52 pages 1 hour read

Restore Me

Fiction | Novel | YA | Published in 2018

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Chapters 17-22Chapter Summaries & Analyses

Chapter 17 Summary: “Juliette”

Content Warning: This section of the guide includes discussion of violence, death, mental illness, and sexual content.


Juliette notes Nazeera’s conversational reticence and focus on her brother. Meanwhile, Haider is primarily interested in Warner. Kenji summons Juliette to base to speak to Castle and offers to show Nazeera around Sector 45. Juliette quietly chides him for being so transparent in his interest in Nazeera. Nazeera gently rejects Kenji, who is undeterred; instead, he is flattered by Nazeera’s mild compliment.


Juliette thinks about how her life is characterized by frequent revelations, and that even the harmless ones remind her of her ignorance, especially regarding Warner’s history. She thinks of the contrast between how powerful she felt when she killed Anderson and how overwhelmed she feels mere weeks later.


As she returns to base, someone shoots her while her superpowers are inactive. She uses her powers to protect her from subsequent bullets, but the first one, which hit her shoulder, was laced with a poison that incapacitates her. Someone grabs her from behind, attempting to choke her, but Nazeera saves her just as Juliette passes out.

Chapter 18 Summary: “Warner”

Warner hurries to the infirmary, blaming himself for leaving Juliette unprotected. He blames Nazeera and Haider until Juliette explains how Nazeera saved her. Even so, Warner distrusts Nazeera. Healers Sonya and Sara cannot touch Juliette themselves to heal her, given Juliette’s lethal touch powers, which may be active while she recuperates. Warner then uses his superpower to borrow others’ abilities to heal Juliette himself. Warner worries over what would happen to Juliette if she were injured when he was unavailable to help heal her. He thinks of all the ways he should have helped Juliette more.


When Castle approaches, he argues that Juliette is too young and inexperienced to be supreme commander; he thinks Warner should take the job instead. He cautions Warner that if he really cares for Juliette, he will “stop her before they do” (155). Castle warns that Juliette’s parents will arrive, claiming that the reports of their long-past death were falsified. He urges Warner to remember Juliette’s older sister, Emmaline. Castle claims Warner has met her many times, though Warner has no such recollection. Castle urges Warner to recall what Anderson made Warner do in exchange for granting him control of Sector 45, which Warner desired to stay close to his ailing mother. Warner is shocked that Castle has so much information.


Castle reports that Juliette and Emmaline were held by The Reestablishment as “part of an ongoing experiment for genetic testing and manipulation” (159). When Warner summoned Juliette from the asylum to Sector 45 (in the first novel, Shatter Me), this was another of Anderson’s manipulations; he allowed his son to think he was secretly rescuing Juliette. Castle does not yet know the identity of Juliette’s parents, though he knows they willingly gave their daughters up for The Reestablishment’s experiments.


Castle pleads for details about Emmaline’s incarceration, but Warner doesn’t know; his task was to show loyalty by acting without question. Castle urges Warner to try to remember, citing Emmaline’s importance to The Reestablishment, but Warner grows distraught. Warner recalls that he supervised Emmaline’s torture in exchange for being given command of Sector 45. Castle advises Warner to tell Juliette the truth before she finds out in other ways. He cites her past outbursts, such as when, in Unravel Me, she nearly destroyed the Omega Point hideout in a misguided attempt to protect Adam.


Warner fears that Juliette will not forgive him if she learns that he was involved in harming her sister. Castle argues that the only way he can earn Juliette’s forgiveness is if he tells her the truth himself.

Chapter 19 Summary: “Juliette”

An excerpt from Juliette’s journal in the asylum, which she wrote in Unravel Me, talks about the “abyss” she feels inside herself. Still, she is not convinced that she is “a monster,” despite what she has been told from herself.


In the narrative present, Juliette wakes. Her physical pain reminds her she was shot; when she cannot easily move, she flashes back to being in the asylum. She thinks of the other cellmates, whom she has not thought of since her freedom, and dreams of birds, something that represents freedom and personal growth in Unravel Me and Shatter Me. She drifts in and out of consciousness as a mysterious voice asks her what she saw before she was shot. The voice, who she will later recognize as Nazeera, warns her that she cannot trust anyone. As she falls back asleep, she thinks that she cannot escape her past, even if she tries to forget it.

Chapter 20 Summary: “Warner”

Warner looks through his father’s papers, seeking evidence of Castle’s claims. He learns that The Reestablishment considers people with abilities “Unnaturals,” and that they have been placed in asylums across the globe. Those with “useful” skills were forced to do The Reestablishment’s bidding, which secured its worldwide power. Emmaline, who had psychokinetic powers, was the first to be tested and used by The Reestablishment.


