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American illustrator, author, and animation producer Nate Diana Stevenson, known professionally as ND Stevenson, is the creator of Nimona, an acclaimed science fantasy graphic novel that began as a webcomic in 2012 and was published for print by HarperCollins in 2015. Nimona was adapted into an animated film released by Netflix in 2023. The graphic novel received several awards, including the Cartoonist Studio Prize for Best Webcomic (2012), the National Book Award for Young People’s Literature (2015), and the Eisner for Best Graphic Novel/Reprint (2015). The film adaptation was nominated for the Academy Award for Best Animated Feature, losing to The Boy and the Heron.
N.D. Stevenson is also the co-writer for the comic series Lumberjanes and published an autobiographical essay collection, The Fire Never Goes Out. He is the creator, showrunner, and executive producer of the popular animated television series She-Ra and the Princesses of Power, which ran on Netflix from 2018 to 2020. Stevenson is non-binary and transmasculine, identities that inform his writing, both in fiction and nonfiction. He has written about his experiences as a transgender man in his webcomic, I’m Fine I’m Fine Just Understand. He also won a GLAAD Media Award in 2016.
Stevenson began writing the story that would eventually become Scarlet Morning when he was a child, arising from a combination of adapting stories for tabletop roleplaying games with his friends and an interest in pirates. Having finished She-Ra and the Princesses of Power and suffering from burnout during the COVID-19 pandemic, he rediscovered the original manuscript and decided to rework it into a duology (King, Jade. “A Pirate Adventure Two Decades in the Making.” The Gamer, 23 Sept 2025).
Scarlet Morning is the first novel in a duology, with a sequel tentatively titled Evening Gray forthcoming. Scarlet Morning is set in a secondary fantasy world of islands called Dickerson’s Sea, once ruled by a beautiful young queen, Hail Meridian, from the wealthy island called Faire Distance. Legends say that the greatest threat to the safety and peace of these islands was pirates who built kingdoms on their own islands and terrorized the waters. The infamous pirate, Scarlet Morning, murdered Queen Hail Meridian, stole her crown, and caused a cataclysmic event known as the Great Blow. The Great Blow soured the sea, turning it into a thick sludge and covering it in thick sheets of salt that isolate the islands and prevent ships from traveling. It also transformed many animals into monstrous creatures. In retaliation, the parliament of Faire Distance began the Pirate Massacre, hunting down the pirates to eliminate the threat.
Several clues in the novel situate Dickerson’s Sea in an isolated part of the “real world” of Earth. Such clues include history books that Viola reads, which describe a world much larger than the salt-enclosed islands of Dickerson’s Sea that no one else seems to recall. Another clue is the Book, which makes veiled references to Darwin and “his ruddy finches” (34), indicating some familiarity with English naturalist Charles Darwin’s book On the Origin of Species (1859), further grounding the world of the narrative in real-world history. Stevenson has also indicated in several interviews that the sequel will be set in a different location, indicating that characters may travel beyond Dickerson’s Sea.
The plot and setting of the Scarlet Morning duology are inspired by many literary and pop culture influences, including tabletop role-playing games, the works of Douglas Adams (author of The Hitchhiker’s Guide to the Galaxy, 1979), an Australian fantasy series called Monster Blood Tattoo, James Cameron’s Titanic (1997), and the Coen Brothers’ 2010 film adaptation of the novel, True Grit (1968). Reviews have also compared the intricate worldbuilding to Garth Nix’s Old Kingdom series (the first book of which, Sabriel, was published in 1995), and the darkly comedic tone to Lemony Snicket’s A Series of Unfortunate Events (1999). The novel includes gray-scale ink-drawn spot illustrations (small illustrations placed alongside text on the page) and full-page illustrations in Stevenson’s recognizable cartoon style, which enhance the character and setting descriptions.



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