49 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of graphic violence, illness, mental illness, and cursing.
On the night of July 4, 34-year-old amateur detective and psychic Riley Thorn races through her hometown of Harrisburg, Pennsylvania, with her elderly neighbors in tow. For years, Riley has wished for a normal life, but this isn’t what she expected when she broke away from her hippie parents, Roger and Blossom. As she speeds away from the perpetrator of the murder that she and private detective Nick Santiago have been investigating, they hear gunshots. She chastises herself for answering “the knock on her door two weeks ago” (4).
Eighteen days before the high-speed car chase, Riley gets ready to leave for Sullivan, Hartfield, Aster, Reynolds, and Tuffley (SHART), the marketing firm where she works. She rents a room from Lily Bogdanovich, an acquaintance of her mother’s, in a palatial home on Front Street, where she moved after her divorce. She shares a floor with a slovenly, middle-aged bachelor named Dickie Frick. On her way to work, she stops at Little Amps for coffee. She gets a message from the beyond about the barista’s health, and tells her to get her lymph nodes checked. Riley has had psychic powers since she was a child, but has tried to ignore them. Today, she gives in to her vision.
At work, Riley procrastinates on her assignments. She has worked for SHART ever since she lost her job at the television station after divorcing her TV-news-host ex-husband, Griffin Gentry. She stalks Griffin and his new girlfriend (his fellow anchor, Bella Goodshine) online. Griffin cheated on Riley with Bella. A call from her best friend, Jasmine Patel, interrupts her. Jasmine warns her about the engagement video Griffin just posted.
Riley ignores Jasmine’s warning and watches the engagement video. Her younger sister, Wander, sees it, too, and calls Riley to check in. Wander encourages her to stop brooding and striving for normalcy.
Back at home that evening, Riley holes up in her apartment. She’s eating pizza and watching reality television when a vision of an attractive man visiting interrupts her. Then the man (Nick Santiago) actually appears at her door, looking for Jorge Alvarez and asking questions about Dickie. Riley brushes him off.
Since leaving the police force, Nick has run his own investigative service, Santiago Investigations, with his cousin Brian and Brian’s wife, Josie. At the office, he reviews case files. A client wants him to check on Dickie Frick again, which he doesn’t mind because then he can see Riley again. On the way, he runs into his unhoused friend, Perry, who notices Nick’s funny demeanor and guesses that he’s interested in a new woman. Nick dismisses him.
Riley visits her parents, Roger and Blossom, at their home in Camp Hill, a town outside Harrisburg. Blossom divines that something is going on with Riley and urges her to embrace her psychic powers. Riley’s sister, Wander, her three daughters, and her ex (Raphael) join the family for dinner. They encourage Riley to forget Griffin and embrace her true self. Riley wonders if they’re right.
Back at home later, Riley runs into Dickie, who is scantily clad, in their shared bathroom. Afterward, Riley has a powerful vision of Dickie’s murder. She panics and goes to check on him, pressing her ear against his door. Dickie whips open the door and accuses her of spying. Blossom calls Riley, having received a telepathic signal that Riley is in trouble. Riley assures her mother that she’s fine.
Nick camps out in his car at the end “of the gravel lot behind Dickie Frick’s place” (50). Riley pulls up in her Jeep and approaches Nick, confronting him for spying. He admits that he’s a private investigator and accuses her of blowing his cover. Another Front Street resident, Mrs. Penny, approaches and demands to know if Nick is bothering Riley. The two pretend that they’re dating. Afterward, Nick admits to Riley that he’s investigating Dickie for trademark infringement. Dickie works for a bar called Nature Girls but has been polluting the brand. Riley is skeptical but drops the issue and lets Nick help her carry her things inside.
Riley can’t help noticing Nick’s looks as they walk up to her apartment. On the way, they run into other neighbors, who are delighted that Riley has a new boyfriend. Using her psychic powers, Riley hears their thoughts about Nick’s attractiveness. She agrees with their assessments but is reluctant to let Nick hang around.
A few hours later, Nick returns to Riley’s apartment with pizza. Riley agrees to let him hang out with her until Dickie returns home so that Nick can confront him. Over food, they chat about their love lives. Riley admits that she made bad relationship choices in the past, which is how she came to live on Front Street. Nick admits that he doesn’t date monogamously because he doesn’t want to settle down. He can’t help feeling attracted to Riley, but tries to ignore his feelings. When Dickie fails to show up, Nick and Riley say goodnight.
The next morning, Riley watches a local news report about the barista at Little Amps, whom she told to get her lymph nodes checked. The barista is thrilled because Riley’s message from the beyond helped her doctor catch her thyroid cancer. Riley feels embarrassed and upset. Blossom calls to congratulate Riley for accepting her clairvoyance. She insists that Riley’s grandmother, Elanora Basil, would be happy to help her learn more about her powers.
Riley realizes that if her lymph-node vision was correct, her Dickie vision must be correct, too. She drives to the police station and tells an officer that her neighbor will be murdered. The officer thinks she’s mentally unstable, but Riley reads his mind to convince him that she isn’t bluffing.
Riley stays up all night to keep an ear out for Dickie. In the morning, Dickie is still alive and well. She runs into Lily and Mrs. Penny, who interrogate her about Griffin and Nick. Before leaving for the day, Riley writes Dickie a note, warning him that he’s in danger. She later finds the note crumpled up.
That night, Riley wakes up to the sound of gunshots. Hearing an intruder, she grabs her hockey stick for self-defense and then alerts her neighbors and calls Nick. She races into the hall as the intruder runs out. Nick arrives, and the two inspect the scene. Dickie is dead, and the perpetrator is gone. They call 911 and report the crime.
The opening chapters of Riley Thorn and the Dead Guy Next Door introduce the raucous adventures of the protagonist, Riley Thorn. The first title in Score’s Riley Thorn Series, the novel establishes Riley’s fantastical, mysterious, and high-action narrative world. The Riley Thorn universe combines various genres, including cozy mystery, romantic comedy, and paranormal fiction, to create an exciting, witty mood and provide organic throughways for thematic exploration. Although the “dead [talk] to Riley Thorn in her dreams” and the “living inconveniently [telegraph] their secrets to her” in public spaces (1), Riley longs to be normal. Her psychic powers set her apart from others in ways that make Riley uncomfortable. Instead of embracing her unique nature, Riley tries to defy her “patchouli-scented, homegrown-vegetable-selling, séance-attending childhood” (1) to prove that she’s just a regular Pennsylvania girl. These attempts at normalcy quickly backfire for Riley, proving that her greatest power might be in embracing her true self.
The novel’s theme of Developing Self-Acceptance Via Personal Challenges emerges from Riley’s foray into amateur sleuthing. She’s “a broke, divorced, thirty-four-year-old proofreader” wasting her talents at a dead-end marketing job when she meets handsome private investigator Nick Santiago and becomes a witness to her neighbor Dickie Frick’s murder (5). These incidents initiate Riley’s journey of self-discovery. Because she has long defied her origins and tamped down her special powers, Riley is at odds with her true self. She longs to be normal because she fears that “the special ‘talents’ that [run] in her family” are more of a burden than an asset (5). However, once Riley begins to realize that her clairvoyance could save lives, she starts to engage with the world differently. Her accurate prediction regarding the Little Amps barista’s tenuous health helps her see that she might use her powers for good, so she tells the police about Dickie’s impending murder, a decision that conveys her attempt to embrace who she really is. If she can save Dickie, she reasons, she might feel more confident in herself and more willing to claim her special capabilities. These dynamics show Riley exploring her true nature for the first time.
Riley’s new relationship with Nick Santiago establishes the novel’s primary romantic storyline and introduces another theme, Romantic Tension as a Form of Professional and Personal Motivation. The novel is written from the third-person point of view, but the narrator alternates between inhabiting Riley’s and Nick’s consciousnesses. The two meet by chance. They have an enemies-to-lovers dynamic in that they initially dislike one another. Nick’s nosiness and smugness bother Riley, and her temper and brashness irritate him. Despite their frustration with each other, their alternating internal monologues reveal their attraction to each other, which both of them initially resist. For example, when Nick sees Riley outside her home in Chapter 8, he thinks: “Very nice legs” (50). When Riley follows Nick up the stairs to her apartment in Chapter 9, the narrator inhabits Riley’s consciousness and remarks that “Nick’s ass going up stairs turned out to be the distraction Riley had been looking for” (58). The characters’ interest in each other physically and sexually thus foreshadows how their relationship develops as they begin working together. In addition, the novel uses the fake dating trope to spark their romance and bring them closer together. Once they lie to the community about their relationship status and become involved in solving Dickie’s murder together, Riley and Nick realize that they make a good team. Their fake romance forces them into proximity (another romantic comedy trope) and intensifies their professional ambitions.



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