Juliette, who had not yet shown powers, was taken on the assumption that she would share traits with her elder sister. She was dosed with drugs that affected her memory and assigned a name and false memories so she could be monitored by The Reestablishment. Warner realizes that the other supreme commanders’ patience with Juliette’s new rule is merely an extension of this longstanding observation and experimentation.


Before his death, Anderson described Juliette as a “failed experiment” and recommended she be killed. His logs, shared with other supreme commanders, described Warner’s affection for Juliette, as well.


He recalls Emmaline, who has been held captive for 12 years in an underwater tank that keeps her alive via machines. When assigned to supervise her, Warner understood her captivity was meant to torture her, though he did not ask any further questions. He fears telling Juliette the truth and how he let her sister’s torture go unchecked. He fears the effect of losing her love on his well-being.

Chapter 21 Summary: “Juliette”

Another excerpt from Juliette’s journals reflects on her desire for a friend and her curiosity about the other inmates in the asylum.


In the narrative present, Juliette wakes, feeling sick and sluggish. Sonya and Sara don’t know why she is hallucinating the bright sun when the day is actually gloomy; they don’t know how long the effects will last or what poison affected Juliette, either. She wishes to get back to work, but Warner, visibly worn down by fear and stress, tells her he needs to speak with her as soon as she is clean and dressed.

Chapter 22 Summary: “Warner”

While Warner waits for Juliette, he encounters Adam and James, who still does not know he is Warner’s younger brother. James’s insistent questions about Warner’s apparent dismay irritate Warner and amuse Adam. As Warner and James bicker in a brotherly way, Warner grows sad that James may never know of their relationship.


Warner returns to his room, where he finds Juliette coming out of the shower. Though he knows he should tell her the truth first, he embraces her when she begins kissing him.

Chapters 17-22 Analysis

In this portion of the novel, Juliette learns several things about her past that change what she and readers of previous installments considered to be her backstory. In Shatter Me, Juliette recognizes Adam as a boy who was kind to her in childhood; this framework presents their budding romance as something that is at least promoted by this long history if not supernaturally fated. If Adam’s relative absence indicates that the love triangle between Adam, Warner, and Juliette is no longer a plot point, then this backstory change also deemphasizes the relevance of their past relationship. As Juliette learns at the end of the novel, Adam is no longer the child who showed her kindness when she was young; instead, it is Warner with whom she has the longest history. This puts their relationship as the fated one, which implies that the couple will reunite despite the later friction between them at the end of the novel. This minimizes the role of romance in the overall arc of the novel, even if the two main romantic leads are the dual narrators. In turn, this creates greater narrative space for Juliette and Warner’s growth as individuals, rather than as a couple.


The revelation that Juliette has an older sister who is potentially even more powerful than Juliette also shifts the “chosen one” narrative that Juliette has previously occupied. Juliette is no longer framed as the original supernatural that led to The Reestablishment’s experimentation. She is instead the inheritor of a violent system first designed to control her sister. This discovery that she is no longer the most powerful supernatural being parallels Juliette’s broader progress in the novel. She learns that the world is bigger than she ever anticipated, and her role in it is far more complicated than she suspected. She also learns that her role in this world will not necessarily be determined by her powers, which are less useful in her new context than her wartime one. The extent to which the specifics of Emmaline’s powers, torture, or history will affect Juliette’s future leadership is not explored in this installment. However, this develops the novel’s attention to The Varying Challenges of War and Peace. While Juliette might have been the ideal chosen one for the initial conflict against Anderson, as detailed in the first three books in the series, it remains uncertain whether she is the correct chosen one for what comes after the events of Restore Me.


The question of “what comes after” ultimately structures the whole of Restore Me. Ignite Me concludes immediately after the climax; its denouement is highly limited. Restore Me, as the first in a new trilogy, thus offers an extended denouement that addresses the aftermath of a revolution before transitioning into a kind of extended prologue of the new conflict, as Juliette must accept that she has not always been an outsider to The Reestablishment but rather came from one of its elite families.


Even as the specifics of Juliette’s past are cast into question, the novel emphasizes the relevance of her past. The reappearance of her journal entries, which made up significant portions of the text in Shatter Me, compare and contrast how Juliette felt while trapped in the asylum and how she feels as she struggles to find her footing as the supreme commander of North America. Some of these parallels are literal, others metaphorical. Her screaming proves a real part of her powers, while her trapped, lonely feelings do not actually mean she is trapped or alone, merely that she feels that she is. In Chapter 19, she recalls, “I’m dreaming about birds again. I wish they would go away already. I’m tired of thinking about them, hoping for them. Birds, birds, birds—why won’t they go away?” (168). This brings back the anxiety that she cannot escape her circumstances, like a bird could fly away, and she is frustrated that she is still in a scenario that makes her feel trapped. Juliette struggles between feeling the same way she did when in the asylum in Shatter Me and the stubborn knowledge that she has changed since that time. She learns how to balance her past and her present, something that is still in progress at the novel’s conclusion.

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