64 pages 2-hour read

Rez Ball

Fiction | Novel | YA | Published in 2023

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Chapters 9-16Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of substance use and death.

Chapter 9 Summary: “August 26”

Outside the school basketball court, Khiana approaches Tre. She asks whether he read the assigned chapter of Apple in the Middle; he admits that he forgot. As they walk to class, she summarizes it for him. Nate heckles Tre for abandoning the basketball game. After third period, Khiana invites Tre to go for a ride during lunch. At his locker, Kevin, a classmate, eats boiled eggs while teasing Tre and Khiana about dating. Dallas, Mason, and Mike (Mason’s brother) arrive and mock the egg smell. A fight erupts down the hallway, drawing a crowd of students who record it on their phones. Tre and Khiana use the distraction to slip out.


In Khiana’s car, they drive to The Trading Post for energy drinks and food, and then to a cliff overlooking the lake. Tre complains about the poor school lunch; Khiana describes the healthy options at her former school in Edina, a wealthy Minneapolis suburb. She reveals that she’s a senior; Tre says he’s a sophomore. Unbothered by the age gap, Khiana asks if Tre is dating anyone. He says no, omitting that he has never dated or kissed anyone. After feeding the last fry to a stray dog, Khiana reveals that her ex-girlfriend cheated on her with the quarterback. She explains that she identifies as a two-spirit, meaning that she dates both boys and girls, and that her pronouns are “she/her.” Tre says his pronouns are “he/him.” Khiana coins the term “friendable” to describe their situation: Both are single, so they can be friends without jealousy.

Chapter 10 Summary: “September 25”

In his car outside her grandma’s house, Tre asks Khiana if she wants to attend the homecoming dance. She declines, explaining that she experiences social anxiety at optional school events. She suggests a horror movie in Bemidji, but they’re both broke. Tre spent his birthday money on basketball shoes. Wes texts, inviting Tre to join him and Nate in an online tournament for Death Brigade: Bellum Edition. When Tre tells Khiana about this, she gets excited, revealing that she added Wes on social media after seeing him at school. She texts him to ask if they can join. He agrees.


In Wes’s basement, Khiana notices his documentary setup and learns that he’s filming Tre’s basketball journey. Wes’s dad makes snacks. Nate welcomes Khiana to Team Meezy. The game begins, and Nate explains a new AI demon called King Chaos. Tre’s character is eliminated quickly; Nate expresses frustration at Tre’s rusty skills. Khiana takes command, devising a strategy and directing Wes and Nate. She executes two perfect headshots, winning the round. Stunned, Wes and Nate learn that she received a beta copy months earlier and watched a tutorial video on the way over. Wes suggests that she start a streaming channel, offering to help with video equipment. They share a long, awkward look before Khiana redirects them to the next round.

Chapter 11 Summary: “October 3”

Tre’s study timer goes off. His uncles, Ricky and Liver, arrive with beer to see his dad. Tre finds his parents decorating for Halloween outside; they mention more decorations in the garage. On the porch, the uncles drink and smoke while Mom serves leftover food. Liver recalls past Halloweens when Tre and Jaxon dressed as Batman and Robin, and then as Superman and the Flash. He shows Tre a photo; Mom’s face lights up before going blank. The memory saddens Tre’s parents. Liver says the first holidays after losing a loved one are the hardest.


Khiana texts, asking Tre to go costume shopping. Ricky teases him and gives him five dollars. Mom agrees but asks to meet Khiana afterward. In the car, Khiana discusses costume ideas: a gender-reversed Baraka or the Bride of Frankenstein. Tre shares that Halloween feels strange without coordinating with Jaxon. Khiana suggests that they coordinate. Tre mentions that he and Jaxon once went as Batman and Robin in costumes his mom made. Khiana proposes that they go as the Bride of Frankenstein and Frankenstein’s monster. Tre eagerly agrees. She notes that they must attend the same event; Tre mentions the school dance, and Khiana says costumes free her from social anxiety. Tre confesses that being with her makes him feel free from being seen only as the kid who lost his brother.

Chapter 12 Summary: “October 30”

Khiana finishes applying Tre’s Frankenstein’s monster makeup. They take selfies, which she posts online. Tre’s mom takes photos of them, including one in which Khiana gives Tre a posed kiss on the cheek. At the school dance, music blares, but no one dances. They get punch from a table chaperoned by Mrs. Hendricks, a civics teacher, and Mr. Thomas, the athletic director. Mrs. Hendricks compliments their costumes. Mr. Thomas tells Tre he has a shot at making varsity and reminisces about Tre’s father’s skills. Khiana and Tre see their classmate Robert and his girlfriend MacKenzie dressed as Han Solo and Princess Leia. Tre reflects that he may now compete with Robert for a starting spot.


