle, understanding that much must still be done. Their journey to safety isn’t the end of their challenges, but offers temporary relief. This recognition of the continuing battle aligns with the broader theme of resistance, wherein the fight for freedom is ongoing and requires both patience and determination.



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