62 pages 2-hour read

Scarlet Morning

Fiction | Novel | Middle Grade | Published in 2025

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Chapters 18-26Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death and graphic violence.

Chapter 18 Summary

Viola asks what the strange fog is. Chase says it is “complete and utter emptiness… and it’s what surrounds Dickerson’s Sea on every side” (190). Sailors call it the Gray. Viola believes the Gray is the same thing as Alias’s Lacuna Laridae. She knows that there used to be more to the world: seven seas, more land, and more people. She has seen maps with blanks around the edges and history books filled with gaps, as if something was erased and no one remembers what. She also knows it did not start with the Great Blow 15 years ago.


Chase says it does not matter. All they can do is survive it. She says that Viola will never understand how it felt to watch things “slip through our hands like grains of sand” and “bury our dead in the sea” (191) and not even know which things died and which simply vanished.


Hurt, Viola tells Chase about Hestur and how Wilmur slowly forgot that she ever existed. She wants to know why. Chase admits that Dickerson’s Sea was always strange, and the Gray always existed around the borders. Perhaps there used to be more, but she does not know when or where. Now the Gray pushes deeper in, swallowing more every day, and things fall in and disappear as if they never existed.


Viola offers to help decipher the page from the Book they have with them. It is a letter from Alias to his son, entrusting the Book to his care. It mentions a map, but Chase says that there is no map in the Book. Viola notices a blotch on the paper shaped like an island she once read about called Gull Gap. Chase says there is no such island, but Viola says it must have vanished in the Gray. She points out inconsistencies in the typewriter font, but Chase does not know what a typewriter is. Viola notes the tiny pinpricks in the letter and holds them up to the light. It is a constellation that they can use as a point of reference. Excited, they agree that they still need to reach Wilder’s Green. Once there, they can decide what to do next. Viola decides that she does not care about going to Faire Distance anymore.

Chapter 19 Summary

Wilmur wakes on a ship with many people in blue uniforms staring at him. It has been days since he left the Calamary Rose. The crew of the Queensmen ship Excelsis had found him asleep and rescued him off the pack. The Excelsis’s captain is Jacquelin Tavernier-Bleu, a petite but formidable woman. Also with them is Herman Ravenspurn, the head of the Queensmen, a bald man with a gilded breastbone across his chest like a large piece of jewelry. Wilmur explains that he is searching for his friend. One of the sailors, Derringer, kindly welcomes Wilmur aboard and offers him a bunk to sleep.

Chapter 20 Summary

Viola and Chase become more friendly as they travel. One night, fog hangs low to the ground, and a silver ring forms around the moon, reminding Viola of Hestur’s warnings. They keep walking and find tracks in the salt. Chase says they have found her old friends.


An old woman named Quagga appears, greeting Chase as “Danny-Boy” (211). Quagga says that everyone else is dead. She thought that Chase was dead, too. She tells Chase that her friends are coming and that “The Silver Circle will find you, Danny-Boy. […] Did you think you could run from it forever?” (213). Chase draws her sword and cuts Quagga’s throat. Something dark and viscous rushes out of the body and toward Viola, but Chase shoots it with her pistol.


A noise like a thousand voices screaming fills the air, and Chase tells Viola to run. A dark cloud pours out of the sky toward them. Viola runs, but the cloud descends on her, and something pierces her shoulder. She screams and falls into darkness.


She hears voices and fragments of conversations in her head. Chase pulls a barbed feather out of her shoulder. Viola says that Quagga’s friends are in her head now. Chase offers to take Viola wherever she wants to go and promises not to leave her. Viola asks Chase to make sure Wilmur does not forget her, and then she passes out. The chapter closes with the full-page image of Chase cradling Viola against her chest (219).

Interlude Summary: “Journals and Proceedings Relating to the Study of Bizarre Occurrences in the Curious Region Known as Dickerson’s Sea”

This section of the novel includes facsimile pages from the Book. The pages are in a typewriter font and covered in ink blotches, paw prints, handwritten notes, and water rings. The last two pages are water-damaged and nearly unreadable. The pages start with the definition of “lacuna,” meaning “a gap, break, hole, or lack in a set of things; […] a vacancy caused by omission, loss, or obliteration of something…” (222). Next, there is an experiment in “Paradox Decay” (224) in which Alias takes a mother cat away from her newborn kittens, places her in something (the word is x-ed but refers to the Lacuna Laridae), to see what happens to the kittens. The kittens change, growing longer limbs and speaking a strange language.