Khiana asks Tre to dance. He admits that he has never slow-danced, but she offers to lead. Their presence inspires other couples to join them. Tre goes to the bathroom, where Dallas offers him a drink from his flask. After hesitating, Tre takes a swig. Mason and Mike enter; the group passes the flask around, finishing it. Dallas gives Tre gum to hide the smell. Tre rejoins Khiana, who is talking with Wes and Nate in their annual costumes as Jason Voorhees and Michael Myers. The principal announces that Tre and Khiana have won best couple’s costume. Khiana hugs Tre and kisses his cheek. Feeling the alcohol’s buzz, Tre is uncharacteristically free and happy.

Chapter 13 Summary: “November 2”

Tre stands nervously outside the gym on the first night of tryouts. Nate offers encouragement. The gym is packed with students. Coach Whitefeather announces a grueling boot camp of circuit training. The drills are intense; one student vomits and leaves. During a water break, Kevin compliments Tre’s speed and conditioning. Coach ends the drills and sets up scrimmages with last year’s starters as captains. Dallas chooses Tre for his team. Tre excels, feeling fresh while others are exhausted. His team remains undefeated.


At home, Tre’s parents ask how tryouts went. He’s too tense to eat. Dad reassures him, comparing Tre’s skills to Jaxon’s. Mom says basketball is only a game. Tre retorts that it’s his ticket out and that he faces pressure to live up to his father’s and brother’s legacies. Mom praises his intelligence and self-motivation. Tre receives a text from Khiana suggesting a movie. When he asks permission, Dad suggests rest. Tre argues that Jaxon had more freedom. Dad becomes emotional, admitting that he wonders if stricter parenting could have prevented Jaxon’s death. Mom explains that they worry about Tre, given the struggles that many promising young people face on the reservation. Tre asks for their trust; Mom allows him to go and gives him money. In the car, Tre vents about his parents’ strictness. Khiana worries that basketball will leave little time for them. At the theater, she briefly rests her head on his shoulder before the movie starts.

Chapter 14 Summary: “November 6”

On the final day of tryouts, Tre’s team is down by two in a scrimmage. Tre baits Mason into a bad pass, steals it, and scores a reverse layup to tie it at 20-20. On the final play, Tre guards Mason aggressively and forces a turnover. Tre calls for a pick-and-roll with Nate, drives to the basket while double-teamed by Mason and Kevin, and throws a no-look bounce pass to Nate, who scores the game-winner.


Later, Tre, Wes, and Nate hang out at Wes’s house, anxious about the roster announcement. A looming snowstorm prevents them from inviting Khiana. Wes wants to film an interview for his documentary, but Tre is tired. Wes argues that filming during uncertain moments makes compelling documentaries. Recalling another documentary Wes showed him, Tre agrees. Wes sets up and starts filming. He asks if Tre thinks he made the team. Tre gives a safe answer. Nate interrupts, passionately insisting that Tre is a lock and telling him to be more confident. Moved, Tre tells his friends he loves them and is lucky to have them. Calling Tre a brother, Nate praises his work ethic, vowing to train with him next summer. Filled with renewed confidence, Tre tells the camera that he believes he made varsity.

Chapter 15 Summary: “November 9”

Tre and Nate rush to the gym to see the varsity roster. After waiting in line, they read the list. Tre’s name isn’t on it; both are listed at the top of the junior varsity (JV) roster. Nate tries to console Tre, but Tre leaves in a daze. In his car, he considers quitting basketball. At home, he tries to avoid his parents, but his dad confronts him. Tre reveals that he didn’t make varsity and slams his bedroom door. His mom enters and tells him she made “Indian tacos.” Khiana and Wes text messages of support. Wes texts that an interview about being cut would add grit to the documentary. Tre invites them over.


Khiana and Wes arrive. The three sit down to eat. Nate texts, jokingly complaining about not being invited. Dad tries to console Tre, saying it’s normal for a sophomore to be on JV and is less pressure than being the new guy on varsity. Tre feels embarrassed, recalling that his dad and Jaxon made varsity in middle school. Tre’s mom tries to change the subject away from basketball. Dad adds that Tre started playing basketball recently, unlike Jaxon, who began playing at a much younger age, and should consider a path other than basketball. Hurt by the comparison and lack of faith, Tre invites his friends to his room. Wes tries to cheer him up by mentioning that Michael Jordan was also cut as a sophomore, but Tre signals him to stop. Tre finds comfort in eating frybread.

Chapter 16 Summary: “November 13”

Four days after being cut, Tre agrees to film the documentary interview. In the den, Wes sets up his equipment with Nate’s help. Wes asks why Tre thinks he didn’t make varsity. Tre gives a measured answer. Wes pushes him to share his real feelings. Tre begins discussing his pain and feeling like he let his dad down. Mom interrupts from upstairs, saying that Coach Whitefeather is on the phone. Tre takes the call as his parents come downstairs. Coach informs him that Mason and Mike have been suspended for two games for underage drinking. Coach invites Tre to suit up with varsity for the next two games, promising to teach him plays at Monday’s practice before Tuesday’s game against Clearbrook. Before hanging up, Coach tells Tre that his not making the team was never about talent.


