62 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death and graphic violence.
The Brightest and Best arrives at Wilder’s Green, and Viola disembarks. Wilder’s Green is surrounded by a port and filled with a sprawling city of brick, wood, and tall chimneys. It is also crowded, making Viola feel small and alone. Viola tries to find the person Chase told her about. As she wanders, she comes across an enormous monument made of bones bearing the names of famous pirates. Viola is horrified. Though she has heard stories about the Pirate Massacre all her life, she can now picture those she knows, like the crew of the Calamary Rose, as its victims.
Eventually, she finds a one-eyed man named Ling Freshwater, just as Chase told her. However, he does not recognize the phrase “Charley Noble was looking for you” (284). He explains that he is Ling Freshwater, Jr., and his father died years ago. When she tells him she needs to find the Second City, he warns that it is dangerous and tries to sell her a piece of silver so she can travel there safely. An older girl, about 18 years old, intervenes, accusing Ling of trying to scam Viola. The girl, Elvey, offers to take Viola to the Second City.
Elvey leads Viola through the town. She’s friendly with everyone in the poor, working-class area. They reach a giant black rift, within which they can see the wreckage of buildings and mangled lampposts. The Second City is more accurately the first city built on Wilder’s Green, but it flooded easily, so the people covered it and rebuilt the new city on top with the same layout, every detail replicated. People do not go down to the Second City, believing it is haunted.
They walk along the edge of the rift to an abandoned villa upon which someone has written: “THESE STREETS BELONG TO THE REQUIEM SHARKS” (292). They enter a decaying ballroom in the villa where a group of children greets them. Elvey introduces them as “the last pirate guild in all of Dickerson’s Sea” (293). There is one old man, Gubb, who explains that “Charley Noble” is an old pirate code. Everyone in the group came from a pirate family, who they lost during the Massacre, and they take care of each other now.
The group makes Viola feel welcome. Everyone eats together and sings a pirate song in the evening. The younger children ask Gubb for a story because he knows all the famous pirates. Viola asks if he knew Scarlet Morning, but he says that Scarlet Morning was just a myth. Instead, he tells a story about the Requiem Sharks, whose pirate court ruled Wilder’s Green from the Second City. They did not harass the regular people, only the Queensmen. A few years before the Great Blow, they started dying mysteriously. Most were already dead before the Massacre started. People fear that whatever killed them off is still down in the Second City.
Aboard the Excelsis, Herman asks to speak with Wilmur about the Calamary Rose. Wilmur can tell he is fishing for information about pirates, but insists that the ship was only a porp-hunting vessel. Herman asks where Wilmur came from and says that Wilmur is not a “real name” (309). Wilmur insists it is real because it is his.
Viola dreams again. She sees the man with the typewriter, older and more haggard, a graveyard with a grave dug up, and a girl crying in a cellar. The girl looks at Viola and says she is not supposed to be there. The dream shifts again. She is in the city square in the Second City. At the end of the square, she sees a pub, its front formed out of the hull of a ship, with a sign calling it Neptune’s Cup. Inside, a group of pirates sing. She recognizes them from Gubb’s description of the Requiem Sharks. They turn to look at her, and there is something wrong with their eyes. They scream. Then gulls burst through the windows, killing everyone in minutes. Just before Viola’s vision goes black, she sees a figure standing amid the gulls: a man with silver hair and a giant bird on his shoulder. An illustration evokes the ominous and threatening nature of the image (314). Gubb shakes her arm to wake her.
Viola ventures out into the city. She scavenges charcoal and travels around the city, writing Wilmur’s name everywhere she goes. A six-year-old girl named Rhosymedre offers to help when she understands that Viola is trying to find a friend. Rhosymedre offers to take Viola to an oracle woman called Tal dei Tali, who can find anything.
They find the oracle hiding in a large drainpipe, concealed in darkness. Tal dei Tali is a haggard old woman. She asks how Rhosymedre’s father’s broken leg is healing, and Rhosymedre says that her father has not broken his leg. Viola gives Tal dei Tali one of her boots, which first belonged to Wilmur, to help find him. Tal dei Tali says his name is William, not Wilmur. She does not say where he is. She sees Chase’s knife in Viola’s belt and asks where it came from.
Tal dei Tali takes the knife and says that it once belonged to a man who fell and gashed his neck on the spike of an iron fence and died. Suddenly, she panics, calling Viola a dream. Viola grabs the woman’s arm and falls into a vision of Hail Meridian hiding in a cellar. In the vision, Hail Meridian can see her and speak to her. The vision shifts to a man with silver hair and green eyes, a monstrous bird with gray wings on his shoulder.
When Viola escapes the vision, Tal dei Tali is screaming. Viola sees her face clearly for the first time. She is not as old as she seemed. Her hair is pale, and her eyes are violet. It is Hail Meridian.
Viola asks Rhosymedre to fetch water for Tal dei Tali. Alone, she asks Hail Meridian how she is alive. Hail Meridian insists that she is dead because that is what people want. Others have seen but not recognized her because they did not want to. They prefer the story about the innocent, beautiful queen murdered in her prime. If she is not dead, then the massacre and everything that came after were wrong, and people cannot face their guilt. Instead, she hides with the dead, knowing it is her fault.
Hail Meridian says that she has seen Viola in her dreams. Viola thinks that it is because of the gulls’ poison. She sees a pale ring in Hail Meridian’s eyes. Then Hail Meridian screams again, saying that Viola will bring the Silver Circle back. Rhosymedre returns, and she and Viola leave together. Viola asks if Rhosymedre can see anything in her eyes. The little girl says it is like a shiny ring.
Wilmur and Jacquelin stand on the deck. She asks what Herman wanted when Wilmur spoke to him. He tells her about the conversation, still trying to hide the truth about the Calamary Rose. When Jacquelin confides that her twin brother was a pirate, Wilmur admits that the crew of the Calamary Rose used to be pirates. He tells her what Herman said about his name, remarking that it is funny that Herman is the second person to say his name is not real. Chase said the same thing. Jacquelin suggests that both Herman and Chase suspect it is not his original name. Wilmur does not understand what that means, and Jacquelin does not explain further.
In the villa, Viola sits alone, staring at a tiny mirror. Now that she knows to look for it, she can see silver circles in her eyes, just like those in Hail Meridian’s. She wants answers and knows that she can find them in her dreams, but when she tries to sleep, she fails. Elvey asks what is wrong, and Viola explains that she grew up on a dead island where the people had given up. She says she met someone important who made her feel important too, like she “was part of the story” (336). Now she’s alone, confused, and fears that “everyone here has already given up, too” (337). She decides that if no one else will fix things, then she will.
Elvey calls Viola lucky, explaining that the truly lucky people are those who know that even the bad things have “led somewhere worth going” (338), and therefore have no regrets. Elvey lost her parents during the Massacre, and they were not even pirates. They were bakers. Viola finally falls asleep.
In her vision, she is with Hail Meridian, in a cellar beneath a pub in the Second City. The door smashes in, and Chase enters, saying that she is there to fix Hail Meridian’s mess. Hail Meridian struggles. Chase angrily explains that the Queensmen are coming, and they are hungry for blood. Hail Meridian used the mask of Scarlet Morning to stage her own abduction and fake her death. Now the Queensmen have the excuse they wanted and will not care that the queen is alive. They might even kill her themselves to make sure the story sticks. Chase adds that Vesper Argent slowly poisoned Hail Meridian because “he needed a mad queen” (343) to control, which is why she hears voices. Chase takes the Scarlet Morning mask, explaining that she will cause a distraction so that Hail Meridian can run. She says that Hail Meridian cannot die. If she is alive, they have a chance to fix things.
Hail Meridian laments that Chase never came back, and everything is over. Viola retorts that it is not over if they are both alive to do something about it. They think Ves must be behind everything. Viola tells Hail Meridian to stop hiding and be the queen again, but Hail Meridian says that she has no authority without her crown, which went missing the night she staged her abduction. She thinks that if she could hold her old pistol again, which she left in the cellar, she might be able to use it to find the crown. Viola realizes that the cellar must be beneath Neptune’s Cup and promises to find it.
The next day, Viola uses recognizable landmarks to count her steps toward where she believes the original Neptune’s Cup should be. She makes a map as she goes, climbing down to the Second City and using the map to locate the pub. The Second City is dark and creepy. She hears footsteps around her but ignores them. Finally, she finds Neptune’s Cup. The bodies of the pirates killed by gulls still lie inside. She walks past them to a trapdoor and finds the cellar beneath. Just as Hail Meridian told her, the pistol is still there.
Viola turns to leave, only to find something blocking the entrance. It is shaped like a woman and speaks in Hestur’s voice. The creature tells Viola to remember “section four, page three hundred and seventeen” (358). Viola realizes the creature is a mogrim, which should be lost in the Lacuna Laridae. The mogrim explains that the Lacuna is overflowing, and many of them are free now. They are the voices Viola hears in her dreams. She needs to listen. It says: “We died in pain […] and that will be the fate of everyone in Dickerson’s Sea unless it can be stopped. The Silver Circle will take and take and take, until there is nothing left” (358-9). It asks what Viola will do about it.
She pushes past it and runs. Behind her, it chants the same words Quagga said just before she died: “Evening gray and morning red brings down rain upon his head” (359). The screaming starts as Viola runs out of the pub.
Viola’s separation from Chase at the end of the previous section catalyzes Viola’s character development, as it shifts the action away from the Bleachfields and onto the island of Wilder’s Green, forcing Viola to learn how to fend for herself. The loss of a protagonist’s support system (Chase doesn’t appear again in these chapters except in flashback scenes) represents an important aspect of many adventure stories. The protagonist must lose their mentor figure to claim their sense of self, discover what they are capable of, and choose their own purpose.
On Wilder’s Green, Viola finally finds her own community and sense of belonging among the children who call themselves the Sons of the Requiem Sharks, highlighting The Importance of Chosen Family and Community. The Sons of the Requiem Sharks support and care for each other in a time of enormous scarcity and trauma—losing their families during the Pirate Massacre and living in squalor on the edge of the Second City. As Elvey tells Viola, “Most of us here lost our families to the Massacre…Now we take care of each other” (295). They do not hesitate to accept Viola into their home and share what they have with her, showing the power of such friendship and camaraderie.
In this section of the novel, Viola’s earlier sense of righteous anger over the wrongness of the world becomes an explicit motivation. Over time, her views about pirates, the Queensmen, and the black-and-white nature of good and evil have shifted, becoming more complex and nuanced. She now realizes that pirates are just people, both good and bad, and the Queensmen’s actions during the Massacre were brutal, indiscriminate, and unjustified. Her decision to fix the world if no one else will points to the novel’s thematic engagement with The Burden of Inherited Failure. The children of Wilder’s Green who suffer the devastating consequences of the adults in their lives reinforce the theme. They have lost their families, and the sea has turned deadly and strange, due to the actions of adults like Ves, Hail Meridian, Chase, and Herman, none of whom have made any effort to fix what they did, leaving burdens that the children have no choice but to carry. Viola, by contrast, consciously chooses to accept this burden and the responsibility to do something about it, positioning her as the hero of the adventure narrative.
Structurally, the action in these chapters centers around Viola, but several short chapters reveal Wilmur’s concurrent path. His decision to leave the Calamary Rose demonstrates how important Viola is to him. Though he’s grown fond of the family he’s found among the crew, Viola represents his true home. His decision to find her also allows him to befriend another crew aboard the Excelsis—a plot device that brings him into contact with his biological father, Herman, which Stevenson signals through inferences made by both Herman and Jacquelin. The two crews differ significantly, yet Wilmur integrates well with both, reinforcing his easygoing nature.
Stevenson employs another major plot twist, introducing a new character to the narrative that once again alters Viola’s understanding of the world. Viola’s encounter with the presumed-dead queen Hail Meridian twists the plot on its head, emphasizing the disconnect in The Relationship Between Story and Truth within the world of the narrative. Though she knows that Hail Meridian was a pirate working for Ves, Viola had still believed that Chase killed her. She now realizes she’s constructed her own understanding of the truth from an amalgam of the stories told to her by Hestur and her experiences with Chase, concluding that Chase is the unjustly maligned hero who killed Hail Meridian to save Dickerson’s Sea. However, the truth proves to be much more complicated, reinforcing the strained and often contradictory relationship between legends and the truths behind them. The scene also reveals that Viola has been marked by the Silver Circle, just as Hail Meridian and Chase have, recalling its symbolism as a warning of death.
Viola’s meeting with Hail Meridian gives her a renewed sense of purpose, pushing her to enter the Second City despite her fear. This moment of action pushes the plot forward, both because Viola finds the pistol that should help them locate the crown, and because she encounters a mogrim, a creature foreshadowed by Alias’s description in the Book in Chapter 3. The mogrim’s warning about the Silver Circle heightens the stakes of the plot and increases the responsibility on Viola’s shoulders as the plot builds toward the climax.



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