Alias then experiments to see how the Lacuna affects language. He places a children’s book, titled “The Man on the Yellow [blotted out]” inside. He discovers that a word has disappeared from every text he owns. From context clues, including a photo of a man astride a horse with the horse’s head erased, it becomes clear that he has erased the word “horse” from the English language. The journal includes “A Treatise on Coincidence” (228) in which Alias Crowe insists that he has not “gone mad” (228). Then Alias describes a creature he calls the Angel, with leathery skin and wings. He describes hearing voices outside his room. One voice is Charlotte’s (presumably his wife), though he knows she is gone. The voice asks if he is dead yet. He finds a page he does not remember typing, with the words: “Do you want to die with me? Well, do you?” (232). The last page is torn, water-damaged, and unreadable except for lines that say: “I did not do this. I have committed no sin. […] I know that I can fix it. I know that next time I will get it right. Please, just give me one more chance…” (234).

Chapter 21 Summary

Aboard the Excelsis, Wilmur adjusts to living with the Queensmen. Herman is always nearby. One day, Wilmur asks why Herman wears bones, and Jacquelin explains that it is an old mourning custom on Civilized islands to wear a piece of lost loved ones. Jacquelin also carries a small piece of her twin brother, who died at sea. She has a lock of his hair pinned inside her uniform. Quietly, she advises Wilmur to never “let anyone tell [him] the Massacre was justice” (238). People like Herman will claim it is because they cannot face their own guilt. Herman is the last surviving member of Parliament. He personally ordered the purge of the pirate islands that started the Massacre. Everyone around him died, but he lives in comfort.

Chapter 22 Summary

Viola floats through scenes and conversations. The fragmented nature of her dreams is enhanced typographically by fragmented paragraphs and words scattered on the page. She sees a bedroom with a baby crying in a bassinet in the corner. A man is typing on a typewriter while a woman tells him not to work all night. The man says, “You’re not her […] the eyes are wrong” (242). She hears voices speaking all at once. Someone says, “I’m Annie, and I won’t be here long” (243).


Then she is standing in an opulent room. A beautiful girl with gold hair and violet eyes sits at a dressing table. It is Queen Hail Meridian. The gold hair is a wig, beneath which her hair is thin and pale. A man with green eyes and silver hair sneaks into the room. Hail Meridian calls him Ves, and he kisses her. She says that people are always watching her, and “plotting against her” (247). Ves calls her Elize and promises that no one suspects “their beloved queen has been a pirate all along” (247). Ves explains that he has made deals with the pirate courts. The last holdouts are the Requiem Sharks, and he will win them over soon. Then Elize will rule as the head of a “golden age of piracy” and “bring the Civilized world to its knees” (248). Anyone who raises a hand against her will face the Silver Circle. Viola tries to listen more, but the vision rips away, flinging her into light.

Chapter 23 Summary

Viola wakes. Chase is holding her, and they are aboard the ship, SCS Brightest and Best. Captain Prickpost praises his men for rescuing two women off the salt pack. In his cabin, Chase claims to be Eribelle Swift and calls Viola her daughter. She tells a story about escorting her husband’s coffin home when their ship was attacked by a whale and they became stranded on the pack. Viola listens with wide eyes and notices that Chase tries not to meet Prickpost’s gaze. An illustration contrasts Viola’s panicked expression with Chase’s calm, unconcerned posture. At first, Prickpost commiserates and offers to take them to the nearest island, Wilder’s Green. Then Chase accidentally looks up, and Prickpost recognizes her, calling her Lenora de Merle-en-Sables.

Chapter 24 Summary

Despite Chase’s protests, Prickpost is certain that she is a pirate called Lenora de Merle-en-Sables. His men throw them both in the brig. Now alone, Chase explains that Viola has been asleep for two weeks. She carried her across the pack until this merchant ship found them. Chase says she has escaped capture before and is confident she can do it again. The merchant crew put cuffs on Chase but not Viola. Chase talks Viola through the process of picking the lock on the cuffs.


Then Viola asks what happened to her. Chase explains that the cloud that attacked her was seagulls. Their blood contains poison that should have killed Viola. Viola describes her dreams, and Chase freezes. Viola realizes that it was not a dream, but real. She asks if Chase killed the queen to stop Ves’s plot. Chase claims she is the monster the stories make her out to be, but Viola thinks she is a good person who is trying to fix things. Chase yells at her to stop, warning that she will not like the answers she keeps digging for.

Chapter 25 Summary

Wilmur writes a letter to Viola. He describes the Excelsis and crew, including his new friend, Derringer. He talks about Jacquelin, who is serious but nice, and about Herman, who stares at him a lot. Jacquelin has told him that a packet ship is meeting them soon to deliver supplies, and he can send his letter then, but he does not understand how the letter will get to Viola if he does not know where she is.

Chapter 26 Summary

Viola wakes with Chase’s knife pressed to her throat. Viola tries to calm her, thinking she is sleepwalking again. Then Chase yells that she will kill her, and Viola screams. Outside, they hear men running. Chase whispers to Viola that she needs to convince Prickpost that Chase kidnapped her and threatened her to keep her quiet. Then they will let her go on Wilder’s Green, and she can start a new life. Viola cries, wanting to stay with Chase. Chase refuses, saying that something is coming for her and Viola needs to be safely away from her. She instructs Viola to look for a one-eyed man on Wilder’s Green named Ling Freshwater, tell him that Charley Noble was looking for him, and ask him to take her to the Second City. Just as the crew bursts in, Chase gives Viola her knife and yells again.


Viola does as she is told. Prickpost believes her story and gives her a place to sleep, saying they will reach Wilder’s Green in a week. Prickpost congratulates himself on rescuing her from the evil pirate, who will be executed as soon as he hands her over to the Queensmen.

Chapters 18-26 Analysis

As the story approaches its midpoint, Stevenson utilizes the device of the Book to reveal details about the history of the world and its characters, interrupting the narrative with facsimile pages from the Book itself. The entries in these pages grow increasingly disoriented and fragmented, forcing Viola and Chase to interpret them. Many words are redacted or blotted out, making their task more difficult. Through context, they determine that Alias is experimenting with the Lacuna Laridae, erasing both words and objects from the flow of time and reality by placing them in the Lacuna. The included pages provide details about Alias’s background as well, including mentions of his wife and son. Just as an earlier passage about the mogrim foreshadows events in the later chapters, these pages hint at relevant details in the sequel. However, the surreal and fragmented nature of these pages leads to more questions than answers, encouraging readers to keep reading.


Following the encounter on the cliff, Viola discovers that the Great Blow is not solely responsible for the unnatural wrongness of Dickerson’s Sea. She notes the missing parts in books and maps and the disappearance of the sailor in Chapter 9, and theorizes that the Gray has either separated Dickerson’s Sea from the rest of the world or erased the rest of the world entirely. The Interlude of pages taken from the Book, in which Alias observes the strange occurrences of the Lacuna Laridae, supports this theory. This convergence combines the mystery of the Book with the greater mystery of what is wrong with Dickerson’s Sea. Additionally, clues from the Book hint at a link between the fantasy setting of the novel and the real world.


Viola’s experiences in the Bleachfield help her see that the problems of her world, though created by the adults around her, will not be fixed by them, emphasizing the novel’s thematic engagement with The Burdens of Inherited Failure. Even Chase—whom Viola now regards as a mentor, even a hero—has given up on doing anything about the situation, motivating Viola to take action herself, a turning point in her arc. She believes the “things that happened before [she] was even born are just too big to fix. But they can be fixed […] It’s not too late. Someone’s got to do something…and if no one else will, then maybe that someone has to be [her]” (337). Viola’s anger at the problems she and the other children in the story have inherited and her determination to do something about them undergird the narrative with a sense of hope and possibility for a future in which a younger generation fights to restore their broken world.


In Chapter 20, the narrative introduces the device of the deadly seagulls—an obstacle with escalating consequences for the protagonists. The gull attack and Viola’s subsequent poisoning alter not only her immediate path, but her sense of self, her view of the world, and her entire future. The dreams she has under the influence of the poison further complicate the novel’s thematic exploration of The Relationship Between Story and Truth. Viola’s dreams depict an entirely different version of the story than what has been revealed so far in either the exposition or other characters’ stories. Stevenson indicates that the dreams reveal fragments of the truth about the events that led to the Great Blow and the Pirate Massacre, but their disjointed nature forces Viola to interpret them herself. The visions complicate and contradict the history that Viola has always been taught and call into question everything Viola believes about her world. In her visions, Viola attempts to parse the truth from the legend, though she does not have enough pieces to fully understand what she sees. To highlight the importance of this scene, a large framing illustration surrounds the text on pages 244-45, depicting Hail Meridian in a beautiful dress and regal pose.


Through the visions, the novel introduces two new secondary characters: Hail Meridian and Ves, hinting at an antagonist beyond the world itself. According to Viola’s visions, Ves and Hail Meridian/Elize were the true villains of the story all along, and no one knew it except Chase. The visions also reveal that Ves controls the Silver Circle (and the gulls) and is responsible for the attack that poisoned Viola, placing them in conflict.


The Silver Circle represents the threat of death and, as emphasized by Quagga’s warning, the past catching up to Chase. The motif of names, already important in the first half of the novel, takes on increasing significance with each new alias that Viola learns to associate with Chase. By the time they separate in Chapter 26, Chase has five different names, none of which appear to be her real one, and all of which symbolize a secret she wishes to conceal.

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