Tre announces the news to his family and friends. Everyone is ecstatic; Wes captures the moment on camera. Tre texts Khiana the good news. Dad, looking proud, gives Tre $60 to take his friends out for pizza. Mom hugs him, and Dad gives him a high five. Tre, Nate, and Wes leave to celebrate.

Chapters 9-16 Analysis

These chapters chronicle a pivotal stage in Tre’s identity formation as he navigates the space between who he is and who others expect him to be. Khiana’s presence creates a sphere of interaction free from the significant weight of his family’s grief and expectations. With his friends and family, Tre is inextricably linked to his deceased brother, Jaxon; he’s either a reminder of loss or a vessel for continuing a legacy. He can’t escape this burden, as is evident in his father’s constant comparisons, which frame Tre’s basketball ability not as his own achievement but as an inheritance. In contrast, Khiana sees him as an individual. Tre confesses that with her, he can breathe and be “just me. Not the sad me. Not the kid who lost his brother” (104). This articulates his relief at being seen for himself. Their relationship allows him to explore aspects of his personality outside the narrow confines of being a grieving brother and aspiring basketball star. His initial devastation at not making the varsity team is therefore not just about a personal failure but about failing to meet the public and private expectations tied to his family name, a central thematic component of The Burden of Family Legacy.


The narrative weaves grieving and healing together, demonstrating that authentic connection is the primary mechanism for processing loss. The grief surrounding Jaxon’s death isn’t a static backdrop but an active force that shapes family dynamics. When Uncle Liver brings up a photo of the brothers in their childhood Halloween costumes, the memory is both a cherished link to the past and an immediate source of pain for Tre’s parents. Their retreat into silence underscores the difficulty of articulating their sorrow. However, Tre finds an outlet for his feelings with Khiana. By sharing that coordinating costumes feels strange without Jaxon, he transforms a point of private pain into an opportunity for connection. Khiana’s empathetic response (suggesting that they coordinate costumes together) models a form of healing that doesn’t require erasing the past but rather integrating it into a new, shared present. Similarly, Tre’s father exposes his own deep-seated grief and guilt after Tre challenges his strictness, admitting his fear that if he had been a stricter father, “[m]aybe [Jaxon would] still be here” (121). This confession reframes his over-protective behavior as a traumatic response to his older son’s death rather than a lack of trust in Tre, thematically illustrating the complexity with which The Process of Grieving and Healing Through Connection operates in the family unit.


Costumes become a vehicle for exploring identity, social anxiety, and freedom from prescribed roles. Khiana explicitly states that for her, wearing a costume is liberating because it allows her to feel “free, like I’m outside of the normal world” (104), providing a shield against the social anxiety that makes school dances unbearable. For Tre, the shared Frankenstein and Bride of Frankenstein costumes signify a conscious break from his past identity, which his relationship with Jaxon defined and which their Batman and Robin pairing expressed. The motif extends beyond literal costumes when, at the same dance, Dallas offers Tre a drink from his flask. The alcohol functions as a chemical mask, temporarily dissolving his inhibitions and the ever-present weight of his legacy, and leading to a feeling of uncharacteristic (if artificial) freedom. The costumes, therefore, represent the various ways that adolescents try on, perform, and escape from their identities in the search for an authentic self.


The narrative structure strategically builds and releases tension, mirroring Tre’s emotional volatility. The emotional highs and lows in these chapters reflect the unpredictable nature of his journey. The novel builds momentum through the grueling tryouts, culminating in Tre’s triumphant, game-winning play against Mason, a moment of peak confidence and hope. This high point makes the subsequent fall (realizing that he didn’t make the varsity roster) even more devastating. The author lingers in this moment of despair, amplifying it through the scene in which Tre’s father attempts to console him but only reinforces Tre’s sense of failure by again comparing him to Jaxon. This emotional low provides the narrative floor from which the story springs to another dramatic reversal. The unexpected phone call from Coach Whitefeather, offering Tre a spot on the varsity team due to Mason’s suspension, provides a moment of catharsis. This underdog scenario deepens the exploration of Tre’s resilience, heightening the emotional impact of his eventual success.


Khiana functions as a foil to Tre, representing an alternative worldview that challenges his singular focus and expands his understanding of identity and community. Her identifying as a two-spirit and her coining of the term “friendable” immediately establishes her as someone who operates outside conventional social and gender norms. She introduces Tre to a world where identity is fluid and self-defined, not inherited or imposed. This idea receives further emphasis in the video game scene, which inverts the traditional gender dynamic: Khiana is the expert strategist, while Tre is the novice. This interaction demonstrates that value and skill exist in realms far beyond the basketball court, broadening Tre’s narrow perspective. By being open about her vulnerabilities, such as her social anxiety and past heartbreak, Khiana models a form of emotional intelligence that allows Tre to be vulnerable about his own grief. Their relationship is central to his arc, offering connection based on mutual respect and shared interests rather than the hierarchical, competitive dynamics of the basketball team.

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