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Content Warning: This section of the guide includes graphic violence, animal cruelty, and sexual content.
Nick drives Riley back to her home. He tries tamping down his feelings for her, reminding himself she has a guy like Gabe around. At her apartment, they find brownies and a note from Gabe, which incites Nick’s jealousy. Riley reminds him that she and Gabe aren’t together and invites him in so that they can follow through with their plan.
The two sneak into Dickie’s messy apartment to inspect the crime scene. The only thing they find for evidence is “a calendar of the township’s summer rec league” (192), which they guess Dickie could have been betting on. Riley changes the conversation to Nick’s relationship with Sergeant Jones; she noticed sexual tension between them. Nick admits that they went on a few dates but insists that nothing is going on. The arrival of a suspicious car downstairs interrupts them.
The two flee Dickie’s apartment and shuffle through the halls, convinced that there’s another intruder. Riley gets distracted when she notices that Nick has an erection. They sexually tease each other, forgetting that they might be in danger. Finally, they deduce that the potential intruder must have been Mrs. Penny coming home late.
Riley takes a run with Gabe to distract from the sexual tension in her and Nick’s relationship. Over breakfast afterward, she and Gabe continue discussing Dickie’s case and Riley’s visions. Gabe gives her exercises to control the messages she receives. Then she gets a vision of Griffin, and she wonders if he has something to do with the murder. Another vision shows her working at Nature Girls. Texts from Nick interrupt her. They make plans to meet up later.
At work, Nick tries to control his thoughts of Riley. She arrives for their meeting, Gabe in tow, and the three discuss the prospect of Riley working a shift at Nature Girls to do some investigative work. Nick forbids it, but Gabe insists that he’ll pretend to be a bouncer and protect her. Nick suddenly wishes he were actually dating Riley so that he could influence her. Riley reminds Nick that Dickie may have been running a “gambling ring through Nature Girls” (213) and that she must follow this lead. Nick reluctantly gives in.
Riley secures a serving job at Nature Girls, where she meets her new coworkers, Betsy, Liz, and Deelia. They’re immediately suspicious of Riley when she starts asking questions about Dickie, but she doesn’t give up. She soon learns that Dickie had a silent partner at Nature Girls and confirms that “illegal gambling” is occurring at the bar.
Nick waits outside SHART for Riley after work. She doesn’t want to see him because he was so worked up about her night at Nature Girls. They continue talking and discover that the police have been trailing both of them. They head to a café and continue discussing the case. When Weber and Jones show up, Nick confronts them for stalking Riley. Riley has a vision about two people named Fat Tony and Beth. When she asks the table who they are, Weber and Jones become uncomfortable and leave.
Riley does some social media work for Wander’s studio in her downtime. She’s proud of Wander but can’t help feeling a little jealous of her sister’s confidence and success. Late that night, Mrs. Penny sneaks through the hall and asks Riley for a ride. Although confused, Riley agrees. Finally, they arrive at a rundown house, where Mrs. Penny dons a ski mask and tells Riley to keep the car running. Riley obliges but worries that Mrs. Penny is up to no good. Eventually, she races out of the house with a clan of masked bandits and a pack of dogs. Then sirens wail, and Mrs. Penny urges Riley to help her and her friends escape.
Riley invokes Nick’s help. He drives Riley and Mrs. Penny’s bandits (her other neighbors and friends) away from the crime scene. The group reveals that they were freeing dogs from an animal abuser. They often take cases like this into their own hands. Riley and Nick are surprised but get the elderly vigilantes to safety. Back at Front Street, Riley and Nick turn in for the night. They bring one of the rescue dogs, Burt, with them.
The next morning, Riley and Nick lie in bed snuggling. Nick refuses to let go of her when she tries to get up. Finally, she gives in, and the two engage in sexual foreplay until Burt interrupts them. When they get out of bed, they run into Gabe, who’s there to continue Riley’s training.
Before work, Nick takes Burt to his place, a barren apartment where he lives alone. A knock at the door unnerves him. He draws his gun, only to find Fat Tony and his colleague waiting for him. They want Nick to prove that Tony wasn’t involved in Dickie’s murder. He has been involved in other crimes, but he’s innocent in this case and suspects that the cops are dirty. Nick takes Tony’s payment and agrees to help him.
Riley struggles through another long day at SHART. She procrastinates by watching more Channel 50 videos. This morning, she sees Griffin’s report on the vigilante dog rescue. Afterward, she distracts herself by practicing her psychic control techniques. She’s unnerved when she sees a vision involving Nick, Weber, and a young woman named Beth.
Riley and Nick’s ongoing investigation into Dickie Frick’s murder thematically reiterates The Importance of Learning to Problem-Solve and Think Creatively. Neither Nick nor Riley works for the police force. Because they don’t have official credentials, they must work in imaginative ways to get to the heart of who Dickie really was, what crimes he may have committed, and who might have killed him. They use tactics like breaking into Dickie’s apartment, working undercover at Nature Girls, and leaning into Riley’s psychic powers. These unconventional investigative techniques challenge both Riley and Nick as individuals, professionals, and creative partners. The truth isn’t readily apparent to them. Indeed, nothing in the world of Riley Thorn and the Dead Guy Next Door is as it seems. The primary characters constantly encounter and adapt to unpredictable situations (for example, Mrs. Penny and her friends’ vigilante group). The more comfortable they become with the unexpected, the more inventive their approaches to the investigation must become. Donning new roles and encountering disagreements in their collaboration compels Riley and Nick to alter their communication tactics and to engage their minds in new ways. The novel suggests that life’s unpredictability may feel daunting but can offer opportunities for self-discovery and personal growth.
The more time Riley and Nick spend together, the more intense the romantic tension between them becomes. In Score’s cozy mystery and romantic comedy story, Riley and Nick’s attraction contributes to narrative propulsion. Although Dickie’s murder is the novel’s central conflict and mystery, Riley and Nick’s enemies-to-lovers romance, which grows out of their professional association, spurs the plot forward and creates additional intrigue. The narrator charges the main characters’ romance by granting third-person access to each of their interior worlds. The way that Riley and Nick think about each other in the privacy of their minds creates tension because of their inner conflict. For example, Nick’s thoughts in Chapter 29 reveal the intensity of his feelings for Riley. Even while he’s at work, he’s “looking for an escape from his exhausting mental gymnastics” regarding Riley (208). He keeps thinking about her and wanting more. However, as soon as he acknowledges his sexual desire to be with her, he pointedly tries to remind himself “that the last thing he wanted was to be tied down to anything or anybody” (208). Nick feels conflicted because he knows he wants to be intimate with her, but believes his attraction to her is antithetical to his bachelor lifestyle and identity.
Riley is similarly conflicted about Nick. While she thinks she’s “killing it in the fake boyfriend department” (216), she isn’t sure that she and Nick are right for each other in reality. Her doubts primarily originate from her fraught romantic past. Given her and Griffin’s shoddy relationship, she isn’t sure she should get involved with Nick just because he’s handsome and charming. The push-and-pull between their feelings for each other intensifies the subtextual narrative conflict and contributes to the novel’s mystery, raising questions about not only who killed Dickie, but also whether Riley and Nick will end up together, and what will ultimately help them overcome their fears of intimacy.



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