Salvador Late or Early

Sandra Cisneros

25 pages 50-minute read

Sandra Cisneros

Salvador Late or Early

Fiction | Short Story | Adult | Published in 1974

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Themes

Content Warning: This section of the guide includes a discussion of child abuse and racism.

Isolation Experienced by Young Caregivers

Children strive to belong whether in school or at home. However, when faced with circumstances that differ from their peers, kids can experience isolation and loneliness. The protagonist in “Salvador Late or Early” exemplifies this idea, for because he cares for his younger brothers, Cecilio and Arturito, Salvador cannot participate in typical childhood activities nor does he develop relationships with his peers; instead, he is isolated by his role as a stand-in parent for the boys. 


Salvador’s social isolation is immediately evident in his lack of friendships and the fact that his teacher does not even know his name. Structurally, Cisneros puts these facts into the same sentence that describes Salvador’s  having to care for his brothers. Doing so links his family responsibilities with his lack of connections outside the home. It is his role as a caregiver, not his personality, that results in him having no friends. This is reiterated at the end of the day when Salvador “collects the hands of Cecilio and Arturito, scuttles off dodging the many schoolyard colors, the elbows and wrists criss-crossing, the several shoes running” (Paragraph 3). After school, the playground is a bustle of activity and fun, but instead of interacting with classmates, Salvador evades the “many schoolyard colors.” By labelling the children as colors instead of people with names, and by noting that wrists, elbows, and shoes are moving, Cisneros generalizes the playground activity from Salvador’s perspective, which eliminates any personal connection to his peers, whom Salvador does not know and cannot distinguish from one another. Because this happens when he “collects” his brothers, Cisneros again links his isolation with his familial responsibility. Acting as a parent to Cecilio and Arturito, Salvador forfeits his childhood fun and friendships and moves through his days alone. 


Salvador also experiences loneliness because of his insecurity. Cisneros notes that every time before Salvador speaks, he clears his throat and apologizes. This detail immediately follows Salvador’s collection of Arturito’s crayons, linking Salvador’s care for his brothers and the need to apologize. This detail combined with the description of Salvador’s heart as “that cage of the chest where something throbs with both fists and knows only what Salvador knows” (Paragraph 3) emphasizes that the boy feels all the more alone because an unnamed, but clearly negative, emotion is trapped inside him.

Invisibility Within Educational Institutions

Although written long before The No Child Left Behind Act of 2001, which aimed to ensure that all students received a quality education no matter the school or situation, “Salvador Late or Early” outlines why such measures were taken in the United States. Unseen and unnamed by adults and peers alike, Salvador walks through his school day as a ghost, acknowledged by no one and defined by his roles and circumstances outside the classroom.


It is immediately evident that Salvador is alone and invisible at school. In the first sentence, Cisneros reveals that his teacher cannot recall his name. By presenting this observation alongside a description of the boy’s appearance, Cisneros suggests that this is just a fact of his life that he can neither control nor change. Whether through personal bias or systemic flaws, the person who is directly responsible Salvador’s education—his teacher—cannot identify him accurately. Furthermore, Salvador remains unseen by his peers. He has no friends, and no one acknowledges his existence in the schoolyard at the end of the day. The swirl of colors and “elbows and wrists crisscrossing [...and] shoes running” (Paragraph 3) shows the fun children have on the playground. Yet, instead of partaking in this, Salvador dodges it, imperceptible. In fact, the only person who pays him any attention outside of his family is “the crossing-guard lady [who] holds back the blur of traffic for Salvador to collect” his brother’s lost crayons (Paragraph 2). Even this interaction is minimalist, for “the lady” has no name and she does not actually speak to Salvador. So, although she literally sees him, the crossing guard is much like everyone else at his school: Someone who performs her duties without providing any extra care or attention to the boy.


Salvador’s invisibility is reinforced by what is excluded from the vignette. The reader only learns of what happens before and after school in Salvador’s life. There are no details of what he experiences within the classroom. Ironically, the only mentions of academic subjects, geography and history, are in reference to the physical and emotional abuse that Salvador endures. All this suggests that his intellectual life is blurry and unrealized much like the teacher’s memory of his name. Cisneros emphasizes that Mexican American children who live in low-income families, like Salvador’s, are not defined by what they do in school, but by their circumstances outside of it. Paradoxically, these circumstances are often ignored by teachers and school administrators.

Poverty Reshaping Traditional Family Structures

Circumstances can sometimes necessitate a shift in roles within a family. Whether due to trauma, death or poverty, some children must assume more adult duties than is typical for their age. Salvador illustrates this well; due to their financial hardship, he helps his mother by caring for his younger brothers, Cecilio and Arturito, and by becoming a second parent to them.


Salvador, instead of enjoying the freedom and fun of childhood, takes on the responsibility of looking after his younger brothers. Each morning, he “shakes the sleepy brothers awake, ties their shoes, combs their hair with water, feeds them milk and corn flakes from a tin cup” (Paragraph 1). The range of ways that Salvador cares for his brothers suggests that he has assumed the role of their parent. Furthermore, his duties do not end there, for he escorts Cecilio and Arturito to school, and he collects them at the end of their day. These actions, combined with no mention of his mother’s involvement in the care of the younger boys, illustrate that Salvador is responsible for all facets of raising them. Salvador has thus stepped in as Cecilio and Arturito’s father.


The family’s poverty contributes to Salvador’s parental role. In the vignette’s opening sentence, Cisneros notes that “Salvador [...] runs along somewhere in that vague direction where homes are the color of bad weather” to care for his brothers (Paragraph 1). The description of homes in his neighborhood as weather-beaten suggests that it is an impoverished area. Furthermore, Salvador “lives behind a raw wood doorway” (Paragraph 1), indicating that elements of his house are unfinished, for the doorways lack varnish or paint, topcoats that give structures a completed look and prevent the “bad weather” coloring in the first place. Because this imagery of the family’s financial hardship precedes the details of Salvador’s responsibilities, Cisneros implies that his role as caregiver is a result of the family’s financial precarity. Furthermore, there is no mention of a father, so the fact that Salvador “helps his mama” (Paragraph 2) insinuates that this is a single-parent, single-income household. Even though Salvador himself is young, only “forty pound[s],” and is described as “a boy like any other” (Paragraph 3), he is more like an adult than a child. Because of the family’s socioeconomic status, Salvador is forced to assume the role of parent for his younger siblings.

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