52 pages 1-hour read

Restore Me

Fiction | Novel | YA | Published in 2018

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Themes

Complex Grief About Abusive Parents

Restore Me begins weeks after the end of Ignite Me, which culminates with Juliette killing Warner’s abusive father, Anderson. In Restore Me, Warner therefore must juggle various competing elements that vie for his attention: his new relationship with Juliette, figuring out his role in the new regime, and his complex feelings over the death of the father he hated. Warner insists that he doesn’t want to feel grief about his father’s loss, repeatedly telling himself that Anderson doesn’t deserve any emotional attention from his son. However, he finds that he cannot quell his feelings of grief, despite the painful history between father and son, and that trying to do so does not aid him.


Warner’s reluctance to grieve Anderson is further complicated by the way he was resolutely trained by his cruel father to believe that emotions constitute weakness. In this installment in the series, with his father dead and gone, Warner struggles to separate what he logically knows was manipulation on his father’s behalf—and his knowledge that his father’s methods and motivations were both corrupt—and the messages he has been taught to internalize. Warner thinks of Juliette, “I don’t want to share stories from my life that only disgust and revolt me, stories that would color her impression of me. I don’t want her to know how I spent my time as a child. She doesn’t need to know” (75). This demonstrates not only the length of Warner’s abuse and how it impacts his relationship with Juliette but also how he internalized said abuse, as indicated by how the memories “disgust” him. Even if Warner intellectually rejects his father’s violence, he still struggles with feelings of shame around having been the victim of childhood abuse and judges himself harshly whenever he experiences emotions that he cannot control.


This arc—the struggle between what he knows, what he feels, and what he feels about emoting—is not resolved in the novel, instead providing an emotional background to all of Warner’s actions. Though his grief continues throughout the text, Warner does find some comfort in speaking to his brother, Adam Kent, who confesses having his own complex feelings about Anderson’s death, even though Anderson was less explicitly violent to Adam than he was to Warner. The novel thus suggests that opening up about one’s feelings is a way to work through them—even as it pointedly illustrates that this is one of Warner’s particular challenges, as he has spent a lifetime hiding his emotions even from himself.


Though Warner is the focus of the novel’s theme of grief and abusive parents, this concept also affects Juliette. Juliette recalls her abusive adoptive parents after she learns that her biological parents surrendered her to The Reestablishment for experimentation. The resurgence of grief over her long-lost adoptive parents highlights the novel’s presentation of grief as an ongoing emotional concern; it is not something that only affects characters in the immediate aftermath of their parents’ deaths. Like Warner, however, Juliette struggles to communicate these feelings, suggesting that they will continue to affect her in subsequent installments in the series.

The Varying Challenges of War and Peace

In the first chapter of Restore Me, Juliette muses that “wars require enemies, and [she] can’t seem to find any” (14). Instead of reassuring her that peace has arrived, the idea discomfits her. Juliette finds that she has become accustomed to war and comfortable with its patterns, even if she does not necessarily miss it or wish for it. Indeed, the concept of war versus peace becomes something that Juliette wrestles with throughout the novel. Though she knows the human cost of war is high and thus wishes to avoid a resurgence of war, especially as she fears she will lose when she fights the full might of the global Reestablishment, she nevertheless misses the simplicity of fighting on a battlefield.


Juliette’s transformation from a battle-hardened warrior to an increasingly uncertain leader plays with how the novel—and the series as a whole—presents the “chosen one” trope. This happens when a character is framed as the inevitable hero through their bloodline, gifts or abilities, or fate. Juliette’s superpowers make her particularly well suited for violent warfare—she is both extraordinarily strong and impenetrable to other harm if her powers are enabled, which was essential for overcoming the obstacles of the initial trilogy. The demands of leadership in peacetime, by contrast, highlight what she lacks. Juliette, at 17, has no political experience. Because she was incarcerated in an asylum by a hostile regime seeking to control her powers, she lacks even a standard high school education, let alone the nuanced political education that the other children of supreme commanders have been granted. She was particularly qualified to fight for freedom from The Reestablishment; she is particularly unqualified to move through a political minefield.


Restore Me, as the first installment in a distinct trilogy within the longer Shatter Me series, offers more open-ended questions than resolutions. The novel ends on a cliffhanger, one that does not account for Juliette’s final role as a leader. It’s uncertain if she’ll be able to overcome her inexperience to successfully lead her people, or if this concern is premature, as she finds herself apparently embroiled in another war. By leaving these questions unanswered, Restore Me indicates that it is more invested in setting up the stakes of asking these questions than instead of providing plot resolution. This indicates that the varying challenges of war and peace, insofar as life under a global totalitarian regime can be peaceful, will be an ongoing concern in the second trilogy in the series, one that Juliette will be forced to handle differently as she learns more about herself and her place in the world.

Difficulty Distinguishing Allies From Enemies

As the new, self-proclaimed supreme commander of North America, Juliette needs allies to help her navigate her place in and against the global Reestablishment system. To this end, she invites the other supreme commanders and their families to a symposium where she will address the rest of the leaders of North American sectors. She expects to receive few responses; Castle expects her to receive none. Therefore, they are both surprised when delegates from Asia, South America, Africa, and Europe all come to attend the symposium—the children of other supreme commanders. Juliette learns, however, that in the complex political maneuvering of The Reestablishment, this does not mean that all these arrivals are allies, but neither does it mean that any or all of them are enemies.


Ultimately, the book is clear about only two of these newcomers: Nazeera and Lena. Nazeera outright declares herself an opponent of The Reestablishment and aids Juliette at various points in the novel, including rescuing her from a poisoned bullet and warning her that her long-term allies are keeping secrets. Lena, by contrast, is framed clearly as one of Juliette’s enemies, though her stakes are presented as personal rather than geopolitical. Lena is jealous of Juliette’s relationship with Warner and wishes for them to be together. Her perspective on The Reestablishment is not clear, but her opposition to Juliette is definite. The other arrivals are presented as possible allies or enemies, something that not even Warner, with his greater political acumen and training, can discern with confidence.


Juliette’s insecure position is made even more complicated by her doubts about her longer-term allies, particularly Castle. Juliette dislikes that Castle criticizes her publicly, seeing it as a sign that he disapproves of her leadership. Warner agrees that Castle lacks faith in Juliette, though he sees this more as foolishness on Castle’s part rather than possible malice. Castle, for his part, insists that he merely speaks to the young leaders with the perspective of age and experience. Because the novel is presented through Juliette and Warner’s points of view, however, it is uncertain the extent to which they can trust Castle, given how the narrators doubt him. Mafi thus encourages her readers to feel the same doubt as her characters do. The only people who are fully trustworthy are the ones who are either narrating or whose loyalty both Juliette and Warner trust completely—which, in this installment, is restricted primarily to Kenji. Mafi creates a connection between her characters and her audience while building suspense by leaving the loyalties of the rest of her cast confusing and uncertain